Luis Álvarez Catalá

Luis Álvarez Catalá (1836 – 4 October 1901) was a Spanish painter of historical scenes and Director of the Museo del Prado from 1898 to 1901.

Luis Álvarez Catalá
(date unknown)
The Filandón, a traditional evening community gathering in León and Asturias. (1872)

Biography

He is believed to have been born in Madrid, to an Asturian family from Cangas de Narcea, where he spent the summer seasons during his childhood. After finishing his primary education in Oviedo, he returned to Madrid, where he enrolled in the "Escuela Especial de Pintura, Escultura y Grabado" and was a student of Federico de Madrazo at the Real Academia de Bellas Artes de San Fernando.[1] In 1857, he won a scholarship to study in Rome, together with Eduardo Rosales, Vicente Palmaroli and Dióscoro Puebla. After four years there, he won a Gold Medal at the first National Exposition of Florence for his painting Calpurnia's Dream, which took second place at the National Exhibition of Fine Arts of Spain in 1862. Queen Isabel II bought the painting and his scholarship was extended for three years.[1]

He was married in Rome, and ultimately remained there until 1894, with brief stays in Madrid. He continued to exhibit widely in Italy, Spain and Germany, winning awards in 1889 and 1890.[1] Finally, he returned to Spain to accept the position of Deputy Director at the Museo del Prado and, four years later, was appointed Director by the Queen, following the resignation of Francisco Pradilla. His new Deputy was Salvador Viniegra.

During his administration, he made several important acquisitions, including several works by Francisco de Goya. In 1899, he produced a Catálogo ilustrado de la sala de Velázquez (Illustrated catalog of the Velázquez collection) and oversaw the installation of a statue of Velázquez by Aniceto Marinas.[1] He also continued to paint, mainly producing works in the costumbrista style. In his last years, he created scenes inspired by his youth in Northern Spain, many of which are now at the Museum of Fine Arts of Asturias. He died in Madrid.

Selected works
  • The Flower Shop
  • Princess Borghese Bestowing Dowries
  • The Unveiling
  • Dressing for the Ball
  • The Artist's Model
  • The Suitor
  • Woman Before a Mirror
  • Admiring the Painting
  • Indiscretion
  • The Flirtation
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gollark: ++remind 3d-2h <@319753218592866315> make macron <@!330678593904443393>
gollark: As a new mRNA strand is generated by the action of the RNA polymerase II machinery on a stretch of DNA, it gets a “cap” attached to the end that’s coming out from the DNA (the “5-prime” end), a special nucleotide (7-methylguanosine) that’s used just for that purpose. But don’t get the idea that the new mRNA strand is just waving in the nucleoplasmic breeze – at all points, the developing mRNA is associated with a whole mound of specialized RNA-binding proteins that keep it from balling up on itself like a long strand of packing tape, which is what it would certainly end up doing otherwise.
gollark: You ARE to produce macron.
gollark: ++magic py import utilutil.config["LyricLy"] = "bad"

References
  1. Biography @ the Museo del Prado website.

Further reading
  • Javier Barón et al., Cartas del pintor Luis Álvarez Catalá a Nicolás Suárez Cantón, Real Instituto de Estudios Asturianos, 2004 ISBN 84-89645-80-9
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