Kannamma (film)

Kannamma (Tamil: கண்ணம்மா) is a 2005 Tamil language film directed by S. S. Baba Vikram, starring Meena as the titular character along with Prem and Bose Venkat in lead roles. The film was dubbed in Telugu as Lakshmi Sowbhagyavathi.[1]

Kannamma
Directed byS. S. Baba Vikram
Produced byS. S. Baba Vikram
Screenplay byM. Karunanidhi
Story byS. S. Baba Vikram
StarringMeena
Prem
Bose Venkat
Music byS. A. Rajkumar
CinematographyC. M. Muthu
Edited byVikram Raja
Release date
  • 4 February 2005 (2005-02-04)
CountryIndia
LanguageTamil

Plot

The story is that of a rich medical student named Kannamma (Meena), who falls in love with Anandan (Prem) after he saves her from an acid attack by her driver Babu (Karate Raja). Anand's friend Madan (Bose Venkat) becomes Kannamma's ever-vigilant sentinel, risking his own marriage with Mala (Vindhya). Kannamma comes to know of Anand's martyrdom through TV. Her baby is disputed, and she is brought before a village council.

Cast

ActorRole
MeenaKannamma
PremAnandan
Bose VenkatMadan
VindhyaMala
Karate RajaBabu
Vadivukkarasi
Vaiyapuri
Kuyili
Chandrasekhar

Soundtrack

Kannamma
Soundtrack album by
Released2005
Recorded2005
GenreSoundtrack
Length27:33
LabelStar Music
ProducerS. A. Rajkumar
S. A. Rajkumar chronology
Arivumani
(2004)
Kannamma
(2005)
Kannadi Pookal
(2005)

Music was composed by S. A. Rajkumar and Released on Star Music.[2]

Track-List
No.TitleLyricsSinger(s)Length
1."Kaikodu Kaikodu"VairamuthuMathangi Jagdish, Srinivas4:46
2."Ennai Ethanai"VaaliPop Shalini, Tippu4:33
3."Ilaignane Ilaignane"KarunanidhiManikka Vinayagam3:23
4."Kichu Kichu"VaaliAnuradha Sriram3:59
5."Aalamara Kilaiyinilae"Baba VikramSwarnalatha5:03
6."Iru Vizhi Mazhai"KarunanidhiVani Jairam5:49
Total length:27:33

Reception

Balaji B of Thiraipadam wrote "It is neither a political satire nor, in spite of having the heroine's name as its title, a socially relevant film. His [Karunaidhi] dialogues do shine at some places but for the most part, are made irrelevannt by the horrid screenplay and bad character development."[3] Indiaglitz wrote "The film is peppered with messages on nationalism, caste and communal harmony. But it lacks the spellbinding effect of certain war films."[4]

References

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