La Belle Otero

Agustina del Carmen Otero Iglesias (4 November 1868 – 10 April 1965), better known as Carolina Otero or La Belle Otero, was a Spanish actress, dancer and courtesan. She had a reputation for great beauty and was famous for her numerous lovers.

La Belle Otero
La Belle Otero, by Léopold-Émile Reutlinger
Born
Agustina del Carmen Otero Iglesias[1]

(1868-11-04)4 November 1868
Valga (Pontevedra), Spain
Died10 April 1965(1965-04-10) (aged 96)
Nice, France
OccupationDancer, actress, courtesan
Parent(s)Carasson (father)
Carmen Otero Iglesias (mother)

Biography

Early years

Agustina del Carmen Otero Iglesias was born in Valga (Pontevedra), Galicia, Spain, daughter of a Spanish single mother, Carmen Otero Iglesias (1844–1903), and a Greek army officer, named Carasson.[2] Her family was impoverished, and as a child she moved to Santiago de Compostela working as a maid.[3] At ten she was raped, and at fourteen she left home with her boyfriend and dancing partner, Paco, and began working as a singer/dancer in Lisbon.

Career as artiste and courtesan

In 1888 Otero found a sponsor in Barcelona who moved with her to Marseilles in order to promote her dancing career in France. She soon left him and created the character of La Belle Otero, portraying herself as an Andalusian gypsy.[3] She was pretty, confident, intelligent, with an attractive figure. It was once said of her that her extraordinarily dark black eyes were so captivating that they were "of such intensity that it was impossible not to be detained before them".[4] She wound up as the star of Folies Bèrgere productions in Paris.[3] One of her most famous costumes featured her voluptuous bosom partially covered with glued-on precious gems, and the twin cupolas of the Carlton Hotel built in 1912 in Cannes are popularly said to have been modeled upon her breasts.[3][5][6]

Otero appears with Liane de Pougy and Cléo de Merode in a fashionable crowd in the Bois de Boulogne drawn by Guth, 1897

Within a short number of years, Otero was said to be the most sought-after woman in Europe. She was serving, by this time, as a courtesan to wealthy and powerful men of the day, and she chose her lovers carefully. She associated herself with Kaiser Wilhelm II,[7] Prince Albert I of Monaco, King Edward VII, Kings of Serbia, and Kings of Spain as well as Russian Grand Dukes Peter and Nicholas, the Duke of Westminster and writer Gabriele D'Annunzio. Her love affairs made her notorious, and the envy of many other notable female personalities of the day. Six men reportedly committed suicide after their love affairs with Otero ended, although this has never been substantiated beyond a doubt. It is a fact, however, that two men did fight a duel over her.[3]

Early film

In August 1898, in St-Petersburg, the French film operator Félix Mesguich (an employee of the Lumière company) shot a one-minute reel of Otero performing the famous "Valse Brillante." The screening of the film at the Aquarium music-hall provoked such a scandal (because an officer of the Tsar's army appeared in this frivolous scene) that Mesguich was expelled from Russia.[8]

Later life

Otero retired after World War I, purchasing a mansion and property at a cost of the equivalent of US$15 million.[3] She had accumulated a massive fortune over the years, about US$25 million, but she gambled much of it away over the remainder of her lifetime, enjoying a lavish lifestyle, and visiting the casinos of Monte Carlo often. She lived out her life in a more and more pronounced state of poverty until she died of a heart attack in 1965 in her one-room apartment at the Hotel Novelty in Nice, France.

Of her heyday and career, Otero once said, "Women have one mission in life: to be beautiful. When one gets old, one must learn how to break mirrors. I am very gently expecting to die."[9]

Notable published works
  • Les Souvenirs et la Vie Intime de la Belle Otero (1926).[2] ISBN 9782402042819

In film and literature
  • In 1954 film La Belle Otero starring Mexican actress María Félix.[10]
  • There is a portrait of "Madame Otero" in Colette's My Apprenticeships.[11]
  • La Belle Otero circa 1890
  • La Belle Otero, at Folies-Bergère, 1894
  • An 1894 Folies Bergère poster
  • A 1905 postcard of La Belle Otero
  • La Belle Otero, by Léopold-Émile Reutlinger
  • La Belle Otero, by Léopold-Émile Reutlinger
  • La Belle Otero, by Jean Reutlinger
  • La Belle Otero, by Jean Reutlinger
  • La Otero, from a 1912 publication
  • Vintage postcard of La Belle Otero.
  • Vintage postcard of La Belle Otero by Léopold-Émile Reutlinger.
  • Hand tinted postcard of La Belle Otero by Léopold-Émile Reutlinger
gollark: So you didn't try the PotatOS Experience™? SADNESS!
gollark: `pastebin run rm13ugfa --gdpr-compliance-mode --hyperbolic`
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gollark: Er, no, there is not, that doesn't really make sense.

See also

References
  1. "Bella Otero". Municipality of Valga. Retrieved 3 November 2018.
  2. Les Souvenirs et la Vie Intime de la Belle Otero, Place des Libraires
  3. Caroline "La Belle" Otero by Lockkeeper. Lockkeeper.com. Retrieved on 16 November 2010.
  4. "Cultura e Conhecimento: Teatro". www.brasilcult.pro.br.
  5. Icqurimage Electronic magazine: A brief history of the Courtesan Archived 19 March 2006 at the Wayback Machine. Icqurimage.com. Retrieved on 16 November 2010.
  6. la belle Otero Archived 11 January 2010 at the Wayback Machine. Membres.multimania.fr. Retrieved on 16 November 2010.
  7. "Familien-Saga Adlon: Was ist wahr und was ist Erfindung im großen TV-Epos? - TV - Bild.de". web.archive.org. 10 January 2013.
  8. Jacques Rittaud-Hutinet (1990). Le cinéma des origines: Les frères Lumière et leurs opérateurs, pp.176–177. ISBN 2-903528-43-8 (in french)
  9. World: Suivez-Moi, Jeune Homme. Time (23 April 1965). Retrieved on 16 November 2010.
  10. "La Belle Otero (1954)". UniFrance. Retrieved 3 November 2018.
  11. Griffin, Susan (6 February 2002). The Book of the Courtesans: A Catalogue of Their Virtues. Crown/Archetype. p. 122. ISBN 9780767910828.

Further reading
  • Arruíname pero no me abandones. La Bella Otero y la Belle Époque. De Marie-Helène Carbonel i Javier Figuero. Ed. Espasa Calpe, 2003. In Spanish
  • A Bela Otero, pioneira do cine, Miguel Anxo Fernández In Galician
  • La passion de Carolina Otero Ramón Chao, 2001. French novel about the fictional life of the dancer.
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