List of operatic contraltos
The contralto voice in opera and classical music has a range which typically lies between the F below middle C (F3) to two Fs above middle C (F5). In the lower and upper extremes, some contralto voices can sing from the E below middle C (E3) to two B♭s above middle C (B♭5).[2] The contralto voice has the lowest tessitura of the female voices and is noted for its rich and deep vocal timbre.[3] True operatic contraltos are very rare.[4] The following is a list of contralto singers who have regularly performed unamplified classical or operatic music in concert halls and/or opera houses.[5]
![](../I/m/Marian_Anderson.jpg)
The American contralto Marian Anderson, She is one of the most famous singers of the 20th century.[1]
A–L
![](../I/m/Singer_Clara_Butt_(SAYRE_16488)_(cropped).jpg)
The British contralto Dame Clara Butt, Her voice possessed at once power, sweetness, fullness, and extraordinary flexibility.[6]
- Eunice Alberts (1927–2012)[7]
- Marietta Alboni (1823[8] or 1826[9]–1894)
- Marian Anderson (1897–1993)[10][11]
- Fanny Anitúa (1887–1968)[12][13]
- Cecil Arden[14] (1894–1989)
- Fedora Barbieri[15] (1920-2003)
- Eula Beal (1919–2008)[16]
- Marianne Brandt (1842–1921)[17]
- Karin Branzell (1891–1974)[18]
- Muriel Brunskill (1899–1980)[19]
- Clara Butt (1872–1936)[20]
- AnnaMaria Cardinalli[21] (born 1979)
- Lili Chookasian (1921–2012)[17]
- Belle Cole (1845[22] or 1853[23]–1905)[24]
- Kate Condon[25] (1877–1941)
- Clorinda Corradi (1804–1877)[26]
- Kathleen Ferrier (1912–1953)[27]
- Maureen Forrester (1930–2010)[28]
- Delphine Galou[29] (born 1977)
- Anna Girò (circa 1710 or 1711–1748 or later)[30]
- Louise Homer (1871–1947)[31]
- Edna Indermaur (1892–1985)[32]
- Jenny Twitchell Kempton (1835–1921)[33]
- Gillian Knight[34] (born 1934)
- Anna Larsson[35] (born 1966)
- Marie-Nicole Lemieux (born 1975)[36]
- Gisela Litz[37] (born 1922)
- Louise Kirkby Lunn (1873–1930)[38]
M–Z
![](../I/m/Disderi%2C_Adolphe_Eug%C3%A8ne_(1810-1890)_-_Alboni%2C_Marietta_(1826-1894)%2C_contralto_1.jpg)
The celebrated Italian-born contralto, Marietta Alboni, who made her La Scala debut as Neocle in the Italian version of Le siège de Corinthe.[39]
- Adelaide Malanotte (1785–1832)[40]
- Bernadette Manca di Nissa[41] (born 1954)
- Marietta Marcolini (c. 1780–1855)[40]
- Margaret Matzenauer (1881–1963), who sang mostly mezzo-soprano roles though[40]
- Antonia Merighi (died 1764)[40]
- Sara Mingardo[42] (born 1961)
- Sigrid Onégin (1889–1943)[43]
- Rosmunda Pisaroni (1793–1872)[40]
- Ewa Podleś (born 1952)[44]
- Marie Powers (1902–1973)[45]
- Sonia Prina[46] (born 1975)
- Maria Radner (1981—2015)[47]
- Geltrude Righetti[48] (1793–1862)
- Anastasia Robinson (c. 1692–1755)[49]
- Sofia Scalchi[50] (1850–1922)
- Ernestine Schumann-Heink (1861–1936)[51]
- Annice Sidwells (1902[52]–2001)
- Monica Sinclair (1925–2002)[53]
- Nathalie Stutzmann[54][55] (born 1965)
- Hilary Summers[56]
- Vittoria Tesi (1700–1775)[57]
- Kerstin Thorborg[58] (1896–1970)
- Claramae Turner (1920–2013)[59]
- Francesca Vanini-Boschi (?–1744)[40]
- Lucia Elizabeth Vestris (1797–1856)[60]
- Helen Watts (1927–2009)[61]
- Portia White (1911–1968)[62]
- Marta Wittkowska[63] (1882–1977)
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References
Notes
- Jones
- McKinney (1994)
- Appelman (1986)
- Meyers (1996)
- Unless otherwise indicated all names on this list appear in either Jander et al. or Meyers (1996)
- Butt, Clara (17 May 2013). "British Contralto...Abide with Me (1930)". YouTube: Curzon-Road.
