Julita Ross

Julita Ross (March 21, 1919 June 29, 1981) was a singer of Puerto Rican danzas, also known as "The Great Lady of the Danzas".

Julita Ross
Also known as"The Great Lady of the Danzas"
BornMarch 21, 1919
Arecibo, Puerto Rico
DiedJune 29, 1981
Toa Baja, Puerto Rico
GenresDanzas
Occupation(s)Singer of Puerto Rican danzas

Early years

Ross was born in Arecibo, Puerto Rico. Her parents Ramon and Clemencia moved to the Santurce section of San Juan in 1923. Ross received her primary and secondary education and graduated from the Central High School of Santurce. In 1940, she joined an artistic singing group which had a show called "Industrias Nativas" (Native Industries) and which was transmitted through the radio station "WIAC", until 1945.[1]

During World War II, Ross entertained the troops with her voice in "USO shows" (United Service Organizations). After touring with the USO, Ross went to New York City where she performed in many hispanic theaters, among which was "El Teatro Puerto Rico". She was also heard on the radio stations "WWRL" and "WHOM".

Singing career

External audio
You may listen to Julita Ross' "No me escribas" on YouTube

In 1947, Ross was offered a recording contract. She recorded the boleros "Diez Años" (Ten Years) by Rafael Hernández and "Aunque Me Llores" (Even if you cry for me) by Claudio Ferrer. In 1948, she recorded 49 danzas written by composers such as Juan Morel Campos, Manuel Gregorio Tavárez, Rafael Alers and Ángel Mislan among others.

In 1953, Ross returned to Puerto Rico where she received a contract from the radio station "WNEL" to do the show "La Voz de Borinquen" (The voice of Puerto Rico). This is where she was nicknamed "The Great Lady of the Danzas".

Ross's first record was titled "Julita Ross Canta Danzas" (Julita Ross Sings Danzas).[2] In 1961, she recorded "Julita y Chago" and in 1968 "La Siempre Recordada Julita Ross" (The Always Remembered Julita Ross). She also recorded "La Borinqueña"[3], "No me escribas"[4], "La dama de la canción"[5] and "Canciones de ayer".[6]

Later years

Ross moved to Levittown, Toa Baja in 1966. She continued to participate in many activities, especially with the Institute of Puerto Rican Culture. In 1974, Ross was honored by the Cayetano Coll y Toste Club in Arecibo. She was given the "keys" to the city and inducted into the Arecibo Hall of Fame.

Julita Ross died on June 29, 1981 in Levittown, Toa Baja and was buried in Bayamón. The mayor of Toa Baja honored her memory by renaming the Levittown theater "El Theatro de Bellas Artes de Julita Ross" (The Julita Ross Theater of Beautiful Arts).

gollark: If you require everyone/a majority to say "yes, let us make the thing" publicly, then you probably won't get any of the thing - if you say "yes, let us make the thing" then someone will probably go "wow, you are a bad/shameful person for supporting the thing".
gollark: Say most/many people like a thing, but the unfathomable mechanisms of culture™ have decided that it's bad/shameful/whatever. In our society, as long as it isn't something which a plurality of people *really* dislike, you can probably get it anyway since you don't need everyone's buy-in. And over time the thing might become more widely accepted by unfathomable mechanisms of culture™.
gollark: I also think that if you decide what to produce via social things instead of the current financial mechanisms, you would probably have less innovation (if you have a cool new thing™, you have to convince a lot of people it's a good idea, rather than just convincing a few specialized people that it's good enough to get some investment) and could get stuck in weird signalling loops.
gollark: So it's possible to be somewhat insulated from whatever bizarre trends are sweeping things.
gollark: In a capitalistic system, people don't have to like me as long as I can throw money at them, see.

See also

References

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.