Louise Weaver

Louise Weaver (born 1966) is a contemporary Australian artist working in an array of media including sculptural installations, paintings, drawings, printmaking, collage, textiles, movement and sound. She is best known for her installation and sculptures of animals.[1] Weaver's works have been exhibited in Australia and New Zealand and are featured in major collections both nationally and internationally.

Biography

Weaver was born in 1966 in Mansfield, Victoria, Australia.[2]

She completed a Bachelor of Arts in 1988 at Royal Melbourne Institute of Technology, and a Masters of Arts, Painting in 1996 at Royal Melbourne Institute of Technology.[2]

She is best known for her large-scale installations featuring sculptures of animals.[1] Since 2014, Weaver has concentrated on creating works that she says are, “loosely termed” paintings using a wide range of materials and matter.[3] Weaver's works have been exhibited in Australia and New Zealand.

She won the Cicely and Colin Rigg Contemporary Design Award in 2003 for textiles.[4]

A retrospective of Weaver's work was shown at Buxton Contemporary in 2019.[1]

Selected exhibitions

Collections
  • The British Museum, London, United Kingdom
  • Art Gallery of New South Wales, Sydney, Australia
  • Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia
  • National Gallery of Victoria, Melbourne, Australia: 1 work (as of March 2020): Sparkling dew-covered branch)[6]
  • Museum of Contemporary Art Australia, Sydney, Australia: 1 work (as of March 2020): It would seem that eyes can live without hearts (Oracle Fox), 2005[7]
  • National Gallery of Australia, Canberra, Australia: 3 prints and 3 sculptures (as of March 2020)[8]
  • Monash University Collection, Melbourne, Australia
  • Art Gallery of South Australia, Adelaide, Australia
  • Chartwell Collection, Auckland Art Gallery, New Zealand[9]
  • Bendigo Art Gallery, Victoria, Australia
  • Artbank, Sydney & Melbourne, Australia
  • Malaysian Institute of Management, Kuala Lumpur, Malaysia
  • Dubbo Regional Art Gallery, Australia
  • Wollongong University Collection, Australia
  • The Michael Buxton Contemporary Australian Art Collection, Melbourne, Australia
  • City of Stonnington Art Collection, Melbourne, Australia
  • Queensland University of Technology Art Museum, Brisbane, Australia
  • Faculty of Science Collection, Monash University, Melbourne, Australia[2]
gollark: Relevantly, did you know that an Australian prime minister once claimed that Australian law superseded the laws of mathematics?
gollark: It's not obfuscated enough for stuff like the potatOS magic DRM blob and [REDACTED].
gollark: I should use that stuff for obfuscation.
gollark: Now make clones of them and have a board of directors.
gollark: AMD would probably *never* go for ARM except for a few special-purpose things like they did a while ago, because half the value they bring is that they have x86 support.

References
  1. "BETWEEN APPEARANCES: THE ART OF LOUISE WEAVER". Buxton Contemporary. Retrieved 7 March 2020.
  2. "Biography » Darren Knight Gallery". Darren Knight Gallery. Retrieved 7 March 2020.
  3. O'Brien, Kerrie (29 November 2019). "Appearances can be mesmerising in the art of Louise Weaver". The Age. Retrieved 7 March 2020.
  4. "2009 Cicely and Colin Rigg Contemporary Design Award | NGV". www.ngv.vic.gov.au. Retrieved 7 March 2020.
  5. "City Gallery Wellington". citygallery.org.nz. Retrieved 7 March 2020.
  6. "Louise WEAVER". www.ngv.vic.gov.au. Retrieved 7 March 2020.
  7. "Louise Weaver". www.mca.com.au. Retrieved 7 March 2020.
  8. "NGA collection search results". artsearch.nga.gov.au. Retrieved 7 March 2020.
  9. "Louise Weaver". Auckland Art Gallery. Retrieved 22 March 2020.
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