Kenneth Goldsmith

Kenneth Goldsmith (born 1961) is an American poet and critic. He is the founding editor of UbuWeb and is a senior editor of PennSound at the University of Pennsylvania, where he teaches. He hosted a weekly radio show at WFMU from 1995 until June 2010. He has published ten books of poetry, notably Fidget (2000), Soliloquy (2001), Day (2003) and his American trilogy, The Weather (2005), Traffic (2007), and Sports (2008). He is the author of a book of essays, Uncreative Writing: Managing Language in the Digital Age (2011). In 2013, he was appointed the Museum of Modern Art's first poet laureate.[1]

For other people named Goldsmith, see Goldsmith (disambiguation).
Kenneth Goldsmith
Kenneth Goldsmith reading at President Obama's A Celebration of American Poetry at the White House on May 11, 2011
Born1961 (age 58–59)
Freeport, New York
OccupationPoet, critic
NationalityAmerican
Period1993 - present
Notable worksDay
SpouseCheryl Donegan
Children2
Website
epc.buffalo.edu/authors/goldsmith/

Early life and career

Born in Freeport, New York, he was trained as a sculptor at the Rhode Island School of Design and graduated with a BFA in 1984. Goldsmith worked for many years within the art world as a text-based artist and sculptor before becoming a writer.[2]

Conceptual poetic practice

Motivated by his own 2007 manifesto "Uncreative Writing"[3] and notion that "any language can be poetry",[4] Goldsmith has been the editor of one continuous project of innovative poetics, comprising both the study and practice of conceptual poetry as a writer, academic, and the curator of the archives at UbuWeb. In his own words, "I guess what I write is poetry. But I clearly don’t write traditional poems. I’ve never written a sonnet. Poetry is so generous that it can take a hybrid practice like mine and claim it as its own and support it in a way fiction isn’t able to."[5] He places conceptual poetic practice within the realm of activist poetry.[6] His process, which involves self-induced constraints, has produced 600 pages of rhyming phrases ending with the sound r, sorted by syllables and alphabetized (No. 111 2.7.93-10.20.96, 1997), everything he said for a week (Soliloquy, 2001), every move his body made during a thirteen-hour period (Fidget, 2000), a year of transcribed weather reports (The Weather, 2005) and one edition of The New York Times, September 1, 2000, transcribed as Day (2003). Goldsmith's practice embraces the performance of the writer as process and plagiarism — as content.

Creative and critical responses to his work are archived at the Kenneth Goldsmith, Electronic Poetry Center[7] with several being consolidated in Open Letter: Kenneth Goldsmith and Conceptual Poetics (2005).[8] Notable addressees of Goldsmith's work include those of the literary critics Marjorie Perloff, Craig Dworkin, Sianne Ngai, Robert Archambeau, and Johanna Drucker, as well as poets Bruce Andrews, Christian Bök, Darren Wershler-Henry, Christine Wertheim and Caroline Bergvall.

Broadcast events and collaborations

Goldsmith hosted a weekly show on WFMU, the New Jersey-based freeform radio station, from 1995 until June 2010, using the broadcast name of "Kenny G". The show was an extension of Goldsmith's writing experiments, his pedagogy and UbuWeb. His programs were titled (for various extended periods) "Kenny G's Hour of Pain,"[9] "Anal Magic"[10] and "Intelligent Design."[11]

He has also had numerous collaborations with musicians and composers. In 1993, Goldsmith embarked on a collaboration with avant-garde vocalist Joan La Barbara, resulting in a CD and book 73 Poems published by Brooklyn's Permanent Press.[12] In 1998, the Whitney Museum of American Art commissioned vocalist Theo Bleckmann to stage an interpretation of Fidget.[13]

In 2004, Goldsmith released a CD with People Like Us called Nothing Special and has done many radio performances with Vicki Bennett.[14] The next year he collaborated with guitarist Alan Licht to stage an evening length performance of The Weather, as well as excerpts from Fidget. He has also collaborated with musician David Grubbs with texts from Fidget.

In 2006, he performed in the TRANS-WARHOL, Chamber Opera, a libretto based on his book I'll Be Your Mirror; The Andy Warhol Interviews. The project was a collaboration with choreographer Nicolas Musin, composer Philippe Schoeller and Ensemble Alternance. The opera premiered at the Bâtiment des forces motrices in Geneva, in March 2007.[15]

Goldsmith has written about experimental music on the article A Popular Guide to Unpopular Music and has curated many musical events and compact discs. He was a musical curator for the Whitney Museum of American Art's The American Century, Part 2, which included 73 Poems. In 2004, he curated a CD for the Sonic Arts Network in London called The Agents of Impurity. In 2006 he organized a CD for the Institute of Contemporary Art, Boston called The Body is a Sound Factory. Also in 2006, he organized an 8-hour-long performance at the Sculpture Center (New York City) of Erik Satie's Vexations "Pianoless Vexations" (UbuWeb) for any instrument other than piano.

