La guirlande de Campra

La guirlande de Campra is collaborative orchestral work written by seven French composers in 1952. It is in the form of variations or meditations on a theme from André Campra's 1717 opera Camille, reine des Volsques.[1]

The numbers and their composers are:

  1. Toccata (Arthur Honegger*)[2]
  2. Sarabande et farandole (Daniel-Lesur)[3][4]
  3. Canarie (Alexis Roland-Manuel)
  4. Sarabande (Germaine Tailleferre*)
  5. Matelote provençale (Francis Poulenc*)
  6. Variation (Henri Sauguet)
  7. Écossaise (Georges Auric*)[5]
*Member of the group Les Six

The work was first performed on 30 July 1952[6] at the Aix-en-Provence Festival, by the Orchestre de la Société des Concerts du Conservatoire, under conductor Hans Rosbaud.[3]

Benjamin Britten attended the premiere, and it gave him the idea of commissioning several composers to contribute to a set of Variations on an Elizabethan Theme to celebrate the forthcoming coronation of Elizabeth II, for which he was also writing his opera Gloriana.[7][8]

Adaptations

In 1966, La guirlande de Campra was choreographed by John Taras and presented by New York City Ballet.

gollark: CPUs have to execute x86 (or ARM or other things, but generally a documented, known instruction set) very fast sequentially, GPUs can execute basically whatever they want as long as it can be generated from one of the standard ways to interface with them, and do it in a massively parallel way.
gollark: It's not very efficient to have one thing do both because being specialized means they can make specific optimizations.
gollark: But they're not as good because thermal constraints and no ability to swap the bits separately.
gollark: I mean, you have CPUs with built-in integrated graphics.
gollark: Already exists. Ish.

References

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