Kristina Buch

Kristina Buch (born 18 January 1983) is a German artist, based in Düsseldorf and London.

Grete-Penelope Mars, Sculpture as part of Some at times cast light

Biography

Kristina Buch has a degree in Biology and studied Protestant Theology, before she did her M.A. at the Royal College of Art..,[1] in London. She later attended Kunstakademie Düsseldorf and became Meisterschüler with Rosemarie Trockel. In 2012 she was the youngest participating artist at dOCUMENTA (13).[2] In 2013 she graduated from Kunstakademie Düsseldorf and became assistant professor to Carolyn Christov-Bakargiev at Johann Wolfgang Goethe-Universität Frankfurt am Main.[3] She works as visiting lecturer at HGK Basel, where she became the first holder of the 'Next Society' professorship in 2015.[4][5]

Work
  • Before the I was folded (2009) - Installation into which Buch integrated the first ever sculpture made by a group of chimpanzees. With this work the discourse about ape culture and the question of art beyond the human context was critically relaunched within the contemporary art discourse.[6]
  • The Lover (2012) – Installation and 'life-gesture' / over 100 days at dOCUMENTA (13).[7]
  • later, Goliath. And then started humming (2013) – Candy paintings, reminiscent of paintings by Kasimir Malevitch and Barnett Newman, appear in different international collections of modern painting until they have been licked away.[8]
  • untitled (holes) (2014) - a one-off concert in cooperation with Iko Birk [9][10]
  • Some at times cast light (2015) – Through an official council decision, Buch named a public place in Bochum-Ehrenfeld(51.46536°N 7.20748°E / 51.46536; 7.20748 (Grete-Penelope-Mars-Platz)) in Bochum, Germany after a fictitious woman (Grete-Penelope Mars), who deliberately has no biography.[11][12][13] A bronze bust of the woman was permanently installed on the site, as well as an official street sign. Every year in June/July, fireflies which have been populated in the adjacent park, temporarily become part of the work.[14][15]
  • Such prophecies we write on banana skins. (triangulation of criminal grace) (2015) – a two-channel HD video projection / soundscape commissioned and produced by 14th Istanbul Biennial. The work suggests an unending major explosion of a landmark art institution on one channel and a complete detonation of Mount Everest on the other channel. In this work Buch expands on a recurring theme in her work, suggesting a necessity for a continued inner dissolution and reconfiguration of images, notions and categories that we tend to create and maintain within human thinking. Buch was the only German artist represented at the 14th Istanbul Biennial.[16]
  • It’s normal that reality happens. (these games will fall apart) (2016) - Abstract game field made of white marble lines, laid into the lawn of a public park in Merano, challenging the game/play dichotomy and the drawing of lines and borders at large. [17]
  • EXECUTION SEMANTICS for a necessary criminal (2016) - Solo exhibition at Kunsthalle Bremerhaven. [18]
  • “One of the things that baffles me about you is that you remain unmurdered.” (2012–2016) [19]
  • OH, BOY! (conjugation of a stick) (2017) [20]
  • Playing above the snake line (2018) [21]

Awards
  • 2012 Trieste Young European Artist Award
  • 2015 Bremerhaven Stipendium
  • 2019 Großer Hans Purrmann-Preis der Stadt Speyer[22]
gollark: If you delete any important stuff by the way, you're rebuilding it.
gollark: I have TWO.
gollark: How do you know?
gollark: Don't know.
gollark: No, it pops up a different ID when I move around it.

References
  1. "Kristina Buch". Royal College of Art.
  2. documenta13. "dOCUMENTA (13)". documenta.de. Archived from the original on 2015-03-06.
  3. Helga Meister (8 July 2013). "Kunstwerke zum Vernaschen". Westdeutsche Zeitung. Archived from the original on 14 July 2015. Retrieved 25 June 2015.
  4. "Gastdozierende - Institut Kunst HGK FHNW". Institut Kunst HGK FHNW. Archived from the original on 2015-06-17. Retrieved 2015-06-25.
  5. ""The Next Society" – Launch of Pilot Project at the Institut Kunst in Basel". scheringstiftung.de.
  6. https://www.standard.co.uk/news/chimps-run-the-show-after-aping-artists-work-6725456.html
  7. "Kristina Buch's Constant Garden - News - Art in America". artinamericamagazine.com.
  8. Interfase. "Iconoclash by tongue / MOUSSE CONTEMPORARY ART MAGAZINE". moussemagazine.it.
  9. Interfase. "Kristina Buch "untitled (holes)" at Kölnischer Kunstverein / MOUSSE CONTEMPORARY ART MAGAZINE". moussemagazine.it.
  10. "(holes) - The White Review". thewhitereview.org.
  11. https://www.openstreetmap.org/way/340010380#map=19/51.46532/7.20756&layers=N
  12. "Archived copy" (PDF). Archived from the original (PDF) on 2015-12-22. Retrieved 2015-10-23.CS1 maint: archived copy as title (link)
  13. https://www.google.com/maps/place/Grete+Penelope+Mars+platz/@51.4653046,7.2073518,15z/data=!4m5!3m4!1s0x0:0x8762f3c48805822d!8m2!3d51.4653046!4d7.2073518
  14. "e-Zine - Urbane Künste Ruhr". urbanekuensteruhr.de.
  15. Schauspielhaus Bochum. "Schauspielhaus Bochum - Some at times cast light, Installation/Intervention von Kristina Buch (D)". schauspielhausbochum.de. Archived from the original on 2015-06-10. Retrieved 2015-06-25.
  16. http://www.artinamericamagazine.com/news-features/news/matter-that-really-matters-carolyn-christov-bakargievs-istanbul-biennial/
  17. https://vimeo.com/167762495
  18. http://moussemagazine.it/kristina-buch-execution-semantics-for-a-necessary-criminal-at-kunsthalle-bremerhaven-2016/
  19. https://vimeo.com/197323263
  20. http://moussemagazine.it/kristina-buch-2018/
  21. https://www.bundeskunsthalle.de/en/exhibitions/the-playground-project-outdoor.html/%5B%5D
  22. https://www.e-flux.com/announcements/257885/kristina-buch-wins-germany-s-grand-hans-purrmann-award/
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