Lillian Glinn

Lillian Glinn (May 10, 1902 – July 22, 1978)[2] was an American classic female blues and country blues singer and songwriter. She spent most of her career in black vaudeville.[1] Among her popular recordings were "Black Man Blues," "Doggin' Me Blues" and "Atlanta Blues."[3] The blues historian Paul Oliver commented that there were a number of female blues singers who "deserve far greater recognition than they have had", and one of those he cited was Glinn.[4]

Lillian Glinn
Born(1902-05-10)May 10, 1902
Hillsboro, Texas, U.S.
DiedJuly 22, 1978(1978-07-22) (aged 76)
Richmond, California, U.S.
Genres
Occupation(s)
InstrumentsVocals
Years active1920s only
LabelsColumbia

Biography

Glinn was born in Hillsboro, Texas, and later moved to Dallas.[3]

She was first noticed singing spirituals in church by Hattie Burleson, who also went on to become a performer. Under Burleson's guidance, Glinn became successful in vaudeville and by 1927 was signed to a recording contract with Columbia. Glinn took part in six recording sessions, in New Orleans, Atlanta and Dallas, from 1927 to 1929.[3][1] She recorded a total of twenty-two tracks.[3] Her specialty was slow blues ballads utilizing her rich and heavy contralto voice.[1] Her songs concentrated on the harsher side of life and sometimes included sexual innuendo.[3] Her recordings, including her April 1928 recording of "Shake It Down", gained her national recognition.[4]

The musicologist David Evans noted that "it is quite likely that many of Lillian Glinn's blues without any listed composer were her own material. If so, she would be the exception among Columbia's female blues singers."[5]

Following this period of activity, Glinn retreated to a church-based life and moved to California, where she married the Rev. O. P. Smith.[3]

Her entire recorded work was released in 1994 by Document Records.[6]

She was interviewed and photographed by Paul Oliver in 1971.[1][7]

Compilation discography
YearTitleRecord label
1987Lillian Glinn & Mae GloverStory of the Blues
1994Complete Recorded Works (1927 1929)Document

[8]

gollark: Yes.
gollark: We have a lot of bots, and more bots than people.
gollark: Well, *technically* yes in some sense.
gollark: Welcome¡¡¡¡¡¡¡¡¡¡¡¡¡
gollark: You are now declared a ""moderator"".

See also

References
  1. Huey, Steve. "Lillian Glinn: Biography". Allmusic.com. Retrieved September 20, 2011.
  2. Eagle, Bob L.; LeBlanc, Eric S. Blues: A Regional Experience. Santa Barbara, California: Praeger. p. 524.
  3. Head, James. "Lillian Glinn". Handbook of Texas Online. Texas State Historical Association. Retrieved September 20, 2011.
  4. Oliphant, Dave (1996). Texan Jazz. Austin: University of Texas Press. p. 71. ISBN 0-292-76044-2.
  5. Evans, David (1982). Big Road Blues. Los Angeles: University of California Press. p. 67. ISBN 0-520-03484-8.
  6. "Lillian Glinn, Complete Recorded Works (1927–1929): Credits". AllMusic.com. 1994-06-02. Retrieved 2014-01-27.
  7. Oliver, Paul (2009). Barrelhouse Blues: Location Recording and the Early Traditions of the Blues. New York: BasicCivitas Books. p. 77. ISBN 978-0-465-00881-0.
  8. "Lillian Glinn: Discography". AllMusic.com. 1994-06-02. Retrieved 2014-01-27.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.