Joe Wilson (Geordie singer)

Joe Wilson (29 November 1841 – 14 February 1875) was a Tyneside concert hall songwriter and performer in the mid-19th century. His most famous song is "Keep yor feet still Geordie hinny". He was a contemporary of George "Geordie" Ridley. He wrote and sang in the Geordie dialect of Newcastle upon Tyne, his native speech.

Biography

Joseph "Joe" Wilson was born just before his twin brother, Tom, in Stowell Street, Newcastle upon Tyne. His father was a cabinet-maker, his mother a bonnet-maker.[1] He enjoyed singing from an early age and had a fine treble voice, which led to his becoming a choir boy at All Saints' Church.

At age 14, he went to work as an apprentice printer with Howe Brothers of Gateshead. He started writing songs as a hobby, and by age 17 published his first book, managing to publish and distribute it independently. He later arranged for the printing to be done at Howe Brothers.

Wilson started performing professionally in 1864 and became a regular at the Wheat Sheaf [lower-alpha 1] in the Cloth Market. He later moved to the newer, larger Tyne Concert Hall.[1] He then toured the North of England, selling his home-produced song-books like most artists of the day (for a halfpenny each).

He married in 1869, and two years later tried settling down to a less itinerant lifestyle. In 1871 he became publican of the Adelaide Inn[lower-alpha 2] on New Bridge Street, Newcastle.[3] He was a publican for about a year, then he went back on the road, singing and writing. His act now included many "teetotal" songs, as he had taken the pledge.[4]

Commercial Hotel, Winlaton

His health failed when he contracted tuberculosis, as his father had.[5] A friend and colleague Rowly Harrison, publican of The Commercial in Winlaton, allowed Wilson to stay with him, as his pub was at a higher elevation, and therefore thought to have cleaner, more bracing air.

Joe Wilson died of tuberculosis in Railway Street, Newcastle, survived by his wife and three young children.[5] He was buried in the Jesmond Old Cemetery where a monument marking his grave was erected sometime afterward. The inscription on the monument is in his own words: "It's been me aim t'hev a place i'th' hearts o' the Tyneside people, wi' writin' bits o'hyemly sangs aw think they'll sing."

Legacy

Joe Wilson was probably the most prolific of all the Geordie songwriters of the time.[6] He performed his own works in the various halls of entertainment around the region until he became too ill. Many of his songs were published in his book Songs and Drolleries, and also in Allan's Tyneside Songs and Readings.

Works

Wilson's songs were published during his lifetime, as well as after his death. This is a partial list from Songs and Drolleries.

gollark: I don't think I would trust any of these with any data whatsoever.
gollark: Well, I found a random unbranded one with 3-star reviews.
gollark: You can see, then, why it seems unlikely that there are real 1TB ones for $30 or so.
gollark: I thought so, but last I checked even a bottom-end 120GB SSD was £15 or so, and 1TB about £80.
gollark: When you say "thumbdrive" do you mean some sort of miniature HDD or whatever?

See also

Notes
  1. The hall at the Wheat Sheaf was called Balmbra's, after its owner, John Balmbra, and may have been the best known music hall outside London. In the late 1860s it was renamed The Oxford.[2]
  2. The Adelaide Hotel then became known as Joe Wilson's. It is called the King's Manor at the time of this image.

References
  1. Allan, Thomas and George (1891). Allan's Illustrated Edition of Tyneside Songs and Readings. Newcastle-Upon-Tyne: Thomas and George Allan. pp. 473–476.
  2. Barker, Kathleen (1983). "The performing arts in Newcastle upon Tyne, 1840–70". In John K. Walton; James Walvin (eds.). Leisure in Britain: 1780–1939. Manchester u.a.: Manchester Univ. Pr. pp. 60, 64. ISBN 0-7190-0912-X.
  3. Lawson, William D. (1873). Lawson's Tyneside Celebrities. Newcastle-upon-Tyne: Self-published. pp. 376–378.
  4. "Our Library Table". Athenaeum: Journal of Literature, Science, Fine Arts, Music, and The Drama. 2: 157–158. July–December 1891. Retrieved 21 December 2012.
  5. Andrews, William (1888). North Country Poets. London: Simpkin Marshall & Co. pp. 72–73.
  6. Coltman, Bob (2008). Paul Clayton and the Folksong Revival. Lanham, Md.: Scarecrow Press. p. 58. ISBN 978-0-8108-6132-9.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.