Kirsty Martin

Kirsty Martin (born 1976) is an Australian ballet dancer. She was a star and principal of The Australian Ballet (AB), dancing for the company from 1995 until she retired in 2011.[1] Martin was the company's first member to win the Prix Benois de la Danse.

Biography

A solicitor's daughter from Leeton, New South Wales, Martin has two brothers.[2] She took her first ballet lesson at the age of four at the Di Salvatore Dance Academy.[3] Martin trained at the Australian Ballet School under Gailene Stock, graduating in 1996. On a travel scholarship, she continued her studies with Gelsey Kirkland in New York where in 1997 she also worked with Twyla Tharp on The Storyteller.[4] She danced La Bayadère in 1998. After a few years with the AB, in 2000 she and her husband Damien Welch joined the Nederlands Dans Theater in The Hague where she danced in contemporary works choreographed by Jiří Kylián, Johan Inger and Paul Lightfoot. The couple returned to Australia in 2002.[5][6]

Back with the AB, she performed in Graeme Murphy's Swan Lake and in the 2003 premiere of André Prokovsky's The Three Musketeers, earning a promotion to principal dancer.[2] In 2006, Stephen Baynes created the title role for her in his new production of Raymonda,[6] and in the same year, she danced Giselle. Her 2007 repertoire included Don Quixote, Apollo, After the Rain, Paquita, Symphonie Fantastique, Les Présages. The following year, she performed Manon, danced previously in 1999.[7]

Awarded the Prix Benois de la Danse in 2009, she was the first Australian,[8] and first member of the AB to win the prize.[9] Her other awards include the Gold Medal, Fifth Asia Pacific Ballet Competition (1995) and the Silver Medal, Adeline Genée Competition (1995).[6] Noted for her "extraordinary artistry and stage presence",[7] Martin retired from the stage in July 2011 after dancing in the final performance of The Merry Widow at Melbourne.[1] Her husband had retired two years earlier; they have two children, Oscar and Matilda.[7] The dancer and choreographer Stanton Welch is Martin's brother-in-law.[2]

gollark: I mean, in the sense that such a thing would be unenforceable.
gollark: Nor can you ban automated refreshing.
gollark: ↑
gollark: ... ARing but not autoclicking is bad and yet just having a keyboard which lets you hit F5 fast is fine?
gollark: Surely TJ09'd complain about that automatic data gathering though.

References

  1. "Australian Ballet star Kirsty Martin bows out in favour of domestic stage". The Australian. 23 June 2011. Retrieved 23 March 2014.
  2. Power, Rachel (2012). The Divided Heart: Art and Motherhood. Red Dog Books. p. 124. ISBN 978-1-74259-078-3.
  3. "Pointe well taken". The Sydney Morning Herald. 15 September 2003. Retrieved 23 March 2014.
  4. Jo Roberts (15 September 2003). "AB's finest pirouette to the top". The Age. Retrieved 23 March 2014.
  5. Grace Edwards (June 2009). "Damien Welch a passion for both dance and music". Dance Informa. Archived from the original on 15 August 2011. Retrieved 23 March 2014.
  6. "Kirsty Martin". Benois Theatre. Retrieved 23 March 2014.
  7. "Kirsty Martin's final curtain call at The Australian Ballet Principal artist announces her retirement from dance". Ballet News. 22 June 2011. Retrieved 25 March 2014.
  8. Boland, Michaela (4 July 2011). "The Merry Widow Kirsty Martin exits stage left, as kids call". The Australian. Retrieved 25 March 2014.
  9. Lalak, Alex (15 June 2009). "Dancer Kirsty Martin on top of the world wins Prix Benois de la Danse". The Daily Telegraph. Retrieved 24 March 2014.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.