Katarina Dalayman

Katarina Dalayman (born January 25, 1963 in Stockholm) is a Swedish former soprano that has transitioned into a mezzosoprano. She has found critical acclaim singing major operatic roles by composers such as Wagner, Berg, Shostakovich and Bartók, among others. In a recent interview, she commented that Wagner's music "[has] always been closest to my heart, always, since I started singing".[1]

Katarina Dalayman as Elektra, Royal Opera House, Stockholm 2009

In 2000 she was made a Swedish Court Singer by His Majesty Carl XVI Gustaf, King of Sweden.

Life and career

The daughter of a seamstress, who had herself previously considered a career in acting, Dalayman went on to become a student at the Stockholm Opera Conservatory. Whilst still at college, she had already sung Sieglinde (from Wagner's Die Walküre) in public. Her debut was as Amelia in Verdi's Simon Boccanegra at the Royal Opera Stockholm in 1991.

Since then, notable engagements have included Marie in Wozzeck at Stuttgart (1993), Metropolitan Opera (2001) and the Royal Opera House, Covent Garden (2001), Brangäne in Tristan und Isolde at New York Met (2002), Kundry in Parsifal at Paris Opera (2001) and Dresden (2008), Sieglinde at Covent Garden (2005), and Brünnhilde in the Stockholm Ring Cycle (2005-2008).

Later engagements included Brünnhilde in Aix en Provence (2008) and at the Metropolitan Opera (2009) and at the Osterfestspiele Salzburg (2009–10); Judith (Bluebeard's Castle) in the Gran Teatre del Liceu, Barcelona (2008); Isolde at the New York Met (2008); Brünnhilde; Kundry at the New York Met (2013).

After training to a mezzosoprano, she returned and sang Fricka and Waltraute in the 2017 brief revival of Valdemar-Holm's Wagner Ring Cycle in Stockholm. In the beginning of 2018 she created a well reviewed Klytaemnestra in the revival of Valdemar Holm's Elektra (the same production she sang the main role Elektra in 2009), also in Stockholm.[2]

Dalayman's recordings include: Berg – Wozzeck (Marie/Marietta), Berwald – Estrella de Soria (Zulma), Johan Hammerth – Stockholms Kantat, Korngold – Die Tote Stadt (Marie/Marietta), Wagner – Götterdämmerung (Brünnhilde), Wagner – Tristan und Isolde (Brangäne), and Wagner – Parsifal (Kundry).

With her sister Maria Dalayman and tenor Thomas Sunnegårdh Dalayman runs the opera agency Good Company.[3]

Personal life

Dalayman lives in Stockholm, Sweden, and has two sons.[3]

Awards
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gollark: Heavpoot is not a... female dog?
gollark: Anyway, it's bizarre to go around complaining about me watching CIA-created stuff with no actual knowledge of what I watch, the difference between what you and me watch, and any explanation of what you actually mean by it.
gollark: Fascinating.
gollark: Hmm, question: what *isn't* propaganda of some kind?

References
  1. Tim Ashley, 'Women on the verge', The Guardian, February 25, 2005. Retrieved on 2008-03-23.
  2. 'Laddad Elektra med kvinnorna i centrum', SVD.se, January 18, 2018. Retrieved on 2018-01-30.
  3. Katarina Dalayman: Världssopran utan tävlingsinstinkt | SvD
  4. http://www.kungahuset.se/royalcourt Swedish Royal Court official home page
  • David M. Cummings, International Who's Who in Classical Music, 2003. ISBN 1-85743-174-X.
  • Haydn Rawstron Limited, Katarina Dalayman. Retrieved on 2008-02-23.


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