- Cody, Judith (2002). Vivian Fine: A Bio-bibliography. Greenwood Publishing Group. p. 232.
- "Marietta Alboni". Music of Yesterday. Retrieved 7 March 2019.
- "Marietta Alboni". Find a Grave. Retrieved 10 March 2019.
- Stamberg, Susan (9 April 2014). "Denied A Stage, She Sang For A Nation". National Public Radio. Retrieved 15 June 2018.
- Dowd, Vincent (9 April 2014). "The opera singer who changed the civil rights movement". BBC. Retrieved 5 April 2018.
- Omshanti (26 October 2009). "Fanny Anitua (1887-1968)". Music of Middle Latin America.
- Various Artists (1979). "The Record of Singing...1914-1925". EMI via New York Public Library.
- Arden, Cecil. "Only to Thee". Victor via AHR. Retrieved 7 March 2019.
- Fedora Barbieri & Renata Tebaldi (2 November 2018). "Beautiful Singing - Le Violette". YouTube: Mister Opera.
- St. Austell, Edmund (13 September 2015). "Eula Beal, Contralto". Great Opera Singers.
- Hall (2002) p. 725
- Hall (2002) p. 1093
- The Musical Times,, "Muriel Brunskill", Vol. 121, No. 1646 (Apr., 1980), p. 267
- Butt, Clara (17 May 2013). "British Contralto...Abide with Me (1930)". YouTube: Curzon-Road.
- Cardinalli, AnnaMaria (22 February 2016). "Ave Maria". YouTube: AnnaMaria Cardinalli.
- George E. Hendry (1903). "Belle Cole...American Contralto". Art UK. Retrieved 30 March 2019.
- Johnston, Roy (2017). The Musical Life of Nineteenth-Century Belfast. Routledge.
- The New York Times, "Death of Belle Cole", 6 January 1905, p. 9
- Coliseum...Exposition and Congress of Woman's Achievements (from Volume 47). The Advocate: America’s Jewish Journal. 13 June 1914. p. 685.
- Rutherford (2006) p. 175
- Huizenga, Tom (15 May 2012). "Kathleen Ferrier: A Voice Not Forgotten". National Public Radio. Retrieved 15 June 2018.
- Tommasini, Anthony (17 June 2010). "Maureen Forrester...Dies at 79". The New York Times.
- Delphine Galou & Francois-Xavier Roth (4 July 2010). "Bach: Erbarme Dich, Mein Gott". YouTube: Mehdi-Caps-II.
- Talbot, Michael, Girò [Tessieri], Anna (Maddalena), in Sadie, Stanley (ed), The New Grove Dictionary of Opera (II, p. 433). New York, Grove (Oxford University Press), 1997. ISBN 978-0-19-522186-2
- "Louise Homer...Dies At 76". Pittsburgh Post-Gazette. 7 May 1947.
- http://digitalcommons.winthrop.edu/cgi/viewcontent.cgi?article=1063&context=thejohnsonian
- "Famous Singer of Olden Days was San Francisco Discovery". The San Francisco Chronicle, 20 March 1921. p 4.
- Nigel Simeone & John Tyrell (2015). Charles Mackerras. Boydell & Brewer Ltd. p. 259.
- Oron, Ayreh (September 2005). "Anna Larsson (Contralto)". Bach Cantatas Website.
- So, Joseph, "Quebec Contralto Marie-Nicole Lemieux Makes a Brilliant Ontario Debut", La Scena Musicale, 30 July 2001
- Ericson, Raymond (16 August 1964). "Lortzing's Operas Do Not Travel Too Well". The New York Times.
- Hall (2002) p. 473
- (in Italian) Arthur Pougin, Marietta Alboni, p. 26. Cesena, Il Ponte Vecchio, 2001. ISBN 88-8312-178-3
- Celletti (2000), chapter: Requiem per il contralto, pp. 236–245
- Giovanni Battista Pergolesi (5 November 2012). "Stabat Mater". YouTube: Ear-8002.
