John Plumbe

John Plumbe Jr. (occasionally Plumb; July 13, 1809 – May 29, 1857) was a Welsh-born American entrepreneurial photographer, gallerist, publisher, and an early advocate of an American transcontinental railroad in the mid-19th century. He established a franchise of photography studios in the 1840s in the U.S., with additional branches in Paris and Liverpool. He created a lithographic process for reproducing photographic images, called the "plumbeotype."

Self-portrait by Plumbe, 1846

Biography

Plumbe was born in Castle Caereinion, Powys, Wales in 1809, to John Plumbe and Frances Margaretta Atherton. The family moved to Philipsburg, Pennsylvania in 1821,[1] and later to Dubuque, Iowa.[2]

Vision for a transcontinental railroad

He began his career as a civil engineer. "He studied civil engineering while still in his late teens and by 1829 was surveying sites for future railroad routes in the southern and eastern portions of the country. About 1836 he relocated to the Wisconsin territory, where he became and advocate for a trans-contintental railroad."[3] Plumbe reasoned that a transcontintental railroad "would hasten the formation of dense settlements throughout the whole extent of the road, advance the sales of the public lands, afford increased facilities to the agricultural, commercial and mining interests of the country...and enable the government to transport troops and munitions of war."[4]

Throughout his life Plumbe would continue to press for the railroad, petitioning Congress and presenting his ideas in various newspapers and other publications.

Daguerreotype galleries, 1840-1847
Plumb Daguerrian Gallery, Brown's Hotel, Pennsylvania Ave., Washington DC

Plumbe "took up photography in 1840 after seeing the work of an itinerant daguerreotypist in Washington, D.C."[5]—probably the work of John G. Stevenson.[3]

In a short period of time, Plumbe established a string of daguerreotype studios and galleries, all bearing his name. Visitors to the galleries could view photographic works, receive training, or pay to have their portrait taken. Images produced in the Plumbe studios were credited to "Plumbe," although the work was made by others, including his brother Richard Plumbe. "Each of his galleries was staffed by a host of operators, colorists, and artisans, and many notable daguerreotypists received their training or honed their skills in Plumbe's galleries, including Richard Carr, Marsena Cannon, Charles E. Johnson, Jacob Shew, Myron Shew, and William Shew."[1] Others who learnt photographic arts through the Plumbe franchise included Ezra Chase, Samuel Masury, C.S. Middlebrook, and Gabriel Harrison.[2]

In the 1840s in the United States there were Plumbe franchises in:

  • Arkansas—Plumbe's Daguerrian Gallery[6]
  • Galena, Illinois[1]
  • Dubuque, Iowa
  • Kentucky:
    • Harrodsburg Springs, Kentucky[1]
    • Louisville, Kentucky[1]
  • New Orleans, Louisiana[1]
  • Portland, Maine[1]
  • Maryland:
    • Baltimore, Maryland—Plumbe Daguerrian Gallery, North St.;[7] Plumbe National Daguerrian Gallery, Baltimore St.[8]
    • Frederick, Maryland[1]
  • Massachusetts:
    • Boston, Mass. -- United States Photographic Institute (1841); Plumbe Daguerrian Gallery, Court St.;[7] Plumbe National Daguerrian Gallery, Hanover St.;[8] Plumbe's Daguerrean Rooms, Court Street (1849–1850); Plumbe's Daguerrian Gallery, Washington Street (1850–1851).[9]
    • Salem, Massachusetts[1]
  • St. Louis, Missouri
  • Exeter, New Hampshire[1]
  • New York:
    • Albany, New York—Plumbe Daguerrian Gallery[7]
    • New York, New York—Plumbe Daguerrian Gallery, Broadway;[7] Plumbe National Daguerrian Gallery, Broadway[8]
    • Saratoga Springs, New York—Plumbe National Daguerrian Gallery, Broadway[8]
  • Cincinnati, Ohio
  • Pennsylvania:
    • Harrisburg, Pennsylvania[1]
    • Philadelphia, PA—Plumbe Daguerrian Gallery, Chestnut St.;[10] Plumbe National Daguerrian Gallery, Chestnut St.[8]
  • Newport, Rhode Island—Plumbe Daguerrian Gallery, Thames St.[10]
  • Virginia:
    • Alexandria, Virginia
    • Petersburg, Virginia[1]
  • Washington, DC—Plumbe National Daguerrian Gallery, Pennsylvania Ave., Main St., Walnut St.[8]

Abroad, he opened branches in:

