Julianna Di Giacomo

Julianna Di Giacomo is an American operatic soprano who has had an active international singing career since 1999. She has performed leading roles with several major opera houses, including La Scala in Milan, the Metropolitan Opera in New York City, the Opéra-Comique in Paris, and the Teatro Real in Madrid. On the concert stage she has appeared with several notable orchestras, including the Gothenburg Symphony Orchestra, the Los Angeles Philharmonic, the New York Philharmonic, the Opera Orchestra of New York, and the Vienna Philharmonic.

Life and career

Raised in Santa Monica, California, Di Giacomo was first introduced to opera by her tennis coach when she was a teenager. She fell in love with the art form and pursued studies in vocal performance at the University of California, Los Angeles. After graduating from UCLA, she entered the Merola Opera Program at the San Francisco Opera (SFO). She made her professional opera debut in 1999 with the Western Opera Theater, the SFO's touring company, as Donna Anna in a national tour of Wolfgang Amadeus Mozart's Don Giovanni.[1]

In 2004 Di Giacomo joined the Young Artist Program at the Santa Fe Opera. Her first career break came in 2006 when she replaced an indisposed Pamela Armstrong as Fiordiligi in Mozart's Così fan tutte at the New York City Opera.[2] She returned to the NYCO the following year in a much lauded portrayal of Elvira in Don Giovanni.[1] She also received positive reviews in 2007 for her performance of Fiora in L'amore dei tre re with the Opera Orchestra of New York at Carnegie Hall and for her portrayal of Leonora in Giuseppe Verdi's Il trovatore at the Caramoor International Music Festival.[3][4]

Di Giacomo made her debut at the Metropolitan Opera in November 2007 at Clotilde in Bellini's Norma with Dolora Zajick as Adalgisa and Hasmik Papian as Norma.[5] In 2008 she made her debut with Opera Grand Rapids as Countess Almaviva in The Marriage of Figaro.[6] In 2009 she made her first appearance at La Scala as Lucrezia Contarini in I due Foscari under the baton of Stefano Ranzani.[7]

In 2010 Di Giacomo returned to the Met as Lina in Stiffelio and Leonora in Il trovatore in 2010. In December 2010 she performed the world premiere of Thomas Pasatieri's Bel Canto Songs for the George London Foundation Recital Series at the Morgan Library.[8] In 2011 he returned to the Caramoor Festival to perform Mathilde in Rossini's Guillaume Tell and portrayed Madame Lidoine in Dialogues of the Carmelites at the Pittsburgh Opera.[9][10]

In 2012 Di Giacomo made her first appearance with the Los Angeles Opera as Donna Anna to Ildebrando D'Arcangelo's Don Giovanni under conductor Placido Domingo.[11] That same year she made her debut at the Teatro dell'Opera di Roma in the title role of Bellini's Norma and sang the title role in Giacomo Puccini's Suor Angelica at the Teatro Real in Madrid.[12][13] In 2013 she made her debut at the Opéra-Comique as Rozenn in Édouard Lalo's Le roi d'Ys.[14]

In 2014 Di Giacomo made her debut with the New York Philharmonic as the soprano soloist in Beethoven's Symphony No. 9; a work she had performed a year earlier with the Vienna Philharmonic.[15][16] Also in 2014, she made her debut at the San Francisco Opera as Amelia in Un ballo in maschera, appeared at the Hollywood Bowl as Nedda in Pagliacci with the Los Angeles Philharmonic, and portrayed Desdemona in Otello at the Teatro Massimo.[17][18][19]

In May 2015 Di Giacomo portrayed the title role in Verdi's Luisa Miller at the Teatro di San Carlo.[20] In June 2015 she portrayed Leonora for her debut with the Cincinnati Opera.[21] In October/November 2015 she is scheduled to sing Desdemona in Verdi's Otello at the Teatro de la Maestranza.[22]

In March/April 2016 she sang the role of Leonora in a semi-staged performance with the San Antonio Opera and the San Antonio Symphony.

