Lon Pennock

Leonardus Petrus Paulus "Lon" Pennock (22 May 1945, The Hague, – 9 March 2020, The Hague)[1] was a Dutch sculptor, environmental artist, monumental artist and photographer.[2]

Intersection (1981), The Hague

Life and work

Pennock studied sculpture at the Royal Academy of Art, The Hague from 1962 to 1967. He then continued his studies with a French scholarship to the École nationale supérieure des Beaux-Arts in Paris until 1968.

In 1969 he received both the Buys van Hulten price as the Jacob Maris incentive price. Twice he was awarded a scholarship by the Ministry of Culture, Recreation and Social Work in 1973 and in 1979. Pennock was trained as a traditional sculptor, but quickly turned into an abstract, even minimalist artist. Pennock lived and worked in The Hague, where he was born. In 1983-84 together with Kees Verschuren he developed a structure plan for art in a recreation area in the town of Spaarnwoude.[3]

Pennock was director of the Willem de Kooning Academy in Rotterdam from 1979 to 1990.[4] The 1984 sculpture in Rotterdam, working title The River (see image), was placed at the West Blaak not far from the front of the academy building.

Works
  • 1969 Fish in Zoetermeer
  • 1970 Waves in Košice, Slovakia
  • 1970 Untitled, Stormink Street in Deventer
  • 1972 Property, Mors Avenue in The Hague
  • 1973 L'homme in The Hague
  • 1973 Tree, High Prins Willem in Den Haag
  • 1974 Rhythm of three (Pilonen) in Bleiswijk
  • 1975 Sluis in Amsterdam
  • 1976 Wind Sound and surroundings, North Sea Canal at IJmuiden
  • 1980 Balance of Sheets, Johan de Witt Laan / Stadhouderslaan in The Hague
  • 1981 Landmark in Maarssen
  • 1981 Intersection, Ockenburg in Den Haag
  • 1984 untitled in Rotterdam
  • 1984 untitled, hose tower fire department in Almere
  • 1987 The Arch in Amsterdam
  • 1987 Sheet with Frame, Sinjeur Semeynsweg in The Hague
  • 1989 Untitled in Rotterdam
  • 1993 Black Waves in Amsterdam
  • 1996 Intersection in The Hague image route Picture Gallery P. Struycken
  • 2000 Balance, Rathausvorplatz in Kaiserslautern
  • 2007 Antipode, Plantation in Schiedam
  • 2009 Agneta van Marken-Matthes [1], Agnetapark, Zocherweg, Delft

1960-70s
  • Fish (1969), Zoetermeer
  • Zonder titel (1970), Deventer
  • Object (1972), The Hague
  • Boom (1973), The Hague
  • L'Homme (1973), The Hague
  • Pilonen (1974), Bleiswijk
  • Sluis (1975), Amsterdam

1980s
  • Balance of Sheets (1980), The Hague
  • Wankel evenwicht (1970), Papendrecht
  • Landmark (1981), Maarssen
  • Intersection (1981), The Hague
  • The River (1984), Rotterdam
  • Sheet with frame, (1987), The Hague
  • Untitled (1989), Rotterdam

1990s and later on
  • Black wave (1993/97), Amsterdam
  • Intersection (1996), The Hague
  • Intersection (1996), The Hague
  • Antipode (2007), Schiedam
  • J.C. and Agneta van Marken (2009), Delft (with Pieter de Monchy)
gollark: I expect iGPUs in a few generations to actually be good enough for me to happily game on.
gollark: The issue is more of scaling them up and making them more efficient (they're already doing that) and adding the ability to actually run on a dedicated card (they're doing that).
gollark: But they've made iGPUs for ages.
gollark: I mean, some, yes.
gollark: Hardly.

See also

References
  1. In Memoriam Lon Pennock (1945-2020)
  2. Lon Pennock; beeldhouwer, omgevingskunstenaar, monumentaal kunstenaar, fotograaf at rkd.nl, 2015.
  3. Han Lörzing (1986) Landschapskunst: kunstlandschap. p.84
  4. Richard Ouwerkerk, Jetteke Bolten, Cees Rijnboutt & Carolien v.d. Akker-Jean, Lon Pennock: skulptuur 1968-2003, Lannoo Uitgeverij, 2004. p. 14

Further reading
  • Jean Leering: Vier constructies voor een plek (1994, Heemstede) Finale ISBN 90 75209 01 0
  • Jean Leering e.a.: Skulptuur 1968-2003 (2003, Lannoo Tielt B.) ISBN 90 209 5408 3
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