Léopold Chandezon

Léopold Chandezon was a French playwright and librettist of the 19th century whose plays have been presented on the most famous Parisian stages of his time: Théâtre de l'Ambigu-Comique, Théâtre de la Gaîté, Théâtre de la Porte-Saint-Martin etc.

Works
  • Le Dernier bulletin, ou la Paix, impromptu with vaudevilles, with Darrodes de Lillebonne, 1806
  • Baudoin de Jérusalem ou les Héritiers de Palestine, melodrama in three acts, with Eugène Cantiran de Boirie, 1814
  • Henri IV, ou la Prise de Paris, historical melodrama in 3 acts, with de Boirie and J-B. Dubois, 1814
  • Jean sans peur, duc de Bourgogne, ou le Pont de Montereau, heroic melodrama in 3 acts in prose, with de Boirie, 1815
  • Le Mariage de Clovis ou Le Berceau de la Monarchie française, melodrama in 3 acts, à grand spectacle, with de Boirie and J-B. Dubois, 1815
  • La Marquise de Gange, ou les Trois frères, historic melodrama in 3 acts in prose, with de Boirie, 1815
  • La Sibylle, ou La mort et le médecin, féerie in 2 acts, with songs and dances, with de Boirie and J-B. Dubois, 1815
  • Le Connétable Du Guesclin, ou le Château des Pyrénées, melodrama in 3 acts, in prose, with de Boirie, 1816
  • Le sacrifice d'Abraham, play in 4 acts, with Cuvelier, 1816
  • Les Machabées ou La prise de Jérusalem, sacred drama in 4 acts, with Cuvelier, 1817
  • La Fille maudite, melodrama in 3 acts, with de Boirie, 1817
  • La Gueule de lion, ou la Mère esclave, melodrama in 3 acts in prose, with Cuvelier, 1817
  • Roland furieux, chivalrous pantomime and magic in 4 acts, with prologues, with Cuvelier, 1817
  • La Forêt de Sénart, melodrama in 3 acts, with de Boirie, 1818
  • Jean Sbogar, melodrama in 3 acts, with Cuvelier, 1818
  • Le Coffre de fer, ou la Grotte des Apennins, pantomime in three acts, with Cuvelier, 1818
  • La Grand-maman, 1 act comedy, in prose, mixed with vaudevilles, with Jean-Baptiste Dubois, 1819
  • La Montre d'or, ou le Retour du fils, mimodrame in 2 acts, with Cuvelier, 1820
  • La Muette, ou la Servante de Weilhem, fait historique in 1 act, 1820
  • Le Paysan grand seigneur, ou la Pauvre mère, melodrama in 3 acts, with de Boirie, 1820
  • Sydonie, ou La famille de Meindorff, with Cuvelier, 1821
  • L'armure, ou le Soldat moldave, melodrama in 3 acts, with Cuvelier, 1821
  • La Prise de corps, ou la Fortune inattendue, folie anecdotique in 1 acte and in prose, 1821
  • La Prise de Milan, ou Dorothée et La Trémouille, play in 3 acts, with Cuvelier, 1821
  • Le Temple de la mort, ou Ogier-le-Danois, play in 3 acts, with Cuvelier, 1821
  • La chasse ou le jardinier de Muldorff, comédie en vaudevilles, in one acte, with de Boirie, 1823
  • Le Remords, melodrama in 3 acts, 1823
  • Cardillac ou Le quartier de l'Arsenal, with Béraud, 1824
  • Les Aventuriers, ou le Naufrage, melodrama in 3 acts, with Antony Béraud, 1825
  • La Corbeille de mariage, ou les Étrennes du futur, vaudeville in 1 act, with Maurice Alhoy and Armand-François Jouslin de La Salle, 1825
  • Cagliostro, melodrama in 3 acts, with Béraud, 1825
  • Les Prisonniers de guerre, melodrama in 3 acts, with Béraud, 1825
  • La Redingotte et la perruque, ou le Testament, mimodrame in 3 actes, with Béraud, 1825
  • Mazeppa, ou le Cheval tartare, mimodrame in 3 acts, after lord Byron, with Jean-Guillaume-Antoine Cuvelier, 1825
  • Le Corregidor ou les Contrebandiers, melodrama in 3 acts, with Béraud, 1826
  • Le Rôdeur, ou les Deux apprentis, drama in 3 acts, with Béraud, 1827
  • Le Vétéran, military play in 2 acts, with Béraud, 1827
  • Desrues, melodrama in 3 acts, with Jules Dulong and Saint-Amand, 1828
  • Irène, ou la Prise de Napoli, melodrama in 2 acts, with Béraud, 1828
  • La Muse du boulevard, dream in two periods, with prologue and epilogue, mixed with songs, with Dulong and Saint-Amand, 1828
  • L’Éléphant du roi de Siam, play in 3 acts and 9 parts, with Ferdinand Laloue, 1829
  • Le Nain de Sunderwald, play in 2 acts and 8 parts, 1829
  • La Tour d'Auvergne, premier grenadier de France, military play in 2 periods and 8 parts, 1829
  • Le Voile bleu, folie-vaudeville in 1 act, with Michel-Nicolas Balisson de Rougemont and Dulong, 1827
  • Ma Rente avant tout, comédie en vaudevilles in 1 act, 1837
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gollark: Metaphorically right is the best kind of right.
gollark: See, I was *almost* right.
gollark: Oh right, A implies B doesn't imply not-A implies not-B.
gollark: Well, I guess time travel is disproven.
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