Katherine Araniello

Katherine Araniello (21 September 1965 – 25 February 2019[1]) was a London-based live art, performance and video artist, who responded to the negative representation of disability. She used a range of mediums including film, large scale production and live art performances. Araniello was a member of The Disabled Avant-Garde (DAG)[2][3] with deaf artist Aaron Williamson.[4]

Career

Araniello trained in Fine Art at London Guildhall University (1996–99)[5] and Goldsmiths College (2002–2004).[6] Her work challenged representations of physical disability. Her prime focus was to subvert and parody complex contemporary issues often having to do with disability, such as assisted suicide, media representation, prejudice and ignorance and body aesthetics. She regularly collaborated with Aaron Williamson[7] under the name of The Disabled Avant-Garde.[8] She was a member of the film collective 15MM,[9][10] and showed work at Beaconsfield, Tate Modern, Gasworks and Serpentine Gallery and more.

Key works

The Dinner Party[11] was first performed in 2011 at Tonybee Studios after Araniello received an Artsadmin bursary. It was a performance to camera, based on the comedy sketch Dinner for One (1920) written by British author Lauri Wylie which was recorded in Germany (1963). It subsequently became the scheduled New Year's Eve viewing by several German TV stations, and continues to be played to this day. Araniello replaced the invisible dinner guests from the original comedy sketch with disability personas that were over-inflated and self-indulgent, to instill a sense of irony and satire. All the characters were played by Araniello and were representative of cliched models of disability.[12]

The Dinner Party Revisited[13] was performed in September, 2014 at the Southbank Centre as part of Unlimited Festival.

The Disabled Avant-Garde (Araniello and Aaron Williamson) was commissioned as part of M21: From the Medieval to the 21st Century,[14] in which they created the piece Wayward Mascots (2012).[15]

Notable exhibitions and performances

Notable exhibitions include The Disabled Avant-Garde Today!,[16][17] Gasworks, London (2006); The Staircase Miracles,[18] The Serpentine Gallery, London (2005); The Staircase Miracles, The Custard Factory, Birmingham (2005); Invalid, Stephen Lawrence Gallery, London (2004); PILOT 1, Limehouse Town Hall, London (2004); and I am not a feminist, I am normal, Austrian Cultural Forum, London (2004).

Araniello participated in film festivals including the Disability Film Festival, National Film Theatre, London (1999–2005); 18th London Lesbian and Gay Film Festival, NFT, London (2004); Retour d’Images – European Year of People with Disabilities, Paris, France (2003); and KynnysKINO4 Film Festival, Helsinki, Finland (2003).

Performances include No Room at the Igloo: An Xmas Pageant, Royal Festival Hall, London (2008); Terminal, Late at Tate Britain, London (2008), and The Rhinestone Rollers, Paralympics Handover, Hackney Town Hall (2008).

Araniello ran workshops for Shape Arts, Ikon Gallery, LGBT Conference, and GLAD.

Further reading
  • Manuel Vason (2014), Double Exposures, Live Art Development Agency and Intellect Books, ISBN 978-1-78320-409-0
  • Bree Hadley (2014), Disability, Public Space Performance and Spectatorship: Unconscious Performers, Palgrave Macmillan, ISBN 9781137396075
  • Unlimited (2016), What’s Changed?, Unlimited[19]
  • Engage (2009), engage 23: The International Journal of Visual Art and Gallery Education - Disability and Access, ISSN 1365-9383
  • Theron Schmidt (2019), AGENCY: A Partial History of Live Art, ISBN 978-1-78320-990-3
  • Lois Keidan, CJ Mitchell (2012), Access All Areas: Live Art and Disability, ISBN 978-0956134271
  • Individual Contributions (2012), M21: From the Medieval to the 21st Century, ISBN 978-0-9561-342-9-5
gollark: PotatOS is a great\* OS which spreads virally via disks and is somewhat hard to remove.
gollark: TFW some people don't use potatOS and I don't know the meaning of TFW.
gollark: Though they're not *entirely* altruistic, and have banned me from wolf mall and much of switch city (the bits they own) and one road for saying so…
gollark: Yes.
gollark: Yes?

References
  1. "Annual Review 2018/19". Live Art Development Agency (LADA). 28 May 2019.
  2. The Disabled Avant-Garde (DAG)
  3. Schmidt, Theron (2019). AGENCY: A Partial History of Live Art. LADA and Intellect Book. pp. 255–264. ISBN 978-1-78320-990-3.
  4. Aaron Williamson
  5. Araniello, Katherine. "Katherine Araniello". Engage.
  6. Araniello, Katherine. "Artist profile - Katherine Araniello". Shape Arts.
  7. Williamson, Aaron (2008). Aaron Williamson Performance / Video / Collaboration. Live Art Development Agency and KIOSK. ISBN 978-0-9557365-1-3.
  8. Access all Areas : Live Art and Disability. Live Art Development Agency. 2012. pp. 129–135, 184. ISBN 978-0-9561342-7-1.
  9. "Art & Compromise (IV) – 15mm Films". Beaconsfield.
  10. Williamson, Aaron (2008). Aaron Williamson Performance / Video / Collaboration. Live Art Development Agency and KIOSK. pp. 98–100. ISBN 978-0-9557365-1-3.
  11. Araniello, Katherine (2014). The Dinner Party. Live Art Development Agency: Live Art Development Agency.
  12. Araniello, Katherine (2015). The Dinner Party Revisited. Live Art Development Agency. p. 8. ISBN 978-0-9573938-7-5.
  13. Araniello, Katherine (2015). The Dinner Party Revisited. Live Art Development Agency. ISBN 978-0-9573938-7-5.
  14. M21: From the Medieval to the 21st Century. DASH and Live Art Development Agency. 2012. ISBN 978-0-9561-342-9-5.
  15. M21: From the Medieval to the 21st Century. DASH and Live Art Development Agency. 2012. p. 5. ISBN 978-0-9561-342-9-5.
  16. "The Disabled Avant-Garde Today!". Gasworks.
  17. "The Disabled Avant Garde Today". a-n.
  18. "About Juliet Robson". Juliet Robson.
  19. http://lada-memset.thisisliveart.co.uk/resources/catalogue/whats-changed
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