Lili Kraus

Lili Kraus (3 April 1903 – 6 November 1986) was a Hungarian-born pianist.

The native form of this personal name is Kraus Lili. This article uses Western name order when mentioning individuals.
Kraus in 1971.

Biography

Lili Kraus was born in Budapest in 1903. Her father was from Czech Lands, and her mother from an assimilated Jewish Hungarian family.

She enrolled at the Franz Liszt Academy of Music, and at the age of 17 entered the Budapest Conservatory where she studied with Zoltán Kodály, and Béla Bartók. In the 1930s, she continued her studies with Severin Eisenberger, Eduard Steuermann in Vienna and Artur Schnabel in Berlin, who focused her interest in the classical tradition.

Lili Kraus soon became known as a specialist in Mozart and Beethoven. Her early chamber music performances and recording with violinist Szymon Goldberg helped gain the critical acclaim that launched her international career. In the 1930s, she toured Europe, Japan, Australia and South Africa. In 1940, Kraus embarked on a tour of Asia where, while in Java, she and her family were captured and interned in a concentration camp by the Japanese from June 1943 until August 1945.

After the war, she settled in New Zealand where she spent many happy years playing, performing, and teaching. She became a NZ citizen and resumed her career, teaching and touring extensively. In the early 1950s she performed the entire Beethoven sonata cycle with violinist Henri Temianka. From 1967 to 1983, she taught as artist-in-residence at Texas Christian University in Fort Worth. After that she made her home in Asheville, North Carolina, where she died in 1986.

Kraus' husband was Otto Mandl (b. 1889 d. 1956), a wealthy Jewish (later converted to Catholicism) mining engineer and philosopher. They were married on October 31, 1930 and Mandl sold his business in order to devote himself to the furtherance of Kraus' career.[1]. The couple had two children, Ruth and Michael.[1]

gollark: AI is important, I mean, but people don't understand it much but think they do.
gollark: I think those are also mostly stupid.
gollark: It might also turn out that society is impractical to simulate over long timespans, like the weather.
gollark: And the existence of the simulators would make them probably not very good, since they'd need to simulate *themselves* or leave out important data.
gollark: Yes, that would actually be very hard.

References
  1. "Lili Kraus: The First Lady Of The Piano" (PDF).


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.