Ludmila Savelyeva
Ludmila Mikhaylovna Savelyeva (Russian: Людмила Михайловна Савельева; born January 24, 1942 in Leningrad) is a Russian film actress and ballerina. She achieved lasting fame in the role of Natasha Rostova in the 1966–68 film War and Peace, which was six years in the making. She won a Diploma prize for this role at the 4th Moscow International Film Festival.[1]
Ludmila Savelyeva | |
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Ludmila Savelyeva (1972) | |
Born | Ludmila Mikhaylovna Savelyeva January 24, 1942 Leningrad, Russian SFSR, Soviet Union |
Occupation | Actress, Ballerina |
Filmography
Year | Film | Russian Title | Role | Other notes |
---|---|---|---|---|
1964 | Sleeping Beauty | Спящая красавица | Нереида | Directed by Konstantin Sergeyev and Apollinari Dudko |
1967 | War and Peace | Война и мир | Natasha Rostova | Directed by Sergei Bondarchuk Won the Academy Award prize |
1970 | The Flight | Бег | Serafima Vladimirovna Korzukhina | Directed by Alexander Alov and Vladimir Naumov |
1970 | Seagull | Чайка | Nina Zarechnay | |
1970 | Sunflower | Подсолнухи | Masha | Directed by Vittorio De Sica |
1972 | The Headless Horseman | Всадник без головы | Louise Poindexter | Directed by Vladimir Vajnshtok |
1977 | Julia Vrevskaya | Юлия Вревская | Julia Vrevskaya | |
1981 | The Hat | Шляпа | Mila | Directed by Leonid Kvinikhidze |
1981 | From the evening until noon | С вечера до полудня | Nina Zharkov | Directed by Konstantin Khudyakov |
1983 | The Fourth Year of War | Шёл четвёртый год войны | Nadezhda Moroz | Directed by Georgy Nikolaenko |
Snow | Снег | Tatyana Petrovna, actress | ||
1984 | We can not predict | Нам не дано предугадать | Olga Nikolaevna Michurin | |
1984 | Success | Успех | Inna, ex-wife of Fetisov | Directed by Konstantin Khudyakov |
1986 | Wild Pigeon | Чужая белая и рябой | Xenia Nikolaevna Startsev, actress | Directed by Sergei Solovyov |
1989 | Black Rose Is an Emblem of Sorrow, Red Rose Is an Emblem of Love | Чёрная роза эмблема печали, красная роза эмблема любви | Alexander's mother | Directed by Sergei Solovyov |
1991 | The plot for the two stories | Сюжет для двух рассказов | Volodya's mother | |
2000 | Tender Age | Нежный возраст | grandmother ("Night Witch") | Directed by Sergei Solovyov |
2001 | Clock without hands | Часы без стрелок | ||
2006 | Seventh Heaven | Седьмое небо | Margarita, the mother of Yegor | |
2008 | Champion | Чемпион | ||
2009 | Anna Karenina | Анна Каренина | Princess Shcherbatskys | Directed by Sergei Solovyov |
gollark: Oh, and as an extension to the third thing, if you already have some sort of vast surveillance apparatus, even if you trust the government of *now*, a worse government could come along and use it later for... totalitarian things.
gollark: For example:- the average person probably does *some* sort of illegal/shameful/bad/whatever stuff, and if some organization has information on that it can use it against people it wants to discredit (basically, information leads to power, so information asymmetry leads to power asymmetry). This can happen if you decide to be an activist or something much later, even- having lots of data on you means you can be manipulated more easily (see, partly, targeted advertising, except that actually seems to mostly be poorly targeted)- having a government be more effective at detecting minor crimes (which reduced privacy could allow for) might *not* actually be a good thing, as some crimes (drug use, I guess?) are kind of stupid and at least somewhat tolerable because they *can't* be entirely enforced practically
gollark: No, it probably isn't your fault, it must have been dropped from my brain stack while I was writing the rest.
gollark: ... I forgot one of them, hold on while I try and reremember it.
gollark: That's probably one of them. I'm writing.
References
- "4th Moscow International Film Festival (1965)". MIFF. Archived from the original on 2013-01-16. Retrieved 2012-12-08.
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