Khaled Hafez

Khaled Hafez (born Khaled Yehia Hafez Donia on 5 August 1963) is an Egyptian/French visual artist and educator.

Books

  • Hafez, Khaled (2012). Egyptian hyperreal pop: the rise of a hybrid vernacular. ISBN 978-3-659-25414-7. OCLC 859520760.
  • حافظ، خالد (2012). صفحات من مذكرات عاطل: نصوص ورسوم (in Arabic). القاهرة: دار شرقيات،. OCLC 796946374.

Exhibitions

Until 2019, Hafez works were exhibited in 30 solo presentations and international group exhibitions including:

  • 56th Venice Biennale, Italy, 2015. Official Collateral exhibition In the Eye of the Thunderstorm.[1]

Awards

  • Fulbright Fellowship, (Pennsylvania Academy of the Fine Arts, PA), USA, 2005
  • Rockefeller Bellagio Fellowship, Italy, 2009
  • Francophonie Prize, 6th Dakar Biennale, Senegal, 2004
  • Fondation Blachere Video Prize, 9th Bamako Photo Biennale, Mali, 2011

Public Collections

Khaled Hafez works are in the collections of:

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References

  1. http://eyethunderstorm.com
  2. "drawing; collage | British Museum". The British Museum. Retrieved 2020-07-09.
  3. "drawing; collage | British Museum". The British Museum. Retrieved 2020-07-09.
  4. "Khaled Hafez - Mighty Hands Of Gemmis - Contemporary Art". www.saatchigallery.com. Retrieved 2020-07-09.
  5. "Revolution". www.muhka.be. Retrieved 2020-07-09.
  6. "Sala 2 – Fondazione Horcynus Orca" (in Italian). Retrieved 2020-07-09.
  7. "Seated Goddess With Side Up". Barjeel Art Foundation. 2012-12-21. Retrieved 2020-07-09.
  8. "Αναζήτηση: [εμφάνιση όλων]". www.greekstatemuseum.com. Retrieved 2020-07-09.
  • P. Alonzo, A. Bieber, M. Hübner, G. Jansen and R. Klanten. Art & Agenda: Political Art and Activism. Berlin: Gestalten, Booth-Clibborn Editions, 257. ISBN 389955342X, 2011.
  • Carolyn Guertin. Digital Prohibition: Piracy and Authorship in New Media Art. Bloomsbury Academic, ISBN 978-1441131904
  • Saeb Eigner. Art of the Middle East: Modern and Contemporary Art of the Arab World and Iran. London & NY: Merrel Publishers Limited, 122. ISBN 1858945003, 2010.
  • Lisa Farjam and Saatchi Gallery. Unveiled: New Art from the Middle East. London: Booth Clibborn Editions, 60–61. ISBN 1861543131, 2009.
  • Hossein Amirsadeghi, Salwa Mikdadi and Nada Shabout, eds. New Visions: Arab Contemporary Art in the 21st Century. London: Trans Globe Publishing & Thames & Hudson, 142–145. ISBN 0500976988, 2009.
  • Martina Corgnati. Egitto: Profilo dell’arte Moderna e Contemporanea dei Paesi Mediterranei. Milano: MESOGEA Publishers, 95–96, 154. ISBN 8846920775, 2009.
  • Liliane Karnouk. Modern Egyptian Art 1910-2003. Cairo: American University in Cairo Press, 240-241. ISBN 9774248597, 2005.
  • Cairo Modern Art in Holland. The Hague: Fortis Circustheater Publications, 128–137. ASIN B000Y2ALHG, 2001.

