Joel Basman

Joel Basman (born 23 January 1990) is a Swiss-Israeli actor.

Joel Basman
Joel Basman at the 65th Berlinale in February 2015
Born (1990-01-23) 23 January 1990
Zurich, Switzerland
OccupationActor
Years active2004–present

Early life

Basman was born in Zurich to a Swiss mother and an Israeli father, both of whom were tailors in the Swiss fashion industry. He grew up in the neighbourhood of Aussersihl and was raised bilingual (speaking Swiss German and Hebrew). He has one older sister who now lives in Israel.[1] Basman is Jewish.[2]

Career

In 2004 he started his career and played a bold teenager named Zizou for the weekly soap opera Lüthi und Blanc.

In 2007 director Tobias Ineichen gave the main part to Joel for his film Jimmie. There he played an autistic boy. In February 2008 he got the prize Shooting Star for his part as a Russian teenager on the film Luftibus, written by director Dominque de Rivaz. In September 2008 Joel received the Schweizer Fernsehpreis (Swiss TV-Prize) in the category film. In October 2008 he got the prize for the best main part from Cinema Tous Ecrans.

At the Schauspielhaus Zürich Joel Basman acted 2003 for a youth-theatre project. In 2004 and 2005 he played with students, who were at their final project. He finished his studies at the"European Film Actor School in October 2008.

In 2012 Basman got a part as Bertel in the three-piece TV film Unsere Mütter, unsere Väter (Our mothers, our fathers).[3] He also played Pascal in the Swiss TV-film Ziellos (Aimless).

Joel Basman played as Sebastien Leclercq in a game called ‘Late Shift’ in 2016.

In 2018, Basman played the lead role in Wolkenbruch's Wondrous Journey Into the Arms of a Shiksa, picked up by Netflix.

Filmography

YearFilmNameDirector
2004–2006Lüthi und BlancZizou ImbodenSabine Boss and others
2004Mein Name ist EugenMichael Steiner
2005AusgrenzungenLiliane Steiner
2006BreakoutSilenzioMike Eschmann
Cannabis – Probieren geht über RegierenRemoNiklaus Hilber
2007MikadoSilvia Zeitlinger
Tausend OzeaneEricLuki Frieden
JimmieJimmieTobias Ineichen
LuftbusinessLiochaDominique de Rivaz
2008Happy New YearOskarChristoph Schaub
Tatort: LiebeswirrenWerner WeißenbachTobias Ineichen
Mein Schüler, seine Mutter & ichFranzAndreas Linke
2010PiccoTommyPhilip Koch
SennentuntschiAlbertMichael Steiner
Tatort: Der letzte PatientTim KönigFriedemann Fromm
Rosannas TochterRuben
2011Löwenzahn – Das KinoabenteuerRonnyPeter Timm
HannaRazorJoe Wright
2012Polizeiruf 110: Eine andere WeltDennis KuscinskyNicolai Rohde
2013Unsere Mütter, unsere VäterBartelPhilipp Kadelbach
Tatort: Freunde bis in den TodManuNicolai Rohde
Draussen ist SommerTheoFriederike Jehn
PuppylovePaulDelphine Lehericey
2014DawnElishaRomed Wyder
The Monuments MenGerman soldierGeorge Clooney
ZiellosPascalNiklaus Hilber
Wir Sind Jung. Wir Sind StarkRobbieBurhan Qurbani
2015Tatort: Borowski und der Himmel über KielMike NickelChristian Schwochow
Land of MineHelmut MorbachMartin Zandvliet
2017PapillonMaturetteAaron Guzikowski
2018KurskLeoThomas Vinterberg
2018Wolkenbruch's Wondrous Journey Into the Arms of a ShiksaMordechai WolkenbruchMichael Steiner
2018 Zauberer Marcel Sebastian Brauneis
2019A Hidden LifeMilitary traineeTerrence Malick
2020The King's ManGawainMatthew Vaughn
TBAStormWalter StormIvan Madeo

Audio Drama

  • 2013: Hattie Naylor: Ivan und die Hunde; Regie: Reto Ott (SRF)

Distinctions

gollark: Oh, and micro-SD card slots and removable batteries are basically nonexistent.
gollark: Also, phones apparently cost over £1000 now sometimes and people are used to it?
gollark: Flashy features like higher-res screens (and higher refresh rate) are pretty much useless to me and drain more battery.
gollark: I agree.
gollark: Personally, I'm pretty dissatisfied with the state of the phone market, since user control is being taken away constantly because "sEcUriTy", the lack of standardization on ARM and monolithic design of Android makes actually getting updates after a while unlikely, and I don't like the "entire front is screen except there's randomly a bit missing for a camera" aesthetic which is a thing now, or the fact that battery life is somehow stagnant despite increasingly good battery tech.

References

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