Kathy Vargas

Kathy Vargas (born June 23, 1950) is an American artist who creates collages and photographs. She often devotes several works to a particular theme and creates her art in series.[1]

Biography

Vargas was born in San Antonio, Texas. She was influenced early on by her Catholic faith, her grandmother's ghost stories and her father's retelling of pre-Columbian history.[1]

Vargas has a BFA from the University of Texas at San Antonio in 1981 and in 1984 received her MFA.

Kathy Vargas currently teaches in the art department at The University of the Incarnate Word in San Antonio, TX. She has lectured throughout the United States and Mexico.[1]

Art

Kathy Vargas became interested in the hand-coloured photography around 1970 when she worked for Bill and Jerry Hayes in her hometown at a small production company. She was placed in the animation department and from there learned how to do special effects. Vargas learned dark room work here before she began learning about photography.[2]

At the Southwest Craft Center, Kathy learned rock-and-roll photography from Tom Wright in 1971, which she practiced professionally from 1973 to 1977.[3]

Kathy Vargas began classes with Mel Casas, a Chicano artist, who asked her to attend a Con Safo art group meeting after seeing some of her photographs. She felt welcome here and loved what the group was doing with art. Kathy gives credit to Casas for opening her eyes and sharing many Chicano and Chicana artists with her.[2] When she began to feel limited, she notified them that it was time for her to create her own art and departed from the Con Safo art group. Vargas wanted to experiment with the medium and create her own photographic style.

A few years later, while working on a documentary project about yard shrines in her home town of San Antonio, Texas, she began researching Mexican and pre-Columbian myths and literature, and to produce works based on a photographic 'magic realism' involving layering by multiple exposure and hand colouring (Marshall).

In 1993 she produced a portfolio titled, Revelaciones, and a year later was published in Nueva Luz photographic journal, volume 4#2 (En Foco, Bronx: 1994)

She is interested in "the anatomy of death and the aftermath of everlasting life."[1] Vargas often uses iconography from Aztec art, along with various other cultural and Christian symbols.[1]

Further reading
  • "Photography and Nostalgia: The Touched-up Images of Kathy Vargas".[pp. 29-41] in David William Foster, Picturing the Barrio: Ten Chicano Photographers. [4]

Exhibits

Solo exhibits:[5]

  • Sala Uno in Rome
  • Galeria San Martín in Mexico City
  • Centro Recoleta in Buenos Aires, Argentina
  • McNay Art Museum in San Antonio, Texas

Group exhibits:[5]

  • “Hospice: A Photographic Inquiry,” a traveling exhibit commissioned by the Corcoran Gallery, Washington D.C.
  • “Chicano Art: Resistance and Affirmation (CARA)”
  • "Visibilities: Intrepid Women of Artpace" at Artpace, San Antonio, TX.[6]

Books
  • Vargas, Kathy, and Connie Arismendi. Intimate lives: work by ten contemporary Latina artists. Austin, TX: Women & Their Work, 1993.
  • Muñoz, Celia Alvarez, Chon A. Noriega, José Piedra, Kathy Vargas, and Victor Zamudio-Taylor. Revelaciones = Revelations: Hispanic art of evanescence. Ithaca, NY: Hispanic American Studies Program, Cornell University, 1993.
  • Goldberg, Jim, Nan Goldin, Sally Mann, Jack Radcliffe, and Kathy Vargas. Hospice: a photographic inquiry. Boston: Little, Brown, in association with the Corcoran Gallery of Art and National Hospice Foundation, 1996. ISBN 0-8212-2259-7.
  • Lippard, Lucy R., and MaLin Wilson-Powell. Kathy Vargas: photographs, 1971–2000. San Antonio, TX: Marion Koogler McNay Art Museum, 2000. ISBN 0-916677-45-1.
  • Art at Our Doorstep: San Antonio Writers and Artists featuring Kathy Vargas. Edited by Nan Cuba and Riley Robinson (Trinity University Press, 2008).
gollark: Well, we discovered moon aliens, so we gave them antispaghetti as a "gift", buuuut turns out it wiped them out.
gollark: Particle accelerators do produce a bit of antimatter, I think. It's been studied.
gollark: wellllllllllllllllllllllllllllllllllllllllllllllllllll
gollark: The energy's got to go SOMEWHERE.
gollark: A few grams of antimatter spaghetti could probably wipe out a city.

References
  1. Henkes, Robert (1999). Latin American Women Artists of the United States: The Works of 33 Twentieth-Century Women. Jefferson, North Carolina: McFarland & Company. pp. 219–226. ISBN 0786405198.
  2. "KATHY VARGAS – IN HER OWN WORDS". latinopia.com. Retrieved March 8, 2016.
  3. vargas. "Kathy Vargas : The Wittliff Collections". www.thewittliffcollections.txstate.edu. Archived from the original on March 9, 2016. Retrieved March 8, 2016.
  4. William, Foster, David (2017). Picturing the barrio : ten Chicano photographers. Pittsburgh, Pa.: U Pittsburgh Press. ISBN 9780822982388. OCLC 988048028.
  5. "Kathy Vargas". www.uiw.edu. Archived from the original on September 26, 2016. Retrieved March 8, 2016.
  6. Rindfuss, Bryan. "'Visibilities: Intrepid Women of Artpace' Group Show to Open Year-Long Celebration of Female Artists". San Antonio Current. Retrieved May 23, 2020.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.