Leonard Osborn

Leonard Osborn (11 November 1914 – 28 September 1994) was an English opera singer and actor, best known for his portrayal of the tenor roles in the Savoy Operas with the D'Oyly Carte Opera Company. An accomplished actor and dancer, he later became a stage director for the company.

Osborn (centre) with John Reed (l) and Ivor Evans in Patience

Life and career

Leonard Alfred George Osborn was born in Tooting, London, England. He performed in amateur Gilbert and Sullivan productions and worked as a chemist before joining D'Oyly Carte as a tenor chorister in 1937 (the company was paying choristers more than his old job).[1] During his first season with the company, he was given the small role of First Yeoman (and, occasionally played the slightly larger role of Leonard Meryll) in The Yeomen of the Guard. In 1938, he added the roles of the Defendant in Trial by Jury and Francesco in The Gondoliers. He also substituted as Earl Tolloller in Iolanthe in 1939. In 1940, he continued to play the Defendant and chorus roles.[2]

Osborn (l) as Marco in The Gondoliers, with Alan Styler

He joined the Royal Air Force in July 1940, where he sang in many military concerts. In 1946, after the end of World War II, he rejoined D'Oyly Carte as principal tenor, immediately playing Tolloller and Nanki-Poo in The Mikado. From 1946 to 1959, he regularly played the roles of the Defendant, the Duke of Dunstable in Patience, Tolloller, Colonel Fairfax in The Yeomen of the Guard, Marco in The Gondoliers, Mr. Box in Cox and Box, Richard Dauntless in Ruddigore (his favourite role), and, from 1954, Cyril in Princess Ida.[2] Reviewing Iolanthe in 1951, The Times wrote, "Mr. Leonard Osborn's tenor voice has a ring and a line that did justice to 'Blue Blood'."[3] The Gramophone called Osborn "one of the most melodious Ralph Rackstraws that the D'Oyly Carte Company have ever produced … finely characterised, beautifully enunciated and with some ringing top notes."[4]

Osborn left the D'Oyly Carte company in November 1959,[5] to enter the retail business in Surrey, occasionally directing amateur productions.[1] In 1975, during the company's centennial season, Osborn was invited to participate in the final performance of Trial by Jury, in which the regular D'Oyly Carte chorus was augmented by fourteen former stars of the company.[6]

In 1977 he rejoined the company as stage director for Princess Ida for the Sadler's Wells special Jubilee season. In September of that year, Queen Elizabeth II's Jubilee Year, the company gave a Royal Command Performance at Windsor Castle, directed by Osborn.[7] He served as production director for the D'Oyly Carte Opera Company until 1980.[1]

Osborn died in London at the age of 79.[1]

Recordings

Osborn sang in all but one of Decca's eleven D'Oyly Carte recordings made between 1949 and 1955. His recorded roles were the Defendant in Trial by Jury (1949), Ralph Rackstraw in H.M.S. Pinafore (1949), Frederic in The Pirates of Penzance 1950), Nanki-Poo in The Mikado (1950), Marco in The Gondoliers (1950), Richard Dauntless in Ruddigore (1950), Fairfax in The Yeomen of the Guard (1950), Tolloller in Iolanthe (1952), the Duke in Patience (role sung briefly by Osborn and taken over by Neville Griffiths) (1952), and Cyril in Princess Ida (1955).[8]

Notes
  1. Stone, David. "Leonard Osborn". Who Was Who in the D'Oyly Carte Opera Company, 6 March 2007, accessed 31 May 2018
  2. Rollins and Witts, pp. 162–64 and 170–84
  3. "Iolanthe", The Times, 5 June 1951, p. 6
  4. Chislett, W. A., "H.M.S. Pinafore", The Gramophone, May 1961, p. 69; and Lamb, Andrew, "Sullivan", Gramophone, February 2001, p. 102
  5. "D'Oyly Carte Tenor", The Guardian, 25 October 1959, p. 7
  6. The Savoyard, Vol. 14, No. 2, September 1975
  7. The Savoyard, vol. XVI, no. 2, September 1977, p. 18
  8. Rollins and Witts, pp. xiv–xv
gollark: It would be really neat if I could get signing for that working because then (well, with more work) it would be possible to distribute potatOS update manifests (and the actual code with them) securely via *any* platform!
gollark: It says "EdDSA-like digital signatures", which implies that it may not actually be something available outside of CC.
gollark: It would be neat if they were cryptographically signed too, but it turns out I have no idea what actual algorithm the potatOS ECC library is implementing, oops.
gollark: So, progress on the potatoupdates™ system, I now have a script generating manifest files which are deterministically generated from the exact contents of a PotatOS version™.
gollark: > multiprocessing.pool objects have internal resources that need to be properly managed (like any other resource) by using the pool as a context manager or by calling close() and terminate() manually. Failure to do this can lead to the process hanging on finalization.> Note that is not correct to rely on the garbage colletor to destroy the pool as CPython does not assure that the finalizer of the pool will be called (see object.__del__() for more information).Great abstraction there, Python. Really great.

References
  • Ayre, Leslie (1972). The Gilbert & Sullivan Companion. London: W.H. Allen & Co Ltd. ISBN 0-396-06634-8.
  • Joseph, Tony (2007). Leonard Osborn: Dauntless he... Bristol: Bunthorne Books. ISBN 978-0-9507992-8-5
  • Rollins, Cyril; R. John Witts (1962). The D'Oyly Carte Opera Company in Gilbert and Sullivan Operas: A Record of Productions, 1875–1961. London: Michael Joseph. OCLC 504581419.
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