Konrad Wölki
Konrad Wölki (27 December 1904 – 5 July 1983) was a German composer, mandolinist and music educator who contributed to the musically critical appreciation of the Zupforchesters (German mandolin orchestras—may also include other plucked string instruments or conventional orchestral instruments).[1][2] Historian Paul Sparks labeled Wölki "the founding father of modern German plucked-string music."[3]
Konrad Wölki | |
|---|---|
 Konrad Wölki, by Edwin Mertes | |
| Born | December 27, 1904 |
| Died | July 5, 1983 (aged 78) |
| Era | 20th century |
He was a senior member of the German Mandolin and Guitar Player Federation (D.M.G.B.) until he was forced out in 1935 and replaced with a Nazi party member.[4] In 1961 he helped create the German Zupfmusiker League (BDZ), with members from his own D.M.G.B. and the German Workers Mandolinists Federation (D.A.M.B.), another mandolin organization closed down under the Nazis).[3]
The D.M.G.B. federation published compositions for its members to play.[2] Wölki, the DMGB's "most significant figure" composed music in the 1920s for the mandolin and guitar based orchestras "that demonstrated the dramatic potential and range of color" possible for the plucked orchestra.[2]
In the 1930s, Wölki explored 18th century mandolin music from 1760s and 1770s Paris and reached a conclusion that caused controversy.[5] He found that the classical music of the period that used mandolin had been played without tremolo.[5] While some cherished the tremolo, others embraced "a return to classical methods."[5] His influence asthe examples he composed resulted in a restraint in the use of tremolo in new German compositions.[5]
He was the author of a history of the mandolin Geschichte der Mandoline (1939) as well as a three volume mandolin method, Deutsche Schule für Mandoline.[5] He continued to teach in Berlin, educating many of the next generation of mandolinists.[3]
Over the course of his life, he composed or arranged 103 pieces of published music.[6]
Life and work
Konrad Wölki was born in 1904 in Moabit (Berlin).[1] At the age of 12, he became a member of the children's choir at the Royal Opera in Berlin.[1] In 1922, at the age of 18, he founded a zupforchester (plucked-string orchestra), which was initially called the "Fidelio Mandolin Orchestra", but was renamed several times in the following years and since 1937 finally was called "Berliner Lautengilde".[1]
From 1934 to 1940 Wölki taught plucked instruments at the Stern Conservatory (after 1945: Municipal Conservatory) in Berlin and was from 1939 a member of the Examination Board for the State Music Teacher Examination.[1][7] From 1948 to 1959 he directed the Musikschule Reinickendorf (Reinickendorf Music School); from 1962 to 1966, he led the seminar for youth music educators at the Municipal Conservatory, which was later affiliated to the State University of Music and the Performing Arts (now: University of the Arts).[1][3]
Wölki is considered one of the first to contribute to the general recognition of the zupforchester originating from the field of amateur music in scientific circles. He did this through the historical exploration of the mandolin, through numerous original compositions and arrangements, but above all through the publication of textbooks for plucked instruments. While the mandolin had been played mostly throughout the tremolo since Romanticism, Wölki made the classical playing technique popular again, which uses the tremolo as a stylistic device. In his compositions Suite Number 1 he composed using classical methods, especially no tremolo.[5] On the next, Suite Number 2, he incorporated small amounts of tremolo as a stylistic device, setting an example for future German compositions.[5]
Together with his wife Gerda he also recognized the trend towards guitar playing in the 1950s and promoted the choral interaction of guitars.[1] For these merits he was appointed honorary member of the Bund Deutscher Zupfmusiker.
Initially, Wölki composed in the Romantic or Baroque style, but from the 1950s he used more modern harmonies and rhythms. However, he was not enthusiastic about the experimental and avant-garde music of his time.
