Kay Rosen

Kay Rosen (born 1943, Corpus Christi, TX) is an American painter.[1] Rosen's paintings are included in the collections of the Art Institute of Chicago, the Museum of Contemporary Art, Los Angeles, and the Museum of Modern Art and Whitney Museum of American Art in New York City.[2] Rosen lives in Gary, Indiana, and New York.[1]

Education

Rosen received her BA in Linguistics, Spanish, and French from Newcomb College of Tulane University in 1965.[3] She attended graduate school in Linguistics and Spanish at Northwestern University,[3] and then taught Spanish at Indiana University in Gary. While she was teaching in Gary, Rosen began taking studio art courses at the School of the Art Institute of Chicago,[4] where she currently teaches.

Works

Rosen's artwork is largely text-based, employing "formalism, linguistics, and humor to reveal content that is hidden within both the structural nature of written language and the ways in which meaning can be generated through the manipulation of text."[1] The artist is interested in expressing language visually, and she focuses primarily on wordplay.[5] Many of her works are representations of words in which certain letters have been juxtaposed or rendered in different colors or scales in order to reveal hidden messages or to draw attention to the relationship between language and meaning.[6] These features of Rosen's style can be seen in Untitled Grid at the Indianapolis Museum of Art and in The Whitney Museum of American Art's Spare Parts.

In some works, language becomes structure, "with words and letterforms functioning as building blocks, and where, through unusual typographic arrangements, words and phrases can embody the thing they are describing".[1] Her precisionist-style works span in size from mural- to laptop-sized.[7][8] Rosen's work frequently veers into commentary on the U.S. political condition, often deploying wit and humor.[9][10]

Exhibitions

In addition to works created for gallery spaces, Rosen is known for publicly presenting work in the form of outdoor murals.[11] The piece "Blurred" was exhibited along Interstate 70 as a part of the I-70 Sign Show. It was first located near Hatton, Missouri then moved to Warrenton, Missouri. The blurring of colors in text were interpreted as a statement related to political divides between Missouri's rural and urban populations.[12] Blurred (2004) [13] is currently in the collection at the Art Gallery of New South Wales.

Solo exhibitions of Rosen's work have been presented at the following museums and nonprofit art institutions:[14]

  • Witte de With (Center for Contemporary Art), Rotterdam, The Netherlands (1990)
  • Indianapolis Museum of Art (1994)
  • Museum of Contemporary Art, Chicago (1994)
  • Unlimited Contemporary Art, Athens, Greece (1996)
  • M.I.T. List Visual Arts Center, Cambridge, Massachusetts (1997)
  • Beaver College Art Gallery (now Arcadia University), Philadelphia (1998)
  • Museum of Contemporary Art (MOCA) and Otis College of Art and Design, Los Angeles (1998–99)
  • Aspen Art Museum, Aspen, Colorado (2001)
  • The Drawing Center, New York (2002)
  • Dunedin Public Art Gallery, New Zealand (2004)
  • University Art Museum, University of California at Santa Barbara (2004)
  • Art Institute of Chicago (2011)
  • Taubman Museum of American Art, Roanoke, Virginia (2011)
  • Contemporary Art Gallery, Vancouver, Canada (2013)
  • Art Gallery of New South Wales, Sydney, Australia (2014)
  • The Aldrich Contemporary Art Museum, Ridgefield, Connecticut (2017)

Awards

Rosen is the recipient of the following awards:[14]

  • John Simon Guggenheim Fellowship in Fine Arts, 2017
  • Artist Award for a Distinguished Body of Work, presented by the CAA (College Art Association), 2014
  • S.J. Weiler Fund Award, 2013
  • Anonymous Was a Woman Foundation Grant, 2009
  • National Endowment for the Arts Visual Arts Grant, 1995
  • Award in the Visual Arts 10 Fellowship, 1990
  • National Endowment for the Arts Visual Arts Grant, 1989
  • National Endowment for the Arts Visual Arts Grant, 1987
gollark: Imagine having legs.
gollark: That sure is a band of some kind?
gollark: I disagree with this.
gollark: Necessarily, under anarchoprimitivism.
gollark: It is not likely that this sort of thing would never happen again.

References
  1. "Kay Rosen: H Is for House | The Aldrich Contemporary Art Museum | Artsy". www.artsy.net. Retrieved 2019-03-01.
  2. "ROSEN, Kay." Benezit Dictionary of Artists. Oxford Art Online. Oxford University Press, accessed March 30, 2014.
  3. Pagel, David. Why Paint?: Judy Ledgerwood, Jim Lutes, Kay Rosen [and] Kevin Wolff: the Renaissance Society at the University of Chicago, March 22-April 26, 1992. Chicago: The Society, 1992.
  4. Rosen, Kay. Kaysays: Essays and Interviews by Kay Rosen. Chicago: Sara Ranchouse Publishing, 2007.
  5. Rosen, Kay. "Publish to Flourish." Art in America. October 2014, Vol. 102 Issue 9, p. 128-129.
  6. Sholis, Brian. "Kay Rosen." Artforum International. September 2005, Vol. 44 Issue 1, p. 307.
  7. Johnson, Ken (2012-03-01). "KAY ROSEN: 'Wide and Deep'". The New York Times. ISSN 0362-4331. Retrieved 2019-03-01.
  8. Zises, Heather (2018-07-20). "KAY ROSEN ON HER MURAL 'DIVISIBILITY' AT FRONT CLEVELAND TRIENNIAL". Quiet Lunch. Retrieved 2019-03-01.
  9. "Kay Rosen's Writing on the Wall". Hyperallergic. 2018-04-07. Retrieved 2019-03-01.
  10. "Kay Rosen at Alexander Gray Associates". www.artforum.com. Retrieved 2019-03-01.
  11. Litt, Steven; Dealer, The Plain. "FRONT announces 3 new public art installations for downtown and University Circle (photos)". cleveland.com. Retrieved 2019-03-01.
  12. "'Blah, blah, blah'? Billboard art show confronts Missouri drivers head-on". Retrieved 2017-03-29.
  13. Deutsch; Français; 日本語; 中文; Español; Italiano; 한국어; العربية; us, Contact. "BLURRED, (2004) by Kay Rosen :: The Collection :: Art Gallery NSW". www.artgallery.nsw.gov.au. Retrieved 2019-03-01.
  14. "Kay Rosen: Bio". www.kayrosen.com. Retrieved 2019-03-01.
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