Johanna Billing

Johanna Billing (born 1973 in Jönköping, Sweden[1]) is a conceptual artist from Sweden, working mainly with video.[2]

Iloosh Ahluwalia
Born1973
Jönköping
NationalitySweden
Notable work
"You Don't Love Me Yet" (2003)
"Magical World" (2005)
Styleconceptual artist
AwardsIstanbul Biennial

She is best known for the works "You Don't Love Me Yet" (2003) and "Magical World" (2005).

She deals with issues related to learning[3] and how time plays a key role in this process. The films focus on groups of young people engaged in participative activities (Graduate Show, Project For a Revolution and Magic & Loss) or sometimes single people (Where She Is At). Through this dialogue between individual and collective and between participation and apathy she looks into complex questions that are related the politics of humans interact with each other in general and the Swedish Folkhem ideals in particular.[4] Many of Johanna Billing's printed matters are made in collaboration with Åbäke.

She participated in the 9th International Istanbul Biennial in 2005,[5] a solo exhibition at the P.S.1 Contemporary Art Center in 2006[6] and at Australian Centre for Contemporary Art in 2009.[7]

Exhibitions

Billing has exhibited internationally.[8]

  • 2017: Jam Session, with Betty Bailey, Et al., San Francisco[9]
  • 2016: Keeping Time, Museo D'Arte Contemporanea, Geneva
  • 2014: I'm Gonna Live Anyhow Until I Die, Fieromilanocity, Milan
  • 2011: I'm Lost Without Your Rhythm, Crystal, Stockholm

Notable works
  • I’m Gonna Live Anyhow until I Die (2012)
  • I'm Lost Without Your Rhythm (2009)
  • This Is How We Walk On the Moon (2007)
  • Magic & Loss (2005)
  • Magical World (2005)
  • You Don't Love Me Yet (2003)
  • Where She Is At (2001)
  • Project For a Revolution (2000)
  • Graduate Show (1999)
  • Johanna Billing - Works [Paperback]
  • Johanna Billing: Look Behind Us a Blue Sky[Hardback]
gollark: Compromise: the power plant itself is TMI. The island is sheep island or whatever.
gollark: Ten Metre Island is online though not actually sending power anywhere.
gollark: * most
gollark: If I had immersive engineering we would have bauxite. I didn't add it, though.
gollark: Nope.

References
  1. Johanna Billing, Look behind Us A Blue Skye, Hatje Cantz Verlag Germany, ISBN 978-3-7757-2070-0
  2. Daniel Hjorth, Monika Kostera, Entrepreneurship and the Experience Economy, Copenhagen Business School Press DK, 2007, p36. ISBN 87-630-0205-1
  3. Lightning Never Strikes Here Anymore, Karl Holmqvist in Johanna Billing, Look behind Us A Blue Skye, Hatje Cantz Verlag Germany, ISBN 978-3-7757-2070-0
  4. Making Things Happen, Polly Staple in Johanna Billing, Look behind Us A Blue Skye, Hatje Cantz Verlag Germany, ISBN 978-3-7757-2070-0
  5. "iksv.org". Archived from the original on 2007-04-26. Retrieved 2008-02-01.
  6. ps1.org
  7. accaonline.org
  8. Gronlund, Melissa (January 2013). "Johanna Billing I'M GONNA LIVE ANYHOW TILL I DIE". Flash Art International. 46: 84–86 – via Art & Architecture Source EBSCOhost.
  9. "Betty Bailey and Johanna Billing: Jam Session". Et al. / Et al. etc.


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