Leon Bibel

Leon Bibel (1913–1995) was a Polish-born American painter and printmaker during the Great Depression. His themes were the social condition of workers and the politics of protest and war, although cityscapes and landscapes were included among his works. He later developed works in wood of especially Jewish themes. These included fanciful miniature buildings influenced by European spice boxes, figures and objects within shadow boxes, and in one case a synagogue ark, which still stands at Congregation B'nai Tikvah in North Brunswick, NJ, along with a Tallit holder he created and several other items.

Leon Bibel
Born1913 (1913)
Died1995 (aged 81–82)

Leon Bibel was born in Poland, growing up in the shtetl of Szczebrzeszyn. He immigrated to the United States with his family. After graduating from Polytechnic High School in San Francisco, he trained at the California School of Fine Arts and apprenticed under the German Impressionist Maria Riedelstein and assisted Bernard Zakheim (a student of Diego Rivera), on the frescoes of the San Francisco Jewish Community Center and the University of California at San Francisco's Toland Hall. He resided in New York beginning in 1936 as a WPA artist of the Federal Art Project at the Harlem Community Art Center in New York City. He also taught art at both P.S. 94 and Bronx House. At the start of the Second World War, he and a number of other New York artists moved to South Brunswick, New Jersey, to make a living as chicken farmers.[1] By the 1960s, Bibel returned to art, focusing on wood-based sculptures. He died in 1995.

He was a friend and neighbor of the American sculptor George Segal, and was both an anonymous and named character of Segal's arrays and portraits. (He is the first man in Depression Bread Line, Segal's group of bronzed figures at the FDR Memorial, included in PBS’s "George Segal: American Still Life").

Holdings and exhibitions

Bibel's work may be found at Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the B'nai Brith's Klutznick Museum, and the museums of Rutgers University and Princeton Universities.

Bibel's work has been featured in posthumous exhibitions in Philadelphia in 2011[2] and in Virginia in 2013.[3]

gollark: It could do *something* like that if it has sufficient memory during its runtime.
gollark: It cannot actually alter itself even though it can think about doing so.
gollark: Now imagine that it doesn't have any way to write to its own weights/source code but just gets given some inputs and outputs a probability distribution.
gollark: Imagine some hypothetical AI (actually not that hypothetical, they basically all work this way outside of training) which can think about and model itself.
gollark: There are weird visual quirks like this: https://en.wikipedia.org/wiki/McCollough_effect which persist for a while.

References
  1. Glinter, Ezra. "Slideshow: Leon Bibel's Artworks for Social Justice", The Forward, September 20, 2011. Accessed October 7, 2015. "In 1936 he moved to New York where he worked as an art teacher before moving to South Brunswick, New Jersey, where he took up chicken farming and became a friend of sculptor George Segal."
  2. Wrynn, Phyllis. "Leon Bibel: Art & Activism in the WPA". parkslopegallery.com. Retrieved 2015-04-02.
  3. Bernstein, Barbara (2013-10-24). "Exhibition Celebrates WPA Artist Leon Bibel". Living New Deal. Retrieved 2015-04-02.



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