Other opera companies Di Giacomo has performed with during her career include the Arizona Opera, the Municipal Theatre of Santiago, the Opéra national de Montpellier, and the Teatro Petruzzelli.

Discography
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References
  1. F. Paul Driscoll (June 2015). Sound Bites: Julianna Di Giacomo. Opera News. 29.
  2. Bernard Holland (October 24, 2006). "Mozart's Social Experiments, Conducted in a Shifting Chamber of Intrigue". The New York Times.
  3. Steve Smith (July 16, 2007). "The Story, Convoluted; the Music, So Potent". The New York Times.
  4. Anne Midgette (December 9, 2007). "Growing Old Enough to Appreciate Youth". The New York Times.
  5. Anne Midgette (November 14, 2007). "A Lover Is Dumped, With Bel Canto Drama". The New York Times.
  6. Jeffrey Kaczmarczyk (February 16, 2008). "Opera flirts successfully with audience". www.mlive.com.
  7. Silvia Luraghi (2 April 2009). "Nucci convincing in I due Foscari". The Opera Critic.
  8. Chris Harcum and Anne Mancuso (December 10, 2010). Spare Times. The New York Times.
  9. Steven Smith (July 10, 2011). "A Return to Rossini's Days of Yesteryear". The New York Times.
  10. Robert Croan (April 28, 2011). "Poulenc's 'Dialogues of the Carmelites' recalls the martyrs of Compeigne". Pittsburgh Post-Gazette.
  11. Jay Burgess (October 3, 2012). "Placido Domingo Director Los Angeles Opera: Don Giovanni Shines". Classicalite.
  12. "The magic of 'Norma' at the Baths of Caracalla". la Repubblica.
  13. "'Il prigionero' y 'Suor Angelica', novedosa combinación en el Teatro Real". Periodista Digital. November 3, 2012.
  14. Grienenberger, Nicolas (April 3, 2013). "Paris. Opéra Comique, le 25 mars 2013. Lalo : Le Roi d'Ys. Sébastien Guèze, Julianna Di Giacomo, Sophie Koch… Patrick Davin, conductor". classiquenews.com (in French).
  15. "Gustavo Dudamel conducts Reimann world premiere and Beethoven's Ninth with Vienna Philharmonic Orchestra for Konzerthaus centennial celebration". www.gustavodudamel.com. 16 October 2013.
  16. Anthony Tommasini (October 4, 2013). "What to Do When Asked to Accent Beethoven: New York Philharmonic Plays Beethoven and Turnage". The New York Times.
  17. Georgia Rowe (October 5, 2015). "Review: Julianna Di Giacomo elevates 'Masked Ball'". San Jose Mercury News.
  18. Mark Swed (July 28, 2014). "Review: Dudamel coaxes a sense of urgency from two of opera's staples". Los Angeles Times.
  19. Taormina, Francesca (February 19, 2014). "Otello al Teatro Massimo Verdi omaggia Wagner" [Othello at the Teatro Massimo pays homage to Verdi Wagner]. la Repubblica (in Italian).
  20. Mario Basile (May 5, 2015). ""Luisa Miller" at the San Carlo, love and deception photography of our time". repubblica.
  21. Janelle Gelfand (June 19, 2015). "Review: 'Il Trovatore' lifted by great singing". Cincinnati Enquirer.
  22. "El Teatro de la Maestranza presenta la programación de su 25 aniversario entre 'la calidad y el equilibrio'". docenotas.com. June 25, 2015.
  23. Alex Ross (December 12, 2014). "Notable Performances and Recordings of 2014". The New Yorker.
  24. Classical Music News Desk (November 5, 2013). "The Los Angeles Philharmonic and Gustavo Dudamel to Release DVD of Verdi's REQUIEM, 11/19". broadwayworld.com.
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