  • Liverpool, England—Plumbe National Daguerrian Gallery, Church St.[8]
  • St. Catharines, Ontario, Canada[1]
  • Paris, France—Plumbe National Daguerrian Gallery, Vieille Rue du Temple[8]

By 1847-1848 Plumbe sold his part of the galleries he'd established.[2][5] "He sold his New York gallery to William H. Butler, his head man there, in 1847, and the other galleries soon changed ownership, though the name "Plumbe's Daguerrean Gallery" was retained as late as 1852 in Boston (John P. Nichols, proprietor), and 1850 in Washington (Blanchard P. Paige, proprietor)."[11]

Exhibitions

Plumbe entered his photographic work in several exhibitions, including:

Publishing

In 1846 he founded the National Publishing Company which produced the weekly Popular Magazine (Augustine J.H. Duganne, editor) and other works.

California and Iowa, 1849-1857

Plumbe lived in California from 1849 to 1854.[1] In 1854 returned to Dubuque, Iowa. He may have worked for photographer Mathew Brady, c. 1855-1857.[14] He died in Iowa in 1857, at age 48.[15]

Legacy

Examples of Plumbe's work are in the New York Public Library.[16]

Works by John Plumbe
gollark: Which is valid, except you could simply be that in a less pointlessly consumerist way.
gollark: .
gollark: Anyway, the main argument for gifting and thus the Santa thing is probably that it creates emotional bonds and whatever in spite of being economically inefficient
gollark: No.
gollark: I get bored and/or tired eventually, yes.

References
  1. Peter E. Palmquist (2000), Pioneer photographers of the far west, Stanford, Calif: Stanford University Press, ISBN 0-8047-3883-1, OL 17876198M, 0804738831
  2. Clifford Krainik (1997). "National Vision, Local Enterprise: John Plumbe Jr. and the Advent of Photography in Washington DC". Washington History. 9 (2).
  3. Mary Sayre Haverstock (2000), "John Plumbe", Artists in Ohio, 1787-1900, Kent, Ohio: Kent State University Press, ISBN 0-87338-616-7, OL 344468M, 0873386167
  4. Plumbe, writing in a Wisconsin newspaper. Quoted in: Krainik. 1997; p.5.
  5. Getty Museum. John Plumbe Jr. Archived 2011-06-07 at the Wayback Machine Retrieved 2011-04-19
  6. New York Herald. May 21, 1845.
  7. The Sun (Baltimore). Nov. 29, 1843.
  8. Morning News (New London, CT). July 8, 1846.
  9. Boston Directory. 1849, 1850, 1851.
  10. Newport Mercury. Jan. 1, 1844.
  11. Beaumont Newhall (1976), "Boston Pioneers", The daguerreotype in America (3 ed.), New York: Dover Publications, ISBN 0-486-23322-7, 0486233227
  12. 4th exhibition of the Massachusetts Charitable Mechanic Association. 1844.
  13. The Sun (Baltimore). Nov. 3, 1845.
  14. Museum of Fine Arts Boston. Label for "Ring with miniature portrait of Washington Irving."
  15. San Joaquin Republican. 08-22-1857
  16. "Photographers in The New York Public Library's Photography Collection" (PDF). New York Public Library. 2010.

Further reading

Publications by Plumbe
  • Sketches of Iowa and Wisconsin : embodying the experience of a residence of three years in those territories. St. Louis : Chambers, Harris & Knapp, 1839.
  • Instructions for ... Plumbe's patent improved Daguerreotype apparatus. Boston. 1841.
  • Popular Magazine. National Publishing Co., 1846-1847.
  • The National Plumbeotype Gallery, c. 1846-1847.
  • Plumbe's Project of a Railroad to the Pacific. The Emancipator (Boston). 09-01-1847.
  • The Plumbeian. 1847.
  • A faithful translation of the papers respecting the grant made by Governor Alvarado to Mr. J.A. Sutter. Sacramento, CA: 1850.
  • Plumbe's Memorial Pacific Railroad. 1850.
  • Memorial Against Mr. Asa Whitney's Railroad Scheme. 1851.

Works about Plumbe
  • Robert Taft. John Plumbe, America's First Nationally Known Photographer. American Photography 30. January 1936.
  • Alan Fern, "John Plumbe and the 'Plumbeotype,'" Philadelphia Printmaking. American Prints Before 1860, Robert F. Looney, ed. (West Chester, Penn.: Tinicum Press, 1976).
  • Library Company of Philadelphia. Annual Report. 1992.
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