Leonid Lukov

Leonid Davydovich Lukov (Russian: Леонид Давидович Луков; 2 May 1909 24 April 1963) was a Soviet film director and screenwriter. He directed 25 films between 1930 and 1963. Leonid Lukov was named People's Artist of the RSFSR in 1957 and awarded the Stalin Prize twice: in 1941 and 1952.[1]

Leonid Lukov
Born
Leonid Davydovich Lukov

(1909-05-02)2 May 1909
Died24 April 1963(1963-04-24) (aged 53)
OccupationFilm director
Screenwriter

Filmography

  • Scum (Накипь); 1930, short
  • Komsomol is my Motherland (Родина моя — комсомол); 1931, documentary
  • Roots of Commune (Корешки коммуны); 1931
  • Italian (Итальянка); 1931
  • Eshelon No... (Эшелон №...); 1932
  • Youth (Молодость); 1934
  • I Love (Я люблю); 1936
  • Director (Директор); 1938
  • A Great Life, Part 1 (Большая жизнь, 1 серия); 1939
  • Nother (Мать); 1941, short
  • Alexander Parkhomenko (Александр Пархоменко); 1942
  • Two Soldiers (Два бойца); 1943
  • It Happened in the Donbass (Это было в Донбассе); 1945
  • A Great Life, Part 2 (Большая жизнь, 2 серия); 1946
  • Private Aleksandr Matrosov (Рядовой Александр Матросов); 1947
  • Miners of the Don (Донецкие шахтеры); 1950
  • Vassa Zheleznova (Васса Железнова); 1953
  • Barbarians (Варвары); 1953
  • Least We Forget (Об этом забывать нельзя); 1954
  • To a New Shore (К новому берегу); 1955
  • Different Fortunes (Разные судьбы); 1956
  • Aleksa Dundić (Олеко Дундич); 1958
  • Two Lives (Две жизни); 1961
  • Trust me, People (Верьте мне, люди); 1964
gollark: Not particularly. If you prevent everyone from learning maths, you'll run out of engineers and such, which would cause problems as you need them to make good yachts.
gollark: There's a difference between being somewhat selfish and actively trying to make everyone else worse off for no apparent reason.
gollark: I haven't seen evidence of people actually thinking that way.
gollark: I doubt there's someone going "MUAHAHAHAHA, I will now WORSEN MATHS EDUCATION and claim it's for equality".
gollark: Presumably, they think it's *better* and they can make people more equal by focusing on what they see as inequality in it somehow.

References

  1. Cinema: Encyclopedic Dictionary // ed. Sergei Yutkevich. — Moscow: Soviet Encyclopedia, 1987, p. 243
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