Julika Rudelius

Julika Rudelius (born 1968) is an internationally exhibiting German-born video and performance artist who lives and works in Amsterdam, Netherlands, and New York.[1][2] Rudelius' photographic and video work examines complex notions of emotional dependency, social power, abuse, identity and cultural hegemony.[3][4][5][6]

Biography

Rudelius was born in Cologne, Germany, in 1968. She studied at the Gerrit Rietveld Academy in Amsterdam where she received her B.F.A. in photography in 1998, followed by a residency at the Rijksakademie van beeldenden kunsten in 1999-2000 and the International Studio & Curatorial Program (ISCP) in New York in 2006.[1][2][7]

Exhibitions

Julika Rudelius has exhibited in numerous museums including Tate Modern; the ZKM; Van Abbe Museum; Stedelijk Museum; the Frankfurter Kunstverein; Centrum Beeldende Kunst; Centre Culturel Suisse; Reinhard Hauff Galerie; Galerie Manuela Klercks; Grazer Kunstverein; The John Institute; Bard Museum at Bard College; Aeroplastics Contemporary; Frans Hals Museum; Figge von Rosen Gallery, and New York's Swiss Institute.[1][7]

gollark: What's this from?
gollark: https://www.youtube.com/watch?v=th1-USuAsPk
gollark: GPS is quite easy to spoof I think, so that's fairly plausible. Also very cyberpunk.
gollark: https://cliport.github.io/ ← fear it.
gollark: Here is an accurate depiction of the colour blue.

References
  1. "Julika Rudelius". Artnet.com. Retrieved 8 March 2015.
  2. "Julika Rudelius". Yale University School of Art. Retrieved 29 February 2016.
  3. "Julika Rudelius – Soft Intrusion". e-flux. Retrieved 8 March 2015.
  4. "Julika Rudelius, What is on the Outside". Mad Museum. Retrieved 8 March 2015.
  5. Markus, David (10 November 2012). "Julika Rudelius". Art in America. Retrieved 8 March 2015.
  6. Rosenberg, Karen (9 August 2012). "Julika Rudelius: 'Rituals of Capitalism'". New York Times. Retrieved 8 March 2015.
  7. "Elizabeth A. Sackler Center for Feminist Art: Feminist Art Base: Julika Rudelius". Brooklyn Museum. Retrieved 8 March 2015.
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