Kurimanzutto

Kurimanzutto is an art gallery located in Mexico City and New York City specializing in contemporary art that represents 33 international artists. It was founded in 1999 by Mónica Manzutto and José Kuri as a gallery without a fixed space. In 2006 it occupied a warehouse in the Colonia Condesa which served as a project space and workshop. In 2008 it opened its main gallery space in Mexico City in the San Miguel Chapultepec neighborhood and in 2018 it opened a project space in New York City.

History

Kurimanzutto was conceived by Gabriel Orozco, José Kuri and Mónica Manzutto in 1999 and was initially founded as a nomadic enterprise.[1]

Economía de Mercado, the first exhibition by Kurimanzutto was held at the Mercado de Medellín market place in Mexico City at a rented fruit stall on August 21st, 1999. The works had been made by a group of artists including Abraham Cruzvillegas, Damián Ortega, Daniel Guzmán, Eduardo Abaroa, Fernando Ortega, Gabriel Kuri, Gabriel Orozco, Minerva Cuevas, Sofía Táboas and Rirkrit Tiravanija; with materials found in the market and were sold for prices similar to those of general produce. The exhibition only lasted one day.[2]

From 2000 to 2003 Kurimanzutto produced more that twelve different projects in distinct locations. In 2002, Jonathan Hernández chose the International Airport in Mexico City to show Traveling without moving. Minerva Cuevas presented Dodgem at a local popular fair, the project consisted in a bumper car installation in which all the cars were decorated with a petrol brand company's logo.[3] Other places where exhibitions were held were parking lots, trailer containers, restaurants and Mónica and José's apartment. Los Manantiales restaurant in Xochimilco hosted Elephant Juice (Sexo entre amigos), in 2003, a proposal by Damián Ortega which consisted in a labyrinth made of tubular structures divided for each participating artist to intervene. The space was designed by the architect Mauricio Rocha and it contained drawings, photographs, painting, installations, videos, sculptures and even a pole dancer performance act. [4]

In 2003, Gabriel Orozco was invited as guest curator for the 50th Venice Biennale. The artist invited Damián Ortega, Daniel Guzmán, Abraham Cruzvillegas, Fernando Ortega, Jean-Luc Moulène and Jimmie Durham, to complete a series of conditions for the creation of the works that would be exhibited: they would not be able to present photographs, videos or drawings, they couldn't hang thinks on the walls nor use pedestals or vitrines. The creative exercise under these conditions was titled Everyday Altered.[5]

In 2008 an ancient lumberyard was transformed into the gallery's main exhibition space in Mexico City. The building dating from the 1950s was refurbished and redesigned by the architect Alberto Kalach.[6] The Gallery is located at Gobernador Rafael Rebollar 94 in the San Miguel Chapultepec neighborhood of Mexico City.

Reception

In 2001 Flash Art Magazine considered kurimanzutto between the 100 most influential galleries in the world.[7]

In 2018 Art Review magazine mentions the gallery as one of the most important in Mexico and their founders are positioned in the 34th position of the 100 most influential figures in the contemporary art world.[8]


gollark: I don't see why you would want more disease unless:- you value human suffering or some adjacent thing- you think it would reduce total disease over time, which is irrelevant if you just entirely wipe it out with technology™- you value "balance" or something as a goal in itself, which seems bad
gollark: Also vaguely patronising I think, but hard to tell.
gollark: Insisting that people you interact with already know the answer to your questions subconsciously is not actually very helpful.
gollark: I see.
gollark: I'm confused by your sentence. Are you saying that they're aware their worldview doesn't make sense, but that they don't realize that they made that clear?

References
  1. Basel, Art. "kurimanzutto | Art Basel". Art Basel. Retrieved 2018-11-21.
  2. exhibit-e.com. "economía de mercado". www.kurimanzutto.com. Retrieved 2018-11-21.
  3. "Minerva Cuevas at kurimanzutto - Announcements - e-flux". www.e-flux.com. Retrieved 2018-11-21.
  4. exhibit-e.com. "elephant juice, sexo entre amigos". www.kurimanzutto.com. Retrieved 2018-11-21.
  5. exhibit-e.com. "il cotidiano alterato". www.kurimanzutto.com. Retrieved 2018-11-21.
  6. Sussman, Anna Louie (2018-05-01). "One of Mexico City's Most Important Galleries Just Expanded to New York". Artsy. Retrieved 2018-11-14.
  7. International art galleries : post-war to post-millennium : a narrative chronology of the dealers, artists and spaces that have defined modern art. Grosenick, Uta., Stange, Raimar, 1960-. London: Thames & Hudson. 2005. ISBN 0500512663. OCLC 61176530.CS1 maint: others (link)
  8. name, Site. "José Kuri & Mónica Manzutto / Power 100 / ArtReview". artreview.com. Retrieved 2018-11-21.

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.