Karl Weber (art director)
Karl Weber (1897-1965) was a German art director.[1] He frequently worked alongside Erich Zander designing film sets.
Karl Weber | |
---|---|
Born | 20 December 1897 |
Died | 1965 |
Occupation | Art director |
Years active | 1929–1965 (film) |
Filmography
- Napoleon at Saint Helena (1929)
- The Opera Ball (1931)
- Ariane (1931)
- Abenteuer im Engadin (1932)
- Der Diamant des Zaren (1932)
- Melo (1932)
- The Dreamy Mouth (1932)
- Spies at Work (1933)
- The Old and the Young King (1935)
- Forget Me Not (1935)
- If It Were Not for Music (1935)
- A Night of Change (1935)
- Martha (1936)
- Intermezzo (1936)
- Three Girls Around Schubert (1936)
- Family Parade (1936)
- The Beggar Student (1936)
- His Best Friend (1937)
- Don't Promise Me Anything (1937)
- To New Shores (1937)
- Zwei Frauen (1938)
- Verliebtes Abenteuer (1938)
- Die kleine und die große Liebe (1938)
- Red Orchids (1938)
- Der Tag nach der Scheidung (1938)
- Ich liebe dich (1938)
- Yvette (1938)
- A Hopeless Case (1939)
- Wibbel the Tailor (1939)
- Beloved Augustin (1940)
- Nanette (1940)
- Casanova heiratet (1940)
- Our Miss Doctor (1940)
- Der Weg zu Isabel (1940)
- Much Ado About Nixi (1942)
- Melody of a Great City (1943)
- Vienna 1910 (1943)
- Es lebe die Liebe (1944)
- Es fing so harmlos an (1944)
- Leuchtende Schatten (1945)
- Verlobte Leute (1950)
- Miracles Still Happen (1951)
- Homesick for You (1952)
- The Merry Vineyard (1952)
- Southern Nights (1953)
- Hit Parade (1953)
- Roses from the South (1954)
- Die Försterbuben (1955)
- You Can No Longer Remain Silent (1955)
- Die Mädels vom Immenhof (1955)
- ..wie einst Lili Marleen (1956)
- Junger Mann, der alles kann (1957)
- Doctor Bertram (1957)
- Meine 99 Bräute (1958)
- Du bist wunderbar (1959)
- The Hero of My Dreams (1960)
gollark: Idea: regular screen, keyboard and mouse, but in virtual reality so you can have arbitrarily large amounts of monitors.
gollark: So what's the "issue" then, "optics"?
gollark: Maybe it would work better with a higher-res phone, who knows.
gollark: Well, it's a mildly cool but pointless thing, yes.
gollark: The last one was at someone's house, but the VR thing was some sort of "lab" environment with lots of random things in it, I don't remember much.
References
- Giesen p.230
Bibliography
- Giesen, Rolf. Nazi Propaganda Films: A History and Filmography. McFarland, 2003.
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