Karen Fishwick

Karen Fishwick (born 12 May 1990)[1] is a Scottish actor and musician.

Karen Fishwick
Born (1990-05-12) 12 May 1990
Clarkston, Scotland
NationalityScottish
OccupationActor
Years active2013 - present
Known forBadults

Fishwick was born in Clarkston, East Renfrewshire.[2] She trained at Motherwell College.[3]

She has appeared in a number of productions in Glasgow at the Citizens Theatre and other venues, starring in productions of Our Lady of Perpetual Succour and Hansel and Gretel.

Filmography
YearTitleRoleNotes
2013BadultsHelen"Food"
2015The HumEllieShort Film
2016Scot SquadCaroline Reid

Stage productions
gollark: It could record locally and upload later, though.
gollark: This person apparently reverse-engineered it statically, not at runtime, but it *can* probably detect if you're trying to reverse-engineer it a bit while running.
gollark: > > App behavior changes slightly if they know you're trying to figure out what they're doing> this sentence makes no sense to me, "if they know"? he's dissecting the code as per his own statement, thus looking at rows of text in various format. the app isn't running - so how can it change? does the app have self-awareness? this sounds like something out of a bad sci-fi movie from the 90's.It's totally possible for applications to detect and resist being debugged a bit.
gollark: > this is standard programming dogma, detailed logging takes a lot of space and typically you enable logging on the fly on clients to catch errors. this is literally cookie cutter "how to build apps 101", and not scary. or, phrased differently, is it scary if all of that logging was always on? obviously not as it's agreed upon and detailed in TikTok's privacy policy (really), so why is it scary that there's an on and off switch?This is them saying that remotely configurable logging is fine and normal; I don't think them being able to arbitrarily gather more data is good.
gollark: > on the topic of setting up a proxy server - it's a very standard practice to transcode and buffer media via a server, they have simply reversed the roles here by having server and client on the client, which makes sense as transcoding is very intensive CPU-wise, which means they have distributed that power requirement to the end user's devices instead of having to have servers capable of transcoding millions of videos.Transcoding media locally is not the same as having some sort of locally running *server* to do it.

References
  1. "Karen Fishwick on Twitter". Twitter. Retrieved 11 February 2020.
  2. "Streetwise and modern - Karen Fishwick's take on Romeo and Juliet". The Herald.
  3. "Karen Fishwick: 'Our Ladies is going to rip up the West End'". The Stage.
  4. Devlin, Vivien (26 July 2013). "Present Laughter, Pitlochry Theatre, Review". Edinburgh Guide. Retrieved 12 December 2016.
  5. Devlin, Vivien (29 July 2013). "Lady Windermere's Fan, Pitlochry Festival Theatre, Review". Edinburgh Guide. Retrieved 12 December 2016.
  6. McMillan, Joyce (6 September 2014). "Theatre review: Mr Bolfry". Scotsman. Retrieved 12 December 2016.
  7. Brown, Mark (20 June 2014). "The Yellow on the Broom, Pitlochry Festival Theatre: 'outstayed its welcome'". Telegraph.co.uk. Retrieved 12 December 2016.
  8. Brown, Irene (22 February 2015). "The Caucasian Chalk Circle, Lyceum, Review". Edinburgh Guide. Retrieved 12 December 2016.
  9. Dibdin, Thom (14 December 2015). "Mother Goose review at Adam Smith Theatre, Kirkcaldy – 'witty'". The Stage. Retrieved 12 December 2016.
  10. Beacom, Brian (24 May 2016). "Karen Fishwick: Watch the lady". Evening Times. Retrieved 12 December 2016.
  11. Isherwood, Charles (14 June 2016). "Review: In 'Our Ladies of Perpetual Succour,' Schoolgirls on the Prowl". The New York Times. ISSN 0362-4331. Retrieved 12 December 2016.
  12. Cooper, Neil (11 December 2016). "Theatre review: Hansel and Gretel, Citizens Theatre, Glasgow". Herald Scotland. Retrieved 12 December 2016.
  13. "Bally Gill and Karen Fishwick to play Romeo and Juliet". RSC.org.uk. Retrieved 14 June 2018.
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