Joachim Sauter

Joachim Sauter (born 1959) is a German media artist and designer. He was appointed Professor for New Media Art and Design at the Universität der Künste Berlin, UdK (Berlin University of the Arts) in 1991.[1]

Joachim Sauter

Biography

Sauter studied design at the UdK Berlin, and studied direction and camera at the German Academy for Film and Television, Berlin. He has been using computers both as a tool and as a medium since the early stages of his work.[2] A pioneer of new media, he has developed and shaped this field with his works from the early 1980s on.

In 1988 he founded the new media design studio ART+COM, together with other designers, architects, technologists, and their ilk - more generally, artists and scientists. Their goal was to practically research this new upcoming medium in the realm of art and design.[3] They have come to emphasize the translation of information (easily transmissible via new media) into physical spaces, offering a more communal, reality-grounded experience than computer monitors alone allow for.[4]

Joachim Sauter lives and works in Berlin.

Projects with ART+COM (partial)

Art:

  • 2013 "Symphonie Cinétique - The Poetry of Motion" – exhibition and performance in collaboration with Ólafur Arnalds
  • 2013 "Ink Drops to the Origin" — interactive installation
  • 2012 "Kinetic Rain" – kinetic installation
  • 2008 "Kinetic Sculpture" – kinetic sculpture
  • 2007 "Duality" – interactive environmental installation, Tokyo
  • 2002 "Behind the Lines" - interactive installation
  • 1999-2002 "The Jew of Malta" – medial stage
  • 1995-now "The Invisible Shapes of Things Past" – architectural sculptures made of films
  • 1992 "De-Viewer" – interactive installation

Design:

  • 2008 "Spheres" – mediatecture
  • 2005 "documenta mobil" – mobile exhibition
  • 2004 "floating.numbers" – interactive table installation
  • 2004 "Austrian Flag" - interactive flag
  • 1996 "Terravision" – interactive installation
  • 1995-now "timescope" - low-tech augmented reality device

Exhibitions (partial)
  • 2013 "LeBains", Paris, France
  • 2011 "Matter Light II", Borusan Center for Culture and Arts, Istanbul, Turkey
  • 2010 "moving spaces", Alva Aalto Museum, Aalborg, Denmark
  • 2008 "on cities", National Architecture Museum Stockholm, Sweden
  • 2007 “From Sparc to Pixel”, Martin Gropius Bau, Berlin, Germany
  • 2006 “Venice Biennale of Architecture”, German Pavilion, Italy
  • 2006 “Shanghai Biennale", China
  • 2006 “Digital Transit”, ARCO, Madrid, Spain
  • 2005 "São Paulo Biennale of Architecture", Brasil
  • 2004 “Navigator”, National Museum of Fine Arts, Taichung, Taiwan
  • 2003 “Future Cinema”, ZKM, Karlsruhe, Germany/Lille, France
  • 2001 “Invisible”, Museum of Contemporary Art, Porto, Portugal
  • 1998 “Portable Sacred Grounds”, ICC, Tokyo, Japan
  • 1996 “Wunschmaschine, Welterfindung”, Kunsthalle Wien, Austria
  • 1996 “Under the Capricorn”, Steijdilik Museum, Amsterdam, Netherlands
  • 1995 “Anew Europe”, Venice Biennale, Italy
  • 1993 “Artec”, Museum of Modern Art, Nagoya, Japan
  • 1992 “Manifeste”, Centre Pompidou, Paris, France
gollark: It has an innovative syntax-based type system.
gollark: For the lulz™, me and a friend wrote a partial exam board "pseudocode" to exam board "assembly" compiler.
gollark: The exam board for computer science here writes "pseudocode" in a deranged BASIC derivative which is actually fairly well specified.
gollark: I suppose someone (actually, many people) probably made a BASIC→JS compiler at some point.
gollark: I would be impressed if they managed to write a webapp in that.

See also

References
  1. "Gestalten mit digitalen Medien". Universität der Künste Berlin. Archived from the original on 16 October 2009. Retrieved 20 November 2010.
  2. "Colloquium: Joachim Sauter, "The Renaissance of Space"". MIT Media Lab. April 5, 2010. Retrieved 20 November 2010.
  3. "Staff". ART+COM -. Retrieved 20 November 2010.
  4. "The Creators Project | Joachim Sauter". The Creators Project -. Retrieved 7 November 2012.
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