In 1972, Wölki gave the direction of the "lute guild" to his wife, who had been the youth percussion orchestra since 1953 and since 1958 the guitar choir of the association.[1] Retired, he was also a member of the jury of the "Jugend musiziert" competition and regularly published for the journal Zupfmusik-Gitarre (today: Concertino) of the Bund Deutscher Zupfmusiker.[1]
Konrad Wölki died in July 1983 in Frohnau (Berlin).[1] For his funeral on July 19, former members of the "Lautengilde" played his "Suite No. 1."[1]
Works
Konrad Wölki has published numerous textbooks for Mandolin and Zupforchester and has published 103 pieces of music for Zupforchester. Of his educational works were distributed to 1977, a million copies.[6] His most important own compositions include:
- Overture no. 1 (A major)
- Overture no. 2 (F sharp minor)
- Overture no. 3 (D major)
- Overture no. 4 (B minor) for plucked orchestra and woodwinds
- Overture no. 5 (C major)
- Overture no. 6 (G major)
- Suite No. 1 for Zupforchester, opus 29 (1935)[5]
- Suite No. 2, opus 31 (1937)("Music for simple celebration hours")[5]
- Small suite in G major
- Concerto for violin , 2 flutes and Zupforchester op. 57 (1954, new version 1966)
- Rondo scherzoso
- Three old-fashioned dances
- Vienna concert
Books
- Das Studienwerk für Mandoline, Berlin N 65, Swakopmunder Str. 12 : Ragotzky[8]
- Mandoline, Gitarre, Laute, Berlin : H. Ragotzky, 1936[8]
- Das Studienwerk für Gitarre, Berlin N 65, Swakopmunder Str. 12 : Ragotzky, 1939.[8]
- Das goldene Akkordeon-Buch, Berlin : Globus Verl., 1939.[8]
- Instrumentationslehre für Zupfinstrumente, Berlin : Ragotzky, 1948.[8]
- Melodisches Gitarrenspiel, Berlin[-Lichterfelde] : Apollo-Verl., 1960[8]
- Gitarre allein, Berlin : Apollo-Verl., 1966.[8]
- Musiklehre für Gitarrenspieler, Berlin : Ries und Erler, 1970[8]
- Gitarrenspiel am Anfang, Berlin : Apollo-Verl., 1971.[8]
- 50 Jahre Berliner Lautengilde, Hamburg : Trekel, 1984.[8]
- Der Akkordeon-Musikant, Berlin[-Lichterfelde] : Apollo-Verl. (3 volumes)[8]
- Deutsche Schule für Gitarre, Berlin N 65, Swakopmunder Str. 12 : Ragotzky[8]
- Deutsche Schule für Mandoline, Berlin N 65, Swakopmunder Str. 12 : Ragotzky[8]
- Flötentöne, Berlin-[Lichterfelde] : Apollo-Verl.[8]
- Gitarre zum Lied, Berlin[-Lichterfelde] : Apollo-Verl.
- Schule für Mandoline, Berlin : Apollo-Verl.[8]
- Wölki-Schule für Akkordeon, Berlin : Curtius[8]
References
- Sparks, Paul (2003). The Classical Mandolin. Oxford: Oxford University Press. ISBN 9780195173376.
- Kubik, Michael (1983). "Ein Leben für die Zupfmusik" [A life for the plucked music]. hubert-woelky.de. Retrieved 9 May 2019.
[Michael Kubrick's article about Konrad Wölki was included on a genealogy page by Hubert Woelky. The article was credited 'Michael Kubik (north berlin / kultur- & theaterforum) 1983.'
- Sparks 2003, pp. 137–138
- Sparks 2003, pp. 166
- Sparks 2003, pp. 141
- Sparks 2003, pp. 142
- Wölki, Konrad (1984). Geschichte der Mandoline [History of the Mandolin]. Translated by Harris, Keith. Arlington, Virginia: Plucked String. p. 10.
[information from Keith Harris's description oh the back of the book, not Wölki's words.]
- Sparks, Paul (2003). The Classical Mandolin. Oxford: Oxford University Press. ISBN 9780195173376.
Wölki (who had become a teacher at the Sternsches Konservatorium in Berlin in 1934...
- "Catalog of the Geeman national library, Result of the search for: auRef = 13248854X in stock: entire stock". German National Library. Retrieved 6 May 2019.
External links
- Bio of Konrad Wölki, written by Michael Kubik (north berlin / kultur- & theaterforum) 1983
- Wölki Archive founded in Trossingen (new music newspaper 9/1997)
- Biographical article by Edwin Mertes
- Wölki's compositions and arrangements.
|
