Johann Martin von Wagner

Johann Martin von Wagner (born 24 June 1777 as Johann Martin Wagner; died 8 August 1858) was a German painter, sculptor and art collector. Through the donation of his extensive art collection the Martin von Wagner Museum of the University of Würzburg, named after him, became one of the largest university museums in Europe.

Portrait of Johann Martin von Wagner (by Johann Martin Küchler, 1836)
The Council of the Greeks before Troy, 1807
Quadriga on the Siegestor in Munich. The Bavaria (female personification of the Bavarian homeland) was designed by Wagner.
Wagners Tombstone on the Teutonic Cemetery in Rome

Biography

Johann Martin Wagner was born in Würzburg in 1777 as the son of the court sculptor Johann Peter Wagner. After attending grammar school, he became a student with his father at the age of 19. Between 1797 and 1802 he studied painting in Vienna and Paris. In 1802 he received a prize for Aeneas asks Venus for the way to Carthage. In 1803 he took part in a competition of the Weimar friends of art (to which Johann Wolfgang von Goethe also belonged). The theme was Ulysses appeases Polyphemus through wine. Wagner won the prize of 60 ducats and thanks to Goethe's intercession he was appointed professor of drawing arts at the University of Würzburg. He was also offered a two-year study visit in Italy.[1]

In Rome, Wagner was first employed as a drawing teacher in the house of Wilhelm von Humboldt, then Prussian envoy to Italy. Instead of two, Wagner stayed four years and returned to Italy several times during his life. On the return journey from his first stay in Italy, he met the Bavarian Crown Prince Ludwig in Innsbruck. Two years later became his art agent[2] and art advisor. In this function he travelled to Italy again. Wagner worked for Ludwig for almost 40 years. Among other things he advised him on the establishment of the Munich Glyptothek and arranged the purchase of the Barberini Faun[3] and the gable figures from the Temple of Aphaea at Aegina. In 1823 the king appointed him secretary general of the Munich art academy.[4]

Wagner himself increasingly moved from painting to sculpture, but had less and less time for his own artistic work. Meanwhile Wagner had become such an important advisor to King Ludwig that he ennobled him in 1825 – from then on he was called von Wagner. On behalf of the king he created an extensive relief frieze for the interior of the Walhalla[5]: The Germanic procession from the Caucasus to Central Europe. The frieze is Wagner's largest sculptural work.

From 1831 von Wagner lived in the Villa Malta in Rome. In 1841, the King appointed him Central Gallery Director of the Munich Pinakothek, but Wagner immediately asked for his resignation from this post as he did not want to leave Rome. In 1857 Martin von Wagner was made an honorary citizen of Würzburg for his services to art and science. In December of the same year, he donated his entire art collection to the University of Würzburg.[6] Since 1963, the university collection exhibited in the Würzburg Residenz has therefore been named after Wagner – the Martin von Wagner Museum.

Wagner died in Rome on August 8, 1858 and was buried in the Teutonic Cemetery.

Selected Works
  • Äneas befragt Venus nach dem Weg nach Karthago (Aeneas asks Venus for the way to Carthage), 1802
  • Die Heilige Familie (The Holy Family) and Rückkehr der Frauen vom Grabe Christi (Return of the Women from the Tomb of Christ), oil painting, around 1802
  • Der Rat der Griechen vor Troja (The Council of the Greeks before Troy), 1807; commissioned by the Bavarian crown prince Ludwig[7]
  • Munich, Glyptothek (architect: Leo von Klenze, 1818): Design of the figural decoration of the southern gable field and the façade niches[8]
  • Munich, Marstall (architect: Leo von Klenze, 1822); draft of the façade design
  • Walhalla frieze (1837)
  • Munich, Siegestor: design of the figurative decoration, around 1840
gollark: It's not bad, it's just bad.
gollark: ```GoalsThese goals may change or be refined over time as I experiment with what is possible with the language. Embeddable - Similiar to Lua - it is meant to be included in another program which may use the virtual machine to extend its own functionality. Statically typed - The language uses a Hindley-Milner based type system with some extensions, allowing simple and general type inference. Tiny - By being tiny, the language is easy to learn and has a small implementation footprint. Strict - Strict languages are usually easier to reason about, especially considering that it is what most people are accustomed to. For cases where laziness is desired, an explict type is provided. Modular - The library is split into parser, typechecker, and virtual machine + compiler. Each of these components can be use independently of each other, allowing applications to pick and choose exactly what they need.```
gollark: That's rude.
gollark: ```elmlet factorial n : Int -> Int = if n < 2 then 1 else n * factorial (n - 1)factorial 10```A factorial example from the docs.
gollark: Well, yes, it has an interpreter and stuff.

References
  1. Meusel, Johann Georg. Teutsches Küstlerlexikon, p. 503, at Google Books
  2. "Aus dem Dunkeln geholt" [Brought out of the dark] (in German). 7 January 2019. Retrieved 19 May 2020.
  3. "Greece in Munich". 1 May 2016. Retrieved 19 May 2020.
  4. Andresen, Andreas. Die deutschen Maler-Radirer (Peintres-Graveurs) des neunzehnten Jahrhunderts, nach ihren Leben und Werken., p. 37, at Google Books
  5. Brockhaus, F. A.. Conversations-Lexikon der neuesten Zeit und Literatur, p. 598, at Google Books
  6. "Martin von Wagner Museum – Geschichte" [Martin von Wagner Museum – History] (in German). Retrieved 19 May 2020.
  7. Heinrich Ragaller: Kunst in Hessen und am Mittelrhein. (Art in Hesse and on the Middle Rhine.) Vol. 3, 1963, p. 107–130. (in German)
  8. Kunstblatt 1836, No. 98.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.