John Faber Jr.

John Faber Jr. (1684 – 2 May 1756)[1] was a Dutch portrait engraver active in London.

"Benn's Club", with Robert Alsop; William Benn; John Blashford.

Life
A painted trompe l'oeil with a portrait of Mrs Faber (after Thomas Hudson)

Faber was born in The Hague, the son of the artist John Faber Senior, and learned mezzotint and drawing from his father after the family's move to London. He then enrolled at the St. Martin's Lane Academy.

In later life Faber resided at the Golden Head in Bloomsbury Square, London, where he died of "gout" on 2 May 1756. From the inscription on a masonic portrait of Frederick, Prince of Wales, it appears that Faber was a Freemason himself. According to Horace Walpole, his widow, of whom there is an engraving by Faber from a portrait by Thomas Hudson, remarried a lawyer of the name of Smith.[2]

Works

Faber concentrated on mezzotints and was prolific. He was commissioned by Sir Godfrey Kneller and Peter Lely to reproduce their works (the 48-image Kit-Kat Club for the former). Hampton Court.

Among his early works were portraits of Charles I of England (1717), Charles XII of Sweden (1718), Sir George Byng (1718), Eustace Budgell (1720), and others. Faber presents the transitional period from Kneller to that of Joshua Reynolds and Thomas Gainsborough. More than 400 of his portraits survive.[2]

His works include a whole-length of Jane Collier, and one of Father Couplet (from a picture by Kneller at Windsor); also the portraits of Charles II in his robes of state (after Lely), Ignatius Loyola (after Titian), Don Jose Carreras (after Kneller), and the six aldermen known as "Benn's Club" (after Hudson). He published sets of engravings, among the best known being The Beauties of Hampton Court, The Five Philosophers of England, and The Members of the Kit-Cat Club: the Kit-Cat Club at one time held its meetings in Fountain Court, The Strand, London, where Faber also lived. Faber was engaged on the engravings from 1731 to 1735, and in the latter year they were published by him and Jacob Tonson.[2]

Faber occasionally produced other types of subject, such as The Taking of Namur (after Jan Wyck), St. Peter (after Anthony van Dyck), Salvator Mundi (after Robert Browne), and domestic subjects after Philip Mercier.[2]

gollark: Except the ones on the dedicated Cuboctahedron™ supply.
gollark: The magic rainbow cube™ powers all GTech™ assets everywhere.
gollark: Idea: domain specific golfing languages optimized for maths stuff, string processing, lists, etc.
gollark: Maybe the "notes" thing has useful information on it somehow. Maybe your disk just beesed it.
gollark: What's in the archive?

References
  1. Johan Faber II at the RKD
  2. Stephen, Leslie, ed. (1889). "Faber, John (1695?-1756)" . Dictionary of National Biography. 18. London: Smith, Elder & Co.
Attribution

 This article incorporates text from a publication now in the public domain: Stephen, Leslie, ed. (1889). "Faber, John (1695?-1756)". Dictionary of National Biography. 18. London: Smith, Elder & Co.

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.