Log line

A log line or logline is a brief (usually one-sentence) summary of a television program, film, or book that states the central conflict of the story, often providing both a synopsis of the story's plot, and an emotional "hook" to stimulate interest[1]. A one-sentence program summary in TV Guide is a log line.[2] "A log line is a single sentence describing your entire story,"[3] however, "it is not a straight summary of the project. It goes to the heart of what a project is about in one or two sentences, defining the theme of the project...and suggest[ing] a bigger meaning."[4] "A logline is a one-sentence summary of the story's main conflict. It is not a statement of theme but rather a premise."[5]

For the navigational device used to measure a ship's speed, see Chip log.

"A logline...helps content creators simply and easily sell their work in a single sentence, because the emphasis is on what makes their property unique...the logline provides the content creator with a concise way to focus on the three main anchors of their writing," the protagonist, the protagonist's wants (goal(s) or desire(s)), and what is at stake (risks).[6]

Elements

Narrative elements often referenced in a logline include the setting, protagonist, antagonist, inciting incident, and a conflict and a goal (the conflict's resolution).[7] Change, such as character growth, and action should be suggested.[4] A log line should contain four facts: "the main character, what the main character wants," the villain(s) or obstacle(s), "standing in the way," and, "the unique aspect(s) of the story."[8]

Examples

Charlie Brown is finally invited to a Halloween party; Snoopy engages the Red Baron in a dogfight; and Linus waits patiently in the pumpkin patch for the Great Pumpkin.

— Logline for It's the Great Pumpkin, Charlie Brown[9]

A talented but irresponsible teenager schemes to steal his college tuition money when his wealthy father refuses to pay for him to study acting at Juilliard.

— Logline for How I Paid for College: A Novel of Sex, Theft, Friendship, and Musical Theater[10]
gollark: On an unrelated note, I am cancelling all efforts to develop a less slow ++experimental_qa because it is too irritating.
gollark: Ah, applied principle of explosion.
gollark: And both seem like a reasonable response to "people will be eternally tortured if they do not do this".
gollark: I don't *agree* with religious evangelism, I'm saying that it does not seem inconsistent with "true Catholicism" as qh4os says.
gollark: How? Consistently, if you believe that people not believing your thing will go to hell, and hell is bad, you should probably tell them. I'm not sure exactly what Catholic doctrine wrt. that *is* though, I think it varies.

See also
  • High concept

References
  1. "How to Write Outstanding TV & Movie Loglines: The ULTIMATE Guide". Industrial Scripts®. 2019-06-11. Retrieved 2019-10-01.
  2. Brewer (2014, p. 29)
  3. Russell, James (2000). Screen & Stage Marketing Secrets: The Writer's Guide to Marketing Scripts, p.61. James Russell Publishing. ISBN 9780916367114.
  4. Perebinossoff, Philippe; Gross, Brian; and Gross, Lynne S. (2005). Programming for TV, Radio, and the Internet: Strategy, Development, and Evaluation, p.73. Taylor & Francis. ISBN 9780240806822.
  5. Steiff, Josef (2005). The Complete Idiot's Guide to Independent Filmmaking, p.57. Penguin. ISBN 9781592573905.
  6. Bishop, Lane Shefter (2016). Sell Your Story in A Single Sentence: Advice from the Front Lines of Hollywood, [unpaginated]. Countryman Press. ISBN 9781581575101.
  7. "Writing a Logline". Graeme Shimmin. Retrieved 2017-09-13.
  8. Farnham, Ronald (2011). How to Write a Screenplay in 30 Days or Less, p.51. AuthorHouse. ISBN 9781463440336.
  9. "Logline". It's the Great Pumpkin, Charlie Brown. TitanTV. Retrieved 2005-10-25.
  10. Brewer (2014, p. 29)
  • Brewer, Robert Lee, ed. (2014), 2015 Writer's Market, Cincinnati: Writer's Digest Books, ISBN 978-1-59963-840-9
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