Les Filles de Illighadad

Les Filles de Illighadad are a Tuareg band founded by Fatou Seidi Ghali in Illighadad, a village in the Sahara Desert in Niger. Ghali, it is claimed, is the first Tuareg woman to play guitar professionally.[1]

Les Filles de Illighadad perform at the Library of Congress in 2019

History

Ghali taught herself to play on her brother's guitar. While women did perform music among her people, they didn't play guitar; rather, they played a style of music called tende, centered on a drum made with mortar and pestles, a style that influenced Tuareg guitar playing but isn't generally part of the music played by Tuareg men. Les Filles de Illighadad incorporate tende with guitar playing, "asserting the power of women to innovate using the roots of traditional Tuareg music".[2] Ghali usually plays with her cousin, Alamnou Akrouni.[3]

Ghali and the Filles have recorded two albums with Christopher Kirkley, for his Sahel Sounds label. Recordings were made in the open air, and consisted of recordings of Ghali in the daytime, and the Filles playing in the village at night. Following the release of the first album, the Filles did a short European tour, and Ghali used her earnings to buy more cattle.[4] Mariama Salah Aswan left the group to begin a family; she was replaced by the second Tuareg woman guitarist, Fatimata Ahmadelher.[1] The group toured in the US in September 2019, playing in New York[5] and Detroit,[6] as a four-piece band consisting of Ghali, Akirwini, Ahmadelher, and Gahli's brother, Abdoulaye Madassane, on rhythm guitar.[5]

The band's music was described by Amanda Petrusich as "heavy, meditative, and tender", and reminiscent of "players like R. L. Burnside or Otha Turner, who were directly informed by African music seeded in the American South by slaves".[5]

Members
  • Fatou Seidi Ghali - guitar, tende
  • Alamnou Akrouni - vocals, calabash
  • Fatimata Ahmadelher - guitar
  • Abdoulay Madassane - bass
  • Ahmoudou Madassane - vocals, guitar

Former members
  • Mariama Salah Aswan - vocals

Discography
  • Les Filles de IIllighadad (Sahel Sounds, 2016)
  • Eghass Malan (Sahel Sounds, 2017)
gollark: It's not a literal key, it's a private cryptographic key for digital signing.
gollark: The Chorus City one, that is.
gollark: You can't. It's on the computer in the PotatOS Research Institute.
gollark: I also still haven't copied the potatOS disk signing private key off SC, annoyingly.
gollark: I would use a chat relay chatbox but I think SC still has them disabled?

References
  1. Davies, Sam (1 August 2019). "'My father said I should be looking after the cows': the first female Tuareg guitarist". The Guardian. Retrieved 6 August 2019.
  2. "Les Filles de Illighadad: Tuareg Music and Song from Niger". Library of Congress. Retrieved 6 August 2019.
  3. Schemmer, Cynthia; Bess, Gabby; Madassane, Ahmoudou; Kirkley, Christopher (17 February 2017). "How Les Filles de Illighadad is Revolutionizing Traditional Tuareg Music". She Shreds Mag. Retrieved 6 August 2019.
  4. Wilde, Chiara (1 February 2018). "Les Filles de Illighadad: Daughters of the Desert". Strange Sounds From Beyond. Retrieved 6 August 2019.
  5. Petrusich, Amanda (11 November 2019). "The Heavy, Meditative, and Tender Music of Les Filles de Illighadad". The New Yorker. Retrieved 2 December 2019.
  6. Jordan, Jerilyn (5 September 2019). "The badasses of Les Filles de Illighadad will push the limits of traditional Tuareg music at Detroit's Trinosophes". Metro Times. Retrieved 2 December 2019.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.