Leo Feld

Leo Feld (14 February 1869, Augsburg - 5 September 1924 Florence) was an Austrian librettist, dramaturge, stage director, and writer. He also worked as a translator for publishing companies, and was notably responsible for translating many of Charles Dickens' English language works for their first German language publications.

Born with the name Leo Hirschfeld in Augsburg, he was the younger brother of librettist Victor Léon and educator Eugenie Hirschfeld. He moved with his family to Vienna in 1875 and was educated at the University of Vienna; earning a doctorate in philosophy in 1892. He began contributing articles to various Vienna based magazines while a college student. Two of his mentors in writing were Jakob Julius David and Hermann Bahr. His first play was awarded the Bauernfeld-Preis in the late 1890s. In 1900 he lived for some months in Berlin where he was actively involved the Überbrettl literary society. He then worked as a dramaturge and stage director in Brunswick. One of his closest friends was the actor Josef Kainz. He wrote opera libretti for composers Eugen d'Albert, Erich Wolfgang Korngold, and Alexander von Zemlinsky. He died in Florence.

Works (selection)

The Rags (1898) Miss Teacher (folk play) (1905) The Stone of Pisa (1906) The Big Name (folk play) (1909) The Dombacher (1917) The Ornate Lattice (1923) Walk in the Fog (1925)

Sources


gollark: The important thing is probably... quantitative data about the amounts and change of each?
gollark: Regardless of what's actually happening with news, you can probably dredge up a decent amount of examples of people complaining about being too censored *and* the other way round.
gollark: With the butterfly-weather-control example that's derived from, you can't actually track every butterfly and simulate the air movements resulting from this (yet, with current technology and algorithms), but you can just assume some amount of random noise (from that and other sources) which make predictions about the weather unreliable over large time intervals.
gollark: That seems nitpicky, the small stuff is still *mostly* irrelevant because you can lump it together or treat it as noise.
gollark: Why are you invoking the butterfly effect here?
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.