Juan de Navas
Juan de Navas (ca. 1650–1719) was a Spanish baroque composer and harpist.[1] As court harpist to Charles II of Spain he was sought as approver of Torres y Martínez Bravo's treatise on thoroughbass.
Works, editions and recordings
- villancicos - Angelicas escuadras and others.[2]
- tonos humanos in the Guerra Manuscript and other sources.
Recordings:
- Ay, divino amor - on Cantadas de pasión Maria Luz Álvarez, Accentus Austria, Thomas Wimmer. Arcana 2005.
gollark: You'd probably have to have people set up realistic conversation in fake channels in advance.
gollark: Oh, so you're saying that inductively safety is *always* 0?
gollark: No, none *will ultimately be* safe, not none *can be* safe.
gollark: It says "for all x, as time tends to infinity, safety of x tends to 0".
gollark: That is NOT what that says.
References
- Louise K. Stein Songs of mortals, dialogues of the gods 1993 p306 "The harpist Juan de Navas (c.1650-1719) was considerably younger than Hidalgo, and his career did not flourish until after Hidalgo's death, so he belongs to the generation of court composers who were followers of Hidalgo."
- Tess Knighton, Álvaro Torrente Devotional music in the Iberian world, 1450-1800: the villancico 2007 p.xv figure: Refrain of the villancico Angelicas escuadras by Juan de Navas, bars 1-4 (EV, 51/26) 193 7.2 "Rhythmic relationship between music and text in the previous passage of the refrain of the villancico Angelicas escuadras by Juan de Navas"
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