Conceptual art projects

In 2009, Goldsmith co-curated the exhibition Intermission: Films From a Heroic Future at the Canadian Centre for Architecture. The exhibition surveyed the evolving relationship between speed and space and the accelerating pace of life through different artistic films from the twentieth and twenty-first centuries.[16]

From 26 July to 31 August 2013, Goldsmith curated a conceptual art project called Printing out the Internet in collaboration with LABOR and UbuWeb, that invited the public to print and send pages from the Internet to an art gallery in Mexico City, with the intention to literally print out the entire Internet.[17]

Goldsmith dedicated the exhibition to Aaron Swartz, an Internet activist who committed suicide while facing federal charges of illegally downloading and disseminating millions of files from the digital library JSTOR.[18] As Goldsmith said in an interview, "The amount of what he liberated was enormous — we can’t begin to understand the magnitude of his action until we begin to materialize and actualize it. This project tries to bring that point home."[19] By the end of the project, Goldsmith had accumulated over 10 tonnes of paper from more than 20,000 contributors.

In Venice at the “Hillary: The Hillary Clinton Emails,” a work on display in a balcony jutting out over a supermarket at the Despar Teatro Italia during the 58th Biennale of Visual Arts, Clinton made a surprise visit on Tuesday September 10, 2019, to this work of political theater and performance art, where she spent an hour reading her emails. The exhibition created by the American poet and artist Kenneth Goldsmith is displayed from May 9, 2019, until November 24, 2019, curated by Francesco Urbano Ragazzi. During her appearance, she said that the attention given to her emails was one of the “strangest” and most “absurd” events in U.S. political history, adding, “Anyone can go in and look at them. There is nothing there. There is nothing that should have been so controversial.”[20]

Teaching

He teaches in the University of Pennsylvania's English Department. His courses have included "Uncreative Writing," "Interventionist Writing," and "Writing Through Art and Culture," among others.[21] In addition, Goldsmith has run a graduate seminar at the School of the Art Institute of Chicago entitled "Publishing as Project." He taught uncreative writing at Princeton University during 2010 on an Anschutz Distinguished Fellowship in American Studies.[22]

Recognition

In October 2007, a documentary film of Goldsmith's life and practice, Sucking on Words,[23] by filmmaker Simon Morris was screened at Shandy Hall in Coxwold, England, and in London. The film was premiered at the Eccles Center at the British Library in London and subsequently screened at the Oslo Poetry Festival in November 2007.

On May 11, 2011, Goldsmith was featured at President and Mrs. Obama's celebration of American poetry at the White House.[24] He read works by Walt Whitman and Hart Crane, as well as from his work Traffic. Other performers that day included: Billy Collins, Common, Rita Dove, Alison Knowles, Aimee Mann, Jill Scott and Steve Martin and the Steep Canyon Rangers. During the afternoon, Goldsmith led a poetry workshop for high school students with the first lady.[25]

In 2012, Goldsmith's book Uncreative Writing: Managing Language in the Digital Age was awarded the Association Study of the Arts of the Present Book Prize.[26]

The next year, he was appointed the Museum of Modern Art's first Poet Laureate.[1] His tenure included a series called, Uncontested Spaces: Guerilla Readings, in the MoMA Galleries where, as part of his Poet Laureate program, writers were invited to choose works in MoMA's collection, develop a response, and then select a space in the Museum galleries in which to perform the resulting readings and texts. Participants included David Shields, Sheila Heti, Rick Moody, John Zorn, Stefan Sagmeister, Charles Bernstein, Christian Bök, Vanessa Place, Maira Kalman, Heidi Julavits, Alex Ross, Vito Acconci, and others. Every Friday, from January to July 2013, Goldsmith himself contributed readings in the galleries.

He was awarded the 2016 Prix d'Honneur from the Festival international du livre d'art et du film in Perpignan, France.

