Julia Christensen

Julia Christensen (born 1976) is a multidisciplinary artist and writer based in Oberlin, Ohio. She is Associate Professor of Integrated Media and Chair of the Studio Art Department at Oberlin College.

Art Practice

Julia Christensen's art practice spans photography, video, sound, installation, sculpture, and performance. Christensen's projects explore the intersections of technology, time, change, and memory. Her work has been presented at venues such as the Los Angeles County Museum of Art (Los Angeles, CA),[1] Walker Art Center (Minneapolis, MN),[2] Eyebeam (New York, NY),[3] Ronald Feldman Gallery[4] (New York, NY), Carnegie Museum of Fine Arts (Pittsburgh, PA),[5] 21C Museum/Hotel (Louisville, KY),[6] and the Museum of Contemporary Art (Cleveland, OH).[7] Her work has been shown internationally in India, France, Greece, Croatia, Finland, and beyond.

Christensen's practice often consists of long-term research projects, expressed through multidisciplinary artworks. Her project, Big Box Reuse, examined the civic reuse of abandoned Walmart and Kmart stores in the United States; Big Box Reuse manifested as photography, video, installation,[8] and her first book, Big Box Reuse (MIT Press, 2008).[9] Her project, Waiting for a Break, tracked the formation of Lake Erie's ice in real time over the course of extreme winter conditions; the work resulted in a live video kiosk in downtown Cleveland, Ohio[10] (commissioned by LAND studio), and a solo exhibition at SPACES (Cleveland, OH).[11] Another project, Upgrade Available,[12] is about the phenomenon of "upgrade culture," and how the perceived need to endlessly upgrade electronics impacts life in the 21st century; this research produced photography, installation, sculpture, and led Christensen to collaborate with scientists at NASA Jet Propulsion Laboratory to design spacecraft mission concepts that prioritize long-term technological stability.[13]

Writing

Julia Christensen is the author of Big Box Reuse, published by MIT Press is 2008.[14] This book is a culmination of her multi-year art project documenting the civic reuse of abandoned “big box” stores in the United States. The book presents case studies, through photography and writing by Christensen, of museums, schools, churches and more in renovated Walmart and Kmart buildings. Big Box Reuse was met with wide acclaim, and was reviewed and featured in the New York Review of Books, New York Magazine, Washington Post, New York Times, New York Times Magazine, San Francisco Chronicle, Cleveland Plain Dealer, among other publications. Amazon.com named it one of the Top 10 Art Books of 2008; it won “Best of Category,” General Trade Illustrated Books in the 2009 New England Book Show (sponsored by Bookbuilders of Boston); it was selected as a winner in the Trade Illustrated Category and the Jackets and Covers Category, 2009 Association of American University Presses (AAUP) Book, Journal, and Jacket Show.

Christensen’s writing has also appeared in Slate, Hyperallergic,[15] Print, Orion, and Cabinet magazines.

Awards and Honors

Christensen is a recipient of the Guggenheim Fellowship,[16] Creative Capital Fellowship (Emerging Fields, 2013),[17] LACMA Art + Tech Lab Fellowship (2017),[18] Ohio Arts Council Individual Excellence Award (2015), SPACES R&D Award, and the MacDowell Fellowship (2015). She has received commissions from LAND studio (2017),[19] Turbulence (2007), and New and Performing Arts Inc. (2007). Her work has been supported by artist residencies at the MacDowell Colony, Media Archaeology Lab (University of Colorado, Boulder), Experimental Television Center, and the Wexner Center for the Arts Film/Video Studio.[20]

gollark: ++remind 2w4d25h49m Message from the future: HEAVPOOT IS ABOUT TO BE VERY WRONG FOR SEVERAL DAYS.
gollark: ++remind 2w5d25h54m gollark is NOT to be considered apioforms. Heavpoot IS to be considered apioforms.
gollark: ++remind 2w5d25h51m Heavpoot is going to say MEAN THINGS about ME AND REMINDERS. They are FALSE.
gollark: ++remind 2w5d25h54m The previous message is a LIE. HEAVPOOT IS AN APIOFORM OF A FORM.
gollark: ++remind 2w5d25h52m ↓ false and uncool

References
  1. "Julia Christensen on "Upgrade Available" | Unframed". unframed.lacma.org. Retrieved 2019-06-20.
  2. "World's Away". Walker Art Center. Retrieved 30 July 2014.
  3. "Second Sight: An Exhibition of New Approaches to Video". eyebeam.org. Retrieved 2016-03-04.
  4. "Wave and Particle". Ronald Feldman Fine Arts Gallery. Retrieved 2016-03-04.
  5. "Worlds Away". Carnegie Mellon Museum of Fine Arts. Retrieved 30 July 2014.
  6. "21c Celebrates Creative Capital: A 15th Anniversary Exhibition + Julia Christensen's Burnouts". www.21cmuseumhotels.com. Retrieved 2016-03-04.
  7. "Realiziation Is Better Than Anticipation". Museum of Contemporary Art Cleveland. Retrieved 30 July 2014.
  8. "Your Town, Inc.: Big Box Reuse with Julia Christensen | Frostic School of Art | Western Michigan University". wmich.edu. Retrieved 2019-06-20.
  9. Press, The MIT. "Big Box Reuse". The MIT Press. Retrieved 2019-06-20.
  10. "New Art Exhibit "Waiting for a Break" on Lake Erie". ideastream. 2017-12-15. Retrieved 2019-06-20.
  11. "Waiting for a Break". www.spacescle.org. Retrieved 2019-06-20.
  12. "Julia Christensen". Creative Capital. Retrieved 2019-06-20.
  13. "Art En Route to Proxima B". Oberlin College and Conservatory. 2018-12-06. Retrieved 2019-06-20.
  14. "Big Box Reuse". MIT Press. Retrieved 30 July 2014.
  15. "Julia Christensen". Hyperallergic. Retrieved 2019-06-20.
  16. "John Simon Guggenheim Foundation | Julia Christensen". Retrieved 2019-06-20.
  17. "Creative Capital, Julia Christensen, Upgrade Available". creative-capital.org. Retrieved 2016-03-04.
  18. "Upgrade Available | LACMA". www.lacma.org. Retrieved 2019-06-20.
  19. "Landform". LAND studio. Retrieved 2019-06-20.
  20. "Film Studio Program". Wexner Center For Arts Film/Studio. Retrieved 30 July 2014.
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