Leng Mei

Leng Mei (Chinese: 冷枚; pinyin: Lěng Méi; Wade–Giles: Leng Mei), a native of Jiaozhou, Shandong province, was a Qing Dynasty Chinese painter, active 1677-1742 (his specific years of birth and death are not known).[1] His courtesy name was Jichen (吉臣), and sobriquet Jinmen Waishi, or Jinmen Shushi. He was Jiao Bingzhen's student. Leng's specialty was painting human figures, particularly court ladies.[2]

This is a Chinese name; the family name is Leng.

Sample of paintings
Two Rabbits under Chinese Parasol Tree (梧桐双兔图), Leng Mei, Palace Museum, Beijing
Spring Evening Banquet at the Peach and Pear Blossom Garden (春夜宴桃李園), Leng Mei, National Palace Museum, Taipei
Figures (人物), Leng Mei, National Palace Museum, Taipei
gollark: You're talking about one *in the next 20 years*, which hasn't.
gollark: 1. that hasn't *happened* yet. You're generalizing from a literally nonexistent example.2. I think their regulation kind of goes in the wrong directions.
gollark: Anyway, my original meaning with the question (this is interesting too, please continue it if you want to) was more like this: Phones and whatnot require giant several-billion-$ investments in, say, semiconductor plants. For cutting-edge stuff there are probably only a few facilities in the world producing the chips involved, which require importing rare elements and whatnot all around the world. How are you meant to manage stuff at this scale with anarchy; how do you coordinate?
gollark: Which "capitalism" is a very rough shorthand for.
gollark: ... I'm not saying "full anarchocapitalism, no government", I said "somewhat government-regulated free markets".

References
  1. "British Museum works of Leng Mei". Retrieved 2008-09-12.
  2. "Leng Mei Brief Biography". Retrieved 2008-09-12.


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