From 16–18 March 2018, Goldsmith was honored by a symposium at the Onassis Cultural Center in Athens, Shadow Libraries: UbuWeb in Athens, which included symposia, performances and exhibitions. Participants included Peter Sunde of The Pirate Bay, Marcell Mars, Tom McCarthy, Dušan Barok, Emily Segal, People Like Us (band), Craig Dworkin, David Desrimais, Dina Kelberman, and Coco Sollfrank. The event was organized and curated by Ilan Manouach.[27]

On June 4, 2018, the Institute of Advanced Studies at the University of Bologna awarded Goldsmith its Honorary Fellowship.

Goldsmith was named the 2020 recipient[28] of the Prix François-Morellet[29] for Duchamp Is My Lawyer: The Polemics, Poetics, and Pragmatics of UbuWeb.[30]

Controversy

On March 13, 2015, Goldsmith read his poem "The Body of Michael Brown" at the "Interrupt 3" event at Brown University.[31] The poem was a reading of the autopsy report issued by the St. Louis County Coroner's Office on the shooting of Michael Brown, an African-American teenager who was shot and killed by a white police officer in Ferguson, Missouri, on August 9, 2014, setting off local protests that spread to many cities nationwide. Goldsmith explained his process on Facebook: "I altered the text for poetic effect; I translated into plain English many obscure medical terms that would have stopped the flow of the text; I narrativized it in ways that made the text less didactic and more literary."[32] The reading was met with controversy.[33]

Brown University professor John Cayley stated that the video recording of the poem will not be released to the public, as requested by the poet. Goldsmith said that he is, "requesting that Brown University not make public the recording of my performance of 'The Body of Michael Brown'. There's been too much pain for many people around this and I do not wish to cause any more."[34]

Personal life

He lives in New York City with his wife, artist Cheryl Donegan, and his two sons.

Selected bibliography
  • No 105. New York: Beans Dear Press, 1992
  • Tizzy Boost, with Bruce Andrews, The Figures, Great Barrington, Massachusetts, 1993
  • No. 110 10.4.93-10.7.93, Artists Museum, nddz, Poland, (1993)
  • No. 109 2.7.93-12.15.93, Bravin Post Lee, New York, New York (1994)
  • 6799, Zingmagazine Press, New York (2000)
  • Kenneth Goldsmith (e-book), Electronic Poetry Center, Buffalo, New York (2002)
  • Day, The Figures, Great Barrington, Massachusetts and Berkeley, CA (2003)
  • I'll be your mirror : the selected Andy Warhol interviews : 1962-1987, Carrol & Graf, New York (2004)
  • Kenneth Goldsmith and Conceptual Poetics, with Lori Emerson and Barbara Cole, Open Letter, Strathroy, Ontario (2005)
  • Spring, with James Siena, Michael Bixler, Winifred Bixler, Didymus Press, New York (2005)
  • John Cage uncaged is still cagey, with David Antin and John Cage, Singing Horse Press, San Diego, California (2005)
  • Weather, Make Now, Los Angeles (2005)
  • Sucking on Words, (an interactive poetry experience distributed on DVD) Cornerhouse Press, York, England (2007)
  • Kenneth Goldsmith : street poets & visionaries : selections from the UbuWeb Collection, with Craig Leonard, Mercer Union, Toronto (2008)
  • Traffic, Make Now, Los Angeles (2007)
  • Sports, Make Now, Los Angeles (2008)
  • Uncreative writing : managing language in the digital age, Columbia University Press, New York (2011)
  • Against Expression: an anthology of conceptual writing, with Craig Douglas Dworkin, Northwestern University Press, Evanston Illinois (2011)
  • Dog Ear, with Erica Baum and Beatrice Gross, Ugly Duckling Presse, Brooklyn, New York (2011)
  • Seven American deaths and disasters, Powerhouse Books, Brooklyn, New York (2013)
  • Kenneth Goldsmith: theory, Jean Boite Editions (2015)
  • Capital: New York, Capital of the 20th Century, Verso (2015)
  • Against Translation, Jean Boite Editions (2016)
  • Wasting Time on the Internet, Harper Perennial, New York (2016)
  • The Ideal Lecture (In Memory of David Antin), Het Balanseer, Belgium (2018)
  • Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb, Columbia University Press (2020)
gollark: Minimum population quotas, and if they're not met then the shortfall is made up for by cloning Einstein a few million times or something.
gollark: They're clearly not doing it right.
gollark: "Maximize happiness" gets you humans continuously on life support and super-heroin or something.
gollark: Not some bad and overly specific parameter, not what you want it to, what it *should* do.
gollark: If you make an AI and make it significantly smarter/more powerful in some relevant way than humans, you need to make *very sure* it will actually do what it should.

