Josef Mach
Josef Mach (25 February 1909 in Prostějov – 7 July 1987 in Prague) was a Czech actor, screenwriter and film director.
Josef Mach worked as a journalist and stage performer at the beginning of his career, then in 1938 was appointed assistant director of short films at Grafo Film Studio[1] working with director Václav Kubásek. From 1946 Mach directed many feature films for Barrandov Studios in Prague. He is best known for The Sons of Great Bear, a 1966 Red Western film that he directed for the East German DEFA film studio.
Filmography
Year | Czech title (original title) | English title | Notes |
---|---|---|---|
1920 | Nikyho velebné dobrodružství | actor | |
1934 | Rozpustilá noc | actor | |
Poslední muž | actor | ||
1937 | Naši furianti | actor | |
1939 | Dvojí život | assistant-director; directed by Václav Kubásek | |
Mořská panna | assistant-director; directed by Václav Kubásek | ||
Ženy u benzinu | writer | ||
1940 | Okénko do nebe | writer | |
Dceruška k pohledání | writer | ||
1941 | Advokát chudých | writer | |
1942 | Městečko na dlani | writer | |
Host do domu | writer | ||
1943 | Čtrnáctý u stolu | writer | |
Skalní plemeno | assistant-director; directed by Ladislav Brom | ||
1945 | Bludná pouť | writer | |
1946 | V horách duní | Thunder in the Hills | writer; co-director with Václav Kubásek; a.k.a. The Mountains Are Rumbling |
Velký případ | A Big Case | writer; director | |
1947 | Nikdo nic neví | Nobody Knows Anything | director |
Portáši | writer | ||
1948 | Dravci | writer | |
Na dobré stopě | director | ||
Zelená knížka | The Green Notebook | writer; director | |
1949 | Vzbouření na vsi | The Village Revolt | writer; director |
Rodinné trampoty oficiála Tříšky | writer; director | ||
1950 | Racek má zpoždění | director | |
1952 | Akce B | Action B | director |
1953 | Rodná zem | Our Native Land | writer; director |
1956 | Hrátky s čertem | Playing with the Devil | writer; director |
Muž v povětří | writer | ||
1957 | Florenc 13:30 | writer; director | |
1958 | Hořká láska | Bitter Love | writer; director |
O věcech nadpřirozených | writer | ||
Tři přání cestující | actor | ||
Zatoulané dělo | The Lost Gun | writer; director; a.k.a. The Missing Cannon | |
1960 | Valčík pro milión | Waltz for a Million | writer; director |
1961 | Florián | writer; director | |
1962 | Medailonograf Frantiska Filipovského | director; documentary short film | |
Prosím, nebudit! | writer; director | ||
1963 | Tři chlapi v chalupě | director; serial film | |
1966 | Die Söhne der großen Bärin | The Sons of Great Bear | director; a.k.a. The Sons of the Great Mother Bear; German language film; Czech title: Synové Velké medvědice |
Der schwarze Panther | director; German language film; Czech title: Černý panther | ||
1968 | Objížďka | The Detour | writer; director |
1970 | Na kolejích čeká vrah | writer; director | |
1971 | Člověk není sám | writer; director | |
1973 | Tři nevinní | writer; director | |
1976 | Paleta lásky | Palette of Love | writer; director |
1977 | Tichý Američan v Praze | Quiet American in Prague | writer; director |
Sources
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gollark: Or all currently existing AI has weird conceptual limitations like being unable to think about thinking about thinking (or other two level deep meta-thinking).
gollark: Or AI which is technically usable but needs exponentially increasing amounts of computing power for linear intelligence increases.
References
- Josef Mach at the DEFA Film Library Catalog Archived 9 July 2011 at the Wayback Machine Retrieved 25 July 2010.
External links
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