Ludmila Savelyeva

Ludmila Mikhaylovna Savelyeva (Russian: Людмила Михайловна Савельева; born January 24, 1942 in Leningrad) is a Russian film actress and ballerina. She achieved lasting fame in the role of Natasha Rostova in the 1966–68 film War and Peace, which was six years in the making. She won a Diploma prize for this role at the 4th Moscow International Film Festival.[1]

Ludmila Savelyeva
Ludmila Savelyeva (1972)
Born
Ludmila Mikhaylovna Savelyeva

(1942-01-24) January 24, 1942
Leningrad, Russian SFSR, Soviet Union
OccupationActress, Ballerina

Filmography

Year Film Russian Title Role Other notes
1964Sleeping BeautyСпящая красавицаНереидаDirected by Konstantin Sergeyev and Apollinari Dudko
1967War and PeaceВойна и мирNatasha RostovaDirected by Sergei Bondarchuk
Won the Academy Award prize
1970The FlightБегSerafima Vladimirovna KorzukhinaDirected by Alexander Alov and Vladimir Naumov
1970SeagullЧайкаNina Zarechnay
1970SunflowerПодсолнухиMashaDirected by Vittorio De Sica
1972The Headless HorsemanВсадник без головыLouise PoindexterDirected by Vladimir Vajnshtok
1977Julia VrevskayaЮлия ВревскаяJulia Vrevskaya
1981The HatШляпаMilaDirected by Leonid Kvinikhidze
1981From the evening until noonС вечера до полудняNina ZharkovDirected by Konstantin Khudyakov
1983The Fourth Year of WarШёл четвёртый год войныNadezhda MorozDirected by Georgy Nikolaenko
SnowСнегTatyana Petrovna, actress
1984We can not predictНам не дано предугадатьOlga Nikolaevna Michurin
1984SuccessУспехInna, ex-wife of FetisovDirected by Konstantin Khudyakov
1986Wild PigeonЧужая белая и рябойXenia Nikolaevna Startsev, actressDirected by Sergei Solovyov
1989Black Rose Is an Emblem of Sorrow, Red Rose Is an Emblem of LoveЧёрная роза эмблема печали, красная роза эмблема любвиAlexander's motherDirected by Sergei Solovyov
1991The plot for the two storiesСюжет для двух рассказовVolodya's mother
2000Tender AgeНежный возрастgrandmother ("Night Witch")Directed by Sergei Solovyov
2001Clock without handsЧасы без стрелок
2006Seventh HeavenСедьмое небоMargarita, the mother of Yegor
2008ChampionЧемпион
2009Anna KareninaАнна КаренинаPrincess ShcherbatskysDirected by Sergei Solovyov
gollark: Oh, and as an extension to the third thing, if you already have some sort of vast surveillance apparatus, even if you trust the government of *now*, a worse government could come along and use it later for... totalitarian things.
gollark: For example:- the average person probably does *some* sort of illegal/shameful/bad/whatever stuff, and if some organization has information on that it can use it against people it wants to discredit (basically, information leads to power, so information asymmetry leads to power asymmetry). This can happen if you decide to be an activist or something much later, even- having lots of data on you means you can be manipulated more easily (see, partly, targeted advertising, except that actually seems to mostly be poorly targeted)- having a government be more effective at detecting minor crimes (which reduced privacy could allow for) might *not* actually be a good thing, as some crimes (drug use, I guess?) are kind of stupid and at least somewhat tolerable because they *can't* be entirely enforced practically
gollark: No, it probably isn't your fault, it must have been dropped from my brain stack while I was writing the rest.
gollark: ... I forgot one of them, hold on while I try and reremember it.
gollark: That's probably one of them. I'm writing.

References

  1. "4th Moscow International Film Festival (1965)". MIFF. Archived from the original on 2013-01-16. Retrieved 2012-12-08.


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