Joan Backes

Joan Backes (born in Milwaukee, Wisconsin) is an American artist. Backes is known for her paintings which record different species of tree bark and for her installations, most recently her house series. Her work addresses issues of nature in contemporary society.[1]

Joan Backes with TREE, Wave Hill, New York, paintings on the wall.

Early life

Backes received her MFA in Painting from Northwestern University, Department of Art Theory and Practice where she worked with Ed Paschke and William Conger. She received an MA in Painting at the University of Missouri. She received her undergraduate degree from the University of Iowa, Iowa City, Iowa.[2]

Career

Since 2000 her paintings have focused on trees and on the effects of overdevelopment.[3] Her installations focus on the house as image and symbol, and often incorporate site-specific materials.[4][5] Backes' Carpet of Leaves often use over 1000 leaves in each installation, bringing the outside in to the gallery or museum.[6]

Public collections currently holding Backes' work include the Newport Art Museum in Newport, Rhode Island, the Rhode Island School of Design Museum in Providence, Rhode Island, Smith College Museum of Art in Northampton, Massachusetts, The Milwaukee Art Museum in Milwaukee, Wisconsin, the Nelson-Atkins Museum of Art in Kansas City, Missouri, the Joslyn Art Museum in Omaha, Nebraska, the Racine Art Museum in Racine, Wisconsin, the Mulvane Art Museum in Topeka, Kansas, the Nerman Museum of Art in Overland Park, Kansas, the Rauma Art Museum in Finland, the Aberdeen Art Gallery in Scotland, the Reykjavik Art Museum in Iceland, the Hafnarborg Institute of Culture and Fine Art Museum in Iceland, the Spencer Museum of Art in Lawrence, Kansas, the Wright Museum of Art in Beloit, Wisconsin, the Boston Public Library in Boston, Massachusetts, the John Hay Library at Brown University, Providence, Rhode Island,[3] and the Beach Museum of Art, KSU, among others.

Permanent installations of her work include Internationales Waldkunst Odenwald Forest, Darmstadt, Germany; Berlin / Grunewald, Berlin, Germany; Linnaean Garden, Uppsala, Sweden; Silpakorn University Art Atrium, Bangkok, Thailand; and Nova Scotia College of Art and Design, Canada.[7][8][9][10]

Backes has taught at Brown University, Nova Scotia College of Art and Design, Maine College of Art Graduate Program, Rhode Island School of Design, The Kansas City Art Institute, and Northwestern University.[3]

gollark: The basic raw-value-reading bit, which I could easily implement myself in python, works fine, but some DMP code I had to copy from the arduino library (which is probably why it breaks horribly?) causes æææ.
gollark: ```MPU6050 3-axis acceleromter example programASAN:DEADLYSIGNAL===================================================================2032==ERROR: AddressSanitizer: SEGV on unknown address 0x00000013 (pc 0x0014255c bp 0x7ea10018 sp 0x7ea10000 T0) #0 0x14255b (/home/pi/mputest/a.out+0x14255b) #1 0xcdec3 (/home/pi/mputest/a.out+0xcdec3) #2 0x76c256bf (/lib/arm-linux-gnueabihf/libc.so.6+0x2c6bf)AddressSanitizer can not provide additional info.SUMMARY: AddressSanitizer: SEGV (/home/pi/mputest/a.out+0x14255b) ==2032==ABORTING```This is very unhelpful.
gollark: Now, *technically* I could implement all the filtering and sensor fusion algorithms and calibration myself in python, however no.
gollark: So, I want to read some values from an I2C device. Now, you might think "foolish gollark that's something like 50 lines of python at absolute most", and it is except to get anything but raw values I need to use some on-chip "digital motion processor" which is extremely poorly documented.
gollark: Yes, I was replying to ubq.

References
  1. "Archived copy". Archived from the original on 2011-09-29. Retrieved 2011-04-03.CS1 maint: archived copy as title (link)
  2. http://www.deanjensengallery.com/show_BackesMurmurs.php
  3. "Archived copy". Archived from the original on 2011-08-19. Retrieved 2011-04-03.CS1 maint: archived copy as title (link)
  4. Constance Mallinson (March 2009). Joan Backes, Art in America Magazine.[pdf]
  5. Stephen Vincent Kobasa, (July/August 2012), “Joan Backes: Home”, Art New England, http://joanbackes.com/press/ArtNewEnglandReview.pdf
  6. http://artcritical.com/2008/09/08/nature-interrupted-curated-by-elga-wimmer/
  7. Jan Schiefenhovel (August 2010). Haus aus Stocken, Flob mit Erbsen, Frankfurter Allgemeine.[pdf]
  8. Sebastian Johans Sebastian (May 2009). Stilt House is Installed in Linnaeus Garden, Upsala Nya Tidning.[pdf]
  9. Samila Suttisiltum (December 2007). Celebrating Nature. Bangkok Post. [pdf]
  10. http://www.akimbo.ca/akimblog/index.php?id=131


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