References
  1. Transforming the Discourse: MoMA Appoints its First Poet Laureate, The Wall Street Journal, March 20, 2015
  2. "Jacket 21 - Marjorie Perloff: A Conversation with Kenneth Goldsmith". jacketmagazine.com. Archived from the original on 2018-10-12. Retrieved 2007-05-15.
  3. Kenneth Goldsmith. Uncreative Writing Archived November 23, 2016, at the Wayback Machine
  4. Kenneth Goldsmith. Uncreativity as Creative Practice Archived March 21, 2016, at the Wayback Machine
  5. The "Uncreative Writer" in Washington Archived March 6, 2016, at the Wayback Machine
  6. Kenneth Goldsmith. My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution, Umelec Magazine, 19 November 2012. Archived September 17, 2016, at the Wayback Machine
  7. Kenneth Goldsmith, Electronic Poetry Center Archived November 5, 2016, at the Wayback Machine
  8. Open Letter: Kenneth Goldsmith and Conceptual Poetics Archived October 23, 2016, at the Wayback Machine (2005)
  9. "playlists and archives for Kenny G's Hour of Pain". wfmu.org.
  10. "WFMU Radio Boredcast: Playlist from March 30, 2012". wfmu.org.
  11. "Intelligent Design with Kenny G playlist - 09.12.07". moorestevie.com.
  12. Goldsmith, Kenneth; La Barbara, Joan (1993). 73 poems (1 ed.). Brooklyn: Permanent Press. ISBN 0963848909.
  13. "Nancy Princenthal on Kenneth Goldsmith's "Fidget"". buffalo.edu.
  14. Browse by Artist: PEOPLE LIKE US & KENNY G Archived September 17, 2016, at the Wayback Machine
  15. abcdancecompany.at Archived September 3, 2011, at the Wayback Machine
  16. "Intermission: Films From a Heroic Future". Canadian Centre for Architecture. Retrieved 2020-08-06.
  17. Tumblr for Printing out the Internet. Archived October 7, 2015, at the Wayback Machine
  18. Zak, Dan (July 26, 2013). "'Printing Out the Internet' exhibit is crowdsourced work of art" Archived October 17, 2013, at the Wayback Machine The Washington Post. Retrieved 13 September 2013
  19. Walker, Rob (May 29, 2013). "Printing the Internet" Archived March 13, 2016, at the Wayback Machine Yahoo News. Retrieved on September 13th, 2013.
  20. "Hillary Clinton reads her emails at Venice art show". Star-Advertiser. Honolulu. September 12, 2019. Retrieved September 13, 2019 – via New York Times.
  21. "Faculty Directory: Kenneth Goldsmith". upenn.edu.
  22. Princeton University. "Anschutz Distinguished Fellowship in American Studies - Anschutz Distinguished Fellowship in American Studies - Program in American Studies - Princeton University". princeton.edu. Archived from the original on 2014-12-25.
  23. Sucking on Words Archived December 2, 2016, at the Wayback Machine
  24. "A Celebration of American Poetry at the White House". whitehouse.gov.
  25. Marjorie Perloff. Towards a conceptual lyric: From content to context Archived December 23, 2016, at the Wayback Machine
  26. "Archived copy". Archived from the original on 2016-10-11. Retrieved 2016-09-09.CS1 maint: archived copy as title (link)
  27. http://www.sgt.gr/eng/SPG2018/
  28. https://www.chateau-montsoreau.com/wordpress/portfolio-item/kenneth-goldsmith-francois-morellet-prize-october-11th-2020/?fbclid=IwAR2Dsca3euxc5HVkkrVeh-R23_BGO6Mz83aHTQXz1Q09k3qt5W06jexDKr8
  29. https://www.chateau-montsoreau.com/wordpress/portfolio-category/francois-morellet-prize/
  30. http://cup.columbia.edu/book/duchamp-is-my-lawyer/9780231186957
  31. "Penn Professor Sparks Controversy With Michael Brown Poem". Philadelphia Magazine.
  32. "The Body of Michael Brown--A Response to Kenneth Goldsmith". The Huffington Post.
  33. Alec Wilkinson. Something Borrowed: Kenneth Goldsmith's poetry elevates copying to an art, but did he go too far? The New Yorker, October 5, 2015 Archived November 23, 2016, at the Wayback Machine
  34. "US poet defends reading of Michael Brown autopsy report as a poem". www.theguardian.com. Retrieved January 19, 2020.
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