Ludowyk Smits

Ludowyk, or Caspar Smits, or Smith or Gaspar Smitz (1635 in Zwartewaal – 1707 in Dublin), was a Dutch Golden Age painter.

Portrait of a boy, ca.1660, possibly John Arundell, 2nd Baron Arundell of Trerice.

Biography

According to Houbraken he was called Ludowyk Smits, nicknamed Hartkamp, and was the teacher of the painters Simon Germyn and Garret Morphy.[1] Smits came to live in Dordrecht for a few years with the organist Joan Kools, whose wife traded in paintings, when he was 40 in 1675.[2] He started by making "penitent Maria Magdalenes", but made his living primarily by painting fruit and flower still lifes in the manner of Jan Davidsz de Heem and Willem van Aelst.[2] He used cheap paint that faded quickly, and when his customers complained he said that the paint lasted longer than the money that was paid for them.[2]

According to the RKD he was known under the names Lodewyk, Gaspar, and Magdalen Smits, as well as the alias Theodorus Hartkamp.[3] Abraham Bredius found Dordrechtse documents in the archives there to prove that Houbraken's Ludowyk Smits and Horace Walpole's Gaspar Smits were the same person [4] He was a member of the Guild of St. Luke in Dublin from 1681 to 1688, and according to Walpole he was active in Ireland until his death in 1707.[3]

gollark: How would you like the coordinates of my corpse?
gollark: Why don't YOU do so and then have me TPA and retrieve my corpse?
gollark: Corpses, even.
gollark: Why don't YOU do so and retrieve my corpse?
gollark: That would be a clever thing to do if I wanted to go 5000 blocks oversea again.

References
  1. (in Dutch) Ludowyk Smits, in Simon Germyn Biography in De groote schouburgh der Nederlantsche konstschilders en schilderessen (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature
  2. (in Dutch) Ludowyk Smits Biography in De groote schouburgh der Nederlantsche konstschilders en schilderessen (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature
  3. Caspar Smits in the RKD
  4. Oud Holland 1915, p. 118
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