- Mingardo, Sara (1 July 2014). "Vivaldi, Dixit Dominus, De Torrente". YouTube: Medici.tv.
- Shawe-Taylor, Desmond, "Onégin, Sigrid", Grove Music Online ed. L. Macy. Accessed 4 November 2009 via subscription)
- Midgette, Anne (16 October 1998). "A Voice as Rare in Type as in Beauty", The New York Times. Retrieved 30 January 2013.
- Time, "Contralto on Broadway", 30 June 1947
- "Sonia Prina". Houston Grand Opera. 2008. Archived from the original on 6 July 2010. Retrieved 28 March 2019.
- Garry Humphreys (26 March 2015). "Maria Radner: Internationally acclaimed contralto who was due to make her Bayreuth Festival debut later this year". The Independent. Retrieved 28 March 2019.
- Gallo, Denise P. (2002). Gioachino Rossini: A Guide to Research. Psychology Press. p. 44.
- Dean, Winton, "Robinson, Anastasia", in Stanley Sadie|Sadie, Stanley (ed), The New Grove Dictionary of Opera (III, pp. 1360–1361). New York, Grove (Oxford University Press), 1997. ISBN 978-0-19-522186-2.
- Amy Louise Peyton (1983). Nightingale of the North. Breakwater Books. p. 135.
- "Schumann-Heink, Great Singer, Dead. Native of Bohemia, She Won World-Wide Acclaim in Opera and Concerts". The New York Times. Associated Press. November 18, 1936.
- "Annice - Voice of the Dales". Vimeo: Dave Haygrath. 22 February 2012.
- "Monica Sinclair". Naxos. Retrieved 29 March 2019.
- Ashley, Tim (13 November 2014). "Handel: Heroes from the Shadows CD review – a force to be reckoned with". The Guardian.
- "Nathalie Stutzmann : une voix en or", La Dépêche du Midi, 14 October 2009
- "Hilary Summers". RNCM. Retrieved 29 March 2019.
- Dr. Michael Lorenz (31 March 2016). "The Will of Vittoria Tesi Tramontini". Michael Lorenz.
- Thorborg, Kerstin (22 May 2009). "Erda - Weiche, Wotan, Weiche". YouTube: Caruso-gugge.
- Hufford, Bob (27 May 2013). "Claramae Turner". Find A Grave. Retrieved 29 March 2019.
- Entry: Vestris [née Bartolozzi] Lucia Elizabeth [Eliza Lucy], in Sadie, S. (ed), The New Grove Dictionary of Opera (IV, pp. 979–980). New York, Grove (Oxford University Press), 1997. ISBN 978-0-19-522186-2
- Steane, John, "Obituary: Helen Watts, contralto", Gramophone, 23 October 2009
- King, Betty Nygaard; So, Joseph K.; Macpherson, James B. (June 21, 2017). "Portia White". The Canadian Encyclopedia. Historica Canada. Archived from the original on March 23, 2020. Retrieved May 14, 2020.
- Otto Sarony Co. (July 1912). "Marta Wittkowska...Aida (Photo)". New York Public Library. Retrieved 29 March 2019.
Sources
- Appelman, D. Ralph (1986). The Science of Vocal Pedagogy: Theory and Application. Indiana University Press. ISBN 978-0-253-20378-6.
- (in Italian) Celletti, R. (2000). La grana della voce. Opere, direttori e cantanti (2nd edition). Roma, Baldini & Castoldi. ISBN 88-8089-781-0
- Hall, Charles, J., Chronology of Western Classical Music: 1751-1900, Taylor & Francis, 2002. ISBN 0-415-94216-0
- Jander, Owen; Steane, J. B.; Forbes, Elizabeth; Harris, Ellen T., "Contralto", Grove Music Online ed. L. Macy. Accessed 4 November 2009 via subscription)
- Jones, Randye. "Afrocentric Voices: Marian Anderson Biography". AfroVoices.com. Retrieved 2007-02-12.
- McKinney, James (1994). The Diagnosis and Correction of Vocal Faults. Genovex Music Group. ISBN 978-1-56593-940-0.
- Myers, Eric, "Sweet and Low: the Case of the Vanishing Contralto", Opera News, Vol. LXI, December 1996, pp. 18–21
- Rutherford, Susan, The prima donna and opera, 1815-1930, Cambridge University Press, 2006. ISBN 0-521-85167-X
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