L'amor coniugale

L'amor coniugale (Conjugal Love) is an opera in one act by Simon Mayr set to an Italian libretto by Gaetano Rossi. It premiered at Padua's Teatro Nuovo on 26 July 1805.

Libretto title page, 1805

Background and performance history

Like Beethoven's Fidelio, the libretto of L'amor coniugale is based on Jean-Nicolas Bouilly's French libretto for Pierre Gaveaux's 1798 opera Léonore, ou l'amour conjugal.[1] Unlike Fidelio which focuses on the struggle for political liberty, Mayr's opera, also known as Il custode di buon cuore (The Good-hearted Jailer) and described in its libretto as a farsa sentimentale, focuses more on the interpersonal relationships between the protagonists and contains comic elements.[2] Rossi condensed Bouilly's two-act libretto into one act containing 19 scenes and changed the setting from the Napoleonic Wars to 17th century Poland.

L'amor coniugale premiered at the Teatro Nuovo in Padua on 26 July 1805 in a double bill with the premiere of Pietro Carlo Guglielmi's La donna di spirito. It was then performed the following September at the Teatro San Benedetto in Venice. Although rarely performed now, it was revived at the Teatro Donizetti in Bergamo in November 1984 conducted by Bruno Moretti and in Germany at the 2004 Rossini in Wildbad Festival conducted by Christopher Franklin. The Wildbad performance used a revised score by Arrigo Gazzaniga and was issued by the Naxos Records label.

Roles

Roles, voice types, premiere cast
Role Voice type Premiere cast[3]
26 July 1805
Zeliska, in disguise, MalvinosopranoMargherita Chabrand
Amorveno, Zeliska's imprisoned husbandtenorSaverio Monelli
Peters, the jailerbassCarlo Angrisani
Floreska, Peters' daughtersopranoClementina Veglia
Moroski, the governorbassNatale Veglia
Ardelao, Amorveno's brothertenorCarlo Merusi

Recordings

  • Mayr: L'amor coniugale – live recording from the 2004 Rossini festival in Wildbad, Germany, with Christopher Franklin conducting the Württemberg Philharmonic Orchestra. Label: Naxos Records 8660198
gollark: I see.
gollark: It seems vaguely like complaining about food having chemicals in it, which would be very stupid, except there is apparently decent evidence of "processed" things being bad, whatever that means.
gollark: It kind of annoys me when people complain about "processed" foods because they never seem to actually explain what "processing" does which is so bad or what even counts as "processed".
gollark: Also, you apparently didn't hide anyone else's faces. That's probably impressive, though? I mean, I don't have context for such numbers, but they seem big.
gollark: I checked on the internet™, and apparently there are something like 10 combat-sports places in [somewhat nearby city I go to school in]. I'm sort of wondering if there's some local history I've missed. [nearby city] is still something like 25 minutes to travel to from where I am, which is annoying, and there don't seem to be any nearer ones.

References

  1. Bouilly's libretto also formed the basis for Paer's Leonora ossia L'amor coniugale which premiered at the Dresden Hoftheater in 1804
  2. Lindner, Thomas, Liner notes: L'amor coniugale (English version by Neil Coleman), Naxos Records 8660198.
  3. Casaglia, Gherardo (2005)."L´amor coniugale, 26 July 1805". L'Almanacco di Gherardo Casaglia (in Italian).
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.