LeConte Stewart

LeConte Stewart (April 15, 1891 – June 6, 1990) was a Mormon artist primarily known for his landscapes of rural Utah. His media included oils, watercolors, pastel and charcoal, as well as etchings, linocuts, and lithographs. His home/studio in Kaysville, Utah is on the National Register of Historic Places.

LeConte Stewart
Born(1891-04-15)15 April 1891[1]
Glenwood, Utah, United States
Died6 June 1990(1990-06-06) (aged 99)
Kaysville, Utah, United States
NationalityAmerican
OccupationLandscape Artist
Spouse(s)Zipporah Layton
Parent(s)Isaac John Stewart and
Anna Eva Heppler
Stewart's historic home in Kaysville, Utah

Personal life

Stewart was born in Glenwood, Utah. His art education began in 1912 at the University of Utah, and included studies at the Art Students League summer school at Woodstock, New York, and the Pennsylvania Academy of the Fine Arts in Chester Springs. Stewart became the head of the Art Department at the University of Utah in 1938, and held that post until his retirement in 1956. Stewart died in Kaysville, Utah at the age of 99. He was survived by his son, Maynard Dixon Stewart, an artist and much-beloved and respected art instructor (now retired) at San Jose State University.

Work

Stewart is best known for his unidealized landscapes of rural Utah, spawning the term "LeConte Stewart Country."[2] Stewart is quoted as saying, "It is not that I love the lyrical in nature the less, but I feel that in modern life there is no time, no inclination for it. In these pictures I'm trying to cut a slice of contemporary life as it is in the highways and biways [sic] as I have found it."[3][4] Some of Stewart's paintings have a photographic quality from a distance but are actually formed with broad strokes and a thick palette.[5]

Much of his work uses direct impressionistic techniques to convey the meaning of what he saw around him, illustrating things "...that are introspective, that you peer into, that you understand and feel."[6] Stewart stated: "Impressionism is the most important painting innovation of all time....I thought to myself, why not use this technique to express an idea rather than making it the end goal of a painting? I have tried to think of it as a means of interpreting landscaping rather than making it merely impressionistic."[7]

Stewart described himself as having an urgency in his work. A plaque in the Kaysville Gallery of Art reads: "I had a great urgency to work as rapidly as possible. Each Saturday I painted one large 24-by-30-inch picture in the morning and another in the afternoon. Between I painted four smaller studies. Six was an average Saturday for me."[3]

In addition to landscapes, Stewart also did portraiture and murals. He painted several murals for The Church of Jesus Christ of Latter-day Saints (LDS Church) buildings, including works found inside the LDS temples in Hawaii, Alberta, and Arizona, as well as murals for the Salt Lake City International Airport and the historic Bigelow-Ben Lomond Hotel.

Legacy

In 1985 the LDS Church published a collectors item titled LeConte Stewart: The spirit of landscape by Robert Davis, which documented some of his works. 7 November 2002 was declared as "LeConte Stewart Day" in Utah by then Governor Mike Leavitt.[8]

The largest public exhibition of LeConte Stewart's work to date began in Salt Lake City on 21 July 2011 and continued until 15 January 2012. It was jointly hosted by the Utah Museum of Fine Arts and the LDS Church History Museum, with concurrent shows at those museum's individual locations. It was the first collaboration of this kind for those institutions, each of which holds a significant amount of fine art by Utah artists.[9][10]

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See also

Notes
  1. Kaysville Cemetery Walking Tour (PDF), City of Kaysville, Utah
  2. Swanson, Vern G.; Olpin, Robert S.; Springville Museum of Art; Poulton, Donna L. (2001). Utah art, Utah artists: 150 year survey. Gibbs Smith. pp. 12, 48. ISBN 978-1-58685-111-8.
  3. "Former University of Utah art department chair reflected contempory [sic] life on his canvas", The Eagle, USU-College of Eastern Utah, 4 December 2003, archived from the original on 20 July 2011, retrieved 29 July 2011
  4. "Description of House by the Tracks Near Riverdale", Landscapes & Life: The Rural Settings of the Latter-day Saints, Church History Museum, archived from the original on 2007-06-18
  5. Stone, Emily (16 March 2004), "Paintings bring rural Utah to life in the city", The Daily Universe, Brigham Young University, archived from the original on 11 March 2007, retrieved 19 August 2006
  6. Davis, Robert O. (February 1985). "Desert, Brush, and Oil: A Portrait of LeConte Stewart". Ensign. LDS Church.
  7. "Description of Winter Road, Kaysville", Landscapes & Life: The Rural Settings of the Latter-day Saints, Church History Museum, archived from the original on 2007-06-18
  8. "Celebrate the art of LeConte Stewart", Deseret News, 4 November 2002
  9. Wadley, Carma (16 July 2011), "UMFA, Church History Museum collaborate on LeConte Stewart exhibit", Deseret News
  10. Warchol, Glen (25 July 2011), "Iconic Utah painter LeConte Stewart's work spotlighted in two exhibits", Salt Lake Tribune

References

Further reading
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