Lyudmila Lyadova

Lyudmila Alekseevna Lyadova (Russian: Людмила Алексеевна Лядова; born 29 March 1925) is a Russian composer who lives and works in Moscow.

Lyudmila Lyadova
Lyudmila Lyadova in 2015
Born
Lyudmila Alekseevna Lyadova

(1925-03-29) March 29, 1925
Sverdlovsk
Occupationcomposer, singer
Years active1948-present

Early life

Lyudmila Lyadova was born in Sverdlovsk into a family of professional musicians. Her father was Alexei Ivanovich Lyadov, a tenor soloist and violinist of the Sverdlovsk Opera Theatre, and her mother was Julia Petrovna Lyadova (1902-1980) who sang with the Sverdlovsk Philharmonic. Lyudmila took private piano lessons as a child, studying with Vanda Bernhard-Trzaska. At the age of 10, she entered the Sverdlovsk Conservatory where she studied with Bertha Marants and Victor Trambitsky. At the age of 14 she made her debut with the Sverdlovsk Philharmonic conducted by Mark Paverman.[1]

Early career

During World War II, Lyadova and her mother became active in concert brigades to entertain the troops, where Lyudmila played and sang popular songs. By November 1943, she had already written a children's miniature on poems by Agniya Barto and Petrovsky and other works including a piano sonata. She appeared in Moscow in a showcase for young talent, and two years later won a performance prize in Moscow for a duet with Nina Panteleeva. The duo went on to tour successfully and participated in variety shows and summer theater.

Career

In February 1951 Lyadova was admitted to the Union of Soviet Composers, and soon afterward the duo broke up as she spent more time working as a composer. She collaborated with poet Georgy Hodosov to produce about one hundred songs, and also worked with poets Sergey Mikhalkov, Yevgeny Yevtushenko, Nikolay Dorizo, Lucia Zubkova, Boris Bryansky, Vladimir Petrov, Tamara Ponomareva and others.

Family life

She married Alexander Fedorovich.[2]

Honors and awards

Works

Lyadova is noted for operettas and theater for children.[8] Selected works include:

  • Podem (1980)
  • Two Colors of Time (1986)
  • Under a black mask (1960) [9]
  • Atamansha (1972)
  • In a dangerous level (1976)
  • Who's your bride? (1978)
  • Miner's Bride (1983)
  • Soul Soldier (libretto by Eugene Shatunovsky, 1962),
  • The Tale of Eremu, Daniel and evil forces (1977)
  • A Countess from San Francisco (Izhevsk Academic Opera, 1993)
  • The Great Battle (lyrics by Vladimir Petrov, 1967)
  • Concert Waltz for piano, 1950
  • Carousel for piano, 1960
  • Concert Polka for piano, 1965
  • Concerto for Piano and Orchestra in A minor, 1965
  • Intermezzo, Rhapsody, for Russian Folk Instruments
  • Kolkhoznaya Polka, 1950
  • Ural Rhapsody, 1951
  • Volga Suite, 1952
  • The Feast of the Volga for orchestra, 1957
  • Holiday in the stadium for orchestra, 1958
  • Russian souvenir for orchestra, 1961
  • Coconuts for orchestra, 1963
  • Elegy for violin and piano, 1961
  • Blind Girl for violin, 1962
  • Fantasy for accordion, 1962
  • Negro Doll, ballet
  • Spanish Dance, ballet

Her music has been used in films, including:

  • It's Impossible Without It, 1971
  • Giraffe and the Glasses, 1978[10]

Lyadova has also published a collection of nursery rhymes entitled Pochemuchka.

gollark: Also, reliance on compiler magic.
gollark: The main problem with it is that it favours ability to read what the code does at a lower level over ability to actually understand the point of a bit of code at a higher level.
gollark: And bad.
gollark: Circles are magic.
gollark: > cos pi

References

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