Jules Cronjager
Jules Cronjager (1871–1934) was a German-born American cinematographer active in the silent and early sound eras. Towards the end of his career he worked mainly for Poverty Row studios such as Mayfair Pictures.[1] He was the uncle of the cinematographer Edward Cronjager.
Jules Cronjager | |
|---|---|
| Born | August 23, 1871 |
| Died | December 28, 1934 Culver City, California, United States |
| Occupation | Cinematographer |
| Years active | 1916-1933 (film) |
Selected filmography
- The Bottom of the Well (1917)
- The Mating (1918)
- Youthful Folly (1920)
- Handcuffs or Kisses (1921)
- A Man of Stone (1921)
- Worlds Apart (1921)
- Is Life Worth Living? (1921)
- Chivalrous Charley (1921)
- The Prophet's Paradise (1922)
- Shadows of the Sea (1922)
- Reckless Youth (1922)
- Love Is an Awful Thing (1922)
- The Dancer of the Nile (1923)
- The Isle of Retribution (1926)
- Collegiate (1926)
- Home Struck (1927)
- Old Age Handicap (1928)
- The Kid from Arizona (1931)
- Wild West Whoopee (1931)
- The Sheriff's Secret (1931)
- Anybody's Blonde (1931)
- Dragnet Patrol (1931)
- Soul of the Slums (1931)
- Chinatown After Dark (1931)
- Hell-Bent for Frisco (1931)
- Her Mad Night (1932)
- Dynamite Denny (1932)
- Gorilla Ship (1932)
- No Living Witness (1932)
- Tangled Destinies (1932)
- Behind Stone Walls (1932)
- Love in High Gear (1932)
- Midnight Warning (1932)
- The Monster Walks (1932)
- Dance Hall Hostess (1933)
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References
- Pitts p.240-51
Bibliography
- Michael R. Pitts. Poverty Row Studios, 1929–1940: An Illustrated History of 55 Independent Film Companies, with a Filmography for Each. McFarland & Company, 2005.
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