Lars Jönsson (film producer)

Lars Jönsson (born 4 September 1961) is a Swedish film producer[1] connected to Memfis Film and the "Trollywood" facilities. Since the early 1990s he has been the producer of several films in Sweden[2] and Scandinavia, being the usual producer for among others Lukas Moodysson, Josef Fares and Maria Blom, while also having co-produced many films by Lars von Trier.

Lars Jönsson
Lars Jönsson (2012)
Born (1961-09-04) 4 September 1961
Sweden
OccupationFilm producer

Filmography
  • Antichrist (2009) (co-producer)
  • Mammoth (2009) (producer)
  • Fishy (2008) (producer)
  • Leo (2007) (executive producer)
  • Nina Frisk (2007) (producer)
  • Island of Lost Souls (De fortabte sjæles ø) (2007) (executive producer)
  • Falkenberg Farewell (Farväl Falkenberg) (2006) (executive producer)
  • Container (2006) (executive producer) (producer)
  • Zozo (2005) (executive producer)
  • Manderlay (2005) (co-producer)
  • Next Door (Naboer) (2005) (co-executive producer)
  • Krama mig (2005) (producer)
  • Dalecarlians (Masjävlar) (2004) (producer)
  • A Hole in My Heart (Ett hål i mitt hjärta) (2004) (producer)
  • Fragile (2004) (executive producer)
  • Dogville (2003) (co-executive producer)
  • Skagerrak (2003) (executive producer)
  • Kopps (2003) (executive producer)
  • It's All About Love (2003) (co-producer)
  • Bear's Kiss (2002) (co-producer)
  • Lilya 4-ever (Lilja 4-ever) (2002) (producer)
  • Catch That Girl (Klatretøsen) (2002) (co-producer)
  • Chop Chop (Fukssvansen) (2001) (co-producer)
  • The Best Man's Wedding (Jalla! Jalla!) (2000) (executive producer)
  • Prop and Berta (Prop og Berta) (2000) (co-producer)
  • Together (Tillsammans) (2000) (producer)
  • Dancer in the Dark (2000) (co-executive producer)
  • Hundhotellet (2000) (producer)
  • A Summer Tale (Den Bästa sommaren) (2000) (producer)
  • Love Fools (Hela härligheten) (1998) (producer)
  • Show Me Love (Fucking Åmål) (1998) (producer)
  • Lucky People Center International (1998) (producer)
  • H.C. Andersen's The Long Shadow (H.C. Andersen og den skæve skygge) (1998) (co-producer)
  • Tranceformer - A Portrait of Lars von Trier (1997) (producer)
  • Tiger Heart (Tigerhjärta) (1997) (producer)
  • The Last Viking (Den Sidste viking) (1997) (executive producer)
  • Talk (Bara prata lite) (1997) (producer)
  • Breaking the Waves (1996) (executive producer)
  • Harry och Sonja (1996) (producer)
  • Dreamplay (Drømspel) (1994) (producer)
  • House of Angels (Änglagård) (1992) (executive producer)
gollark: The worst it could just do is react with <:shame:577871393862057996>s again.
gollark: Bots are not generally capable of applying mystical curses of some sort. Yet.
gollark: And overestimate the importance of trendy stuff when the predictions are made.
gollark: Longer-term predictions of scientific developments always tend to miss some weird thing which came out of seemingly nowhere.
gollark: I think they would argue that seed AI isn't that far-future and very important to get right. But it's very hard to tell if it *actually* is.

References
  1. The New York Times
  2. The New York Times
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