Bibliography

  • Joachim Frank, “Kriegserklärung der Künstler”, Kölner Stadt-Anzeiger, 31 January 2013.
  • “Ein Bürgerkrieg passt nicht zu den”, Frankfurter Rundschau, 30 January 2013.
  • Mai Elkhishen, “The Visual Artist on the Problem of Being too Literal”, Egypt Today, January 2012.
  • Alban de Ménonville, “L’Oustsider”, Ahram Hebdo, 18–24 January 2012.
  • Gamal Nkrumah, “Unknotting Nut”, Ahram Weekly, 18 January 2012.
  • Mariam Hamdy, “Artist Khaled Hafez’s latest Solo Exhibit Depth and Sophistication”, The Daily News Egypt, 22 January 2012.
  • David Batty, “Arab Artists Flourishing as Uprisings Embolden a Generation”, The Guardian, 18 January 2012.
  • Andrea Backhaus, “Wenn der Nebel sich auflöst”, Die Welt, 24 January 2012.
  • Regine Seipel, “Die Kinder der Revolution”, Frankfurter Rundschau, 25 January 2012.
  • Claus Liesegang, “Die Revolution frisst die Urlauber”, Wiesbadener Kurier, February 2012.
  • Kersten Knipp, “Khaled Hafez über Revolution und Kunst in Ägypten”, Artnet De, 7 February 2012.
  • Enrique Rubio, “Egipto: La Revolution en su laberinto”, En Portado, February 2012.
  • Yasmine Allam, “Khaled Hafez and the Art of Revolution from Premonition to Stockholm Syndrome”, Contemporary Practices, March 2012.
  • Sally Elsabbahy, “The Friday Sessions, The Other Side of Khaled Hafez's Studio”, Kalimat, Spring 2012.
  • Laura Allsop, “The Video Diaries”, Ibraaz, November 2011.
  • Yasmine Youssi, “Les Artistes Arabes Contemporains s'Exposent à Paris”, Telerama, October 2011.
  • Tace Bayliss, “Interview with Khaled Hafez”, Think Africa, 11 October 2011.
  • Sarah Elkamel, “Khaled Hafez: Living Art”, Ahram Online, Sunday 3 July 2011.
  • Junama Ruiz, “Revolución”, Cahiers Du Cinema Espana, April 2011.
  • James Parry, “Meet the Artists”, Canvas Daily, 16 March 2010.
  • Anna-Wallace Thompson, “Middle East: Blurring the Edges”, Canvas Daily, 16 March 2010.
  • Doerthe Engelcke. “Interview with Khaled Hafez.” Zenith Magazine, March 2009, 76–77.
  • Janet Rady. “Of Gods & Superheroes: Khaled Hafez.” Canvas: Art and Culture from the Middle East and Arab World 5, May/June, 96–107.
  • Nat Muller. “Wie Sich vor dem Epischen Schutzen? Zeitgenossische Mediale Artikulationen der Megapolis Kari.” Springerin 15, December 2009, 11–13.
  • Till Briegleb. “10 Vorurteile über Kunst und Islam und was davon zu halten ist.” Art das Kunstmagazin, December 2008, 50–62.
  • Sebastiano Grasso. “Il Medico egiziano che dipinge Batman.” Corriere della Sera, 25 February 2006, 40.
  • “In mostra le opere di Hafez Ironia e riflessioni sull’Islam, di Redazione.” Il Giornale, 28 March 2006, 6.
  • Alia Abu Nawar. “Recycling Culture: Khaled Hafez.”SKIN Magazine, April 2006, 162–170.
  • Marion Obam. “Des Déesses Egyptiennes Débarquent à Douala.” Le Quotidien Mutations (Yaoundé), June 206.
  • Vanessa Nana. “Fin de saison avec Khaled Hafez.” Le Messanger, World Edition, 14 July 2006.
  • J.D. “Khaled Hafez aux Chantirs de la Lune.” Var Matin Nice Matin, 14 March 2005.
  • J.M. “22e Festival des francophonies: Collision des Cultures avec.” L’Echo, 28 September 2005, 3.
  • Jean-Francois Julien. “Khaled Hafez aux Cimaises de Jean-Gagnant: l’Egypte, Patrie des Super Heros.” La Montagne Haute Vienne, 29 September 2005, 3.
  • D. Dominick Lombardi. “Mediterranean Encounters.” NY ARTS Magazine 10, November / December 2005.
  • Manuela Ravisio. “Walk Like a (New) Egyptian.” Gulliver Magazine 6, June 2004, 229–237.
  • Giovanna Trento. “Quella Nuouva tra i vicoli del Cairo.” ALIAS 30, 24 July 2004, 6.
  • Jean-Loup Amselle. “6e Biennale de l’Art Contemporain.” Art Press 303, July/August 2004, 71–72.
  • May el Khishen. “The Medicine that is Art: A Closer Look at Khaled Hafez.” Campus Magazine, August 2004, 26.
  • Kinsey Katchka. “Globalization, Heritage and Contemporary African Arts.” Africa e Mediterraneo 47–48, August 2004, 38–43.
  • Beatrice Compte. “DAK'ART 2004: le Soliel se Leve au Sud.” Le Figaro Magazine, 7 August 2004, 66–68.
  • Helene Tissieres. “DAK’ART 2004: Biennial of Contemporary African Art.” Research in African Literatures 36: 1 (November 2004): 109–113.
  • Eriberto Eulisse. “DAK'ART 2004: Luci e Ombre di une Biennale Africana.” Africeh e Orienti 3, November 2004, 179– 185.
  • Cederic Vincent. “DAK'ART 2004: 6e Biennale de l'Art Africain Contemporain,” Parachute 116, 10 November 2004, 7– 8.
  • Youssef Rakha. “Busy Idlers.” Al-Ahram Weekly 626, 20– 26 February 2003, 14.
  • Menha el Batrawi. “Les Fenetres de Minya.” Al-Ahram Hebdo 445, 19–25 March 2003, 28.
  • Richard Woffenden. “Go West.” Cairo Times 7: 10, 8–14 May 2003, 28-29.
  • Marilu Knode. “Local Conditions, Westerns Forms.” Art in America (January 2002): 51–55.
  • Iolanda Pensa. “Cairo Contemporary.” TemaCeleste 89, February 2002, 100-101.
  • Francesca Sullivan. “Khaled Hafez.” Egypt Insight 6: 4, April 2002, 58.
  • Nigel Ryan. “Clamour and Quiet.” Al-Ahram Weekly, 25 April–1 May 2002, 23.
  • Rania el Malky. “Re-creation.” Egypt Today 23: 5, May 2002, 24.
  • Dina Ramadan. “Drawing Out the Artist.” Cairo Times, 19–25 September 2002, 29.
  • Martina Corignati. “Sentire l'Islam.” ©arnet 8: 12, December 2